List of compositions
- Mélodies — When night her purple veil had softly spread: Bass-2 violins • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: lost • Z.354
- Mélodies — Bacchus is a power divine: Bass-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Soprano-b.c. • Z.375
- Mélodies — I fain would be free: lost • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he: unfinished • Z.403
- Mélodies — Olinda in the shades unseen: Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine: Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: lost • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart: Countertenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Countertenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Countertenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bass-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Countertenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for She that would gain a faithful lover Purcell
Fantasy On 'The Wee Cooper Of Fife' — Douglas Townsend
String Orchestra — Score and Parts —
Composed by Douglas Townsend. Carl Fischer Concert String Orchestra Series. My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life. Score and Parts. With Standard notation. Carl Fischer Music #CAS18. Published by Carl Fischer Music (CF.CAS18).
Price: $40.00
Would You Gain The Tender Creature from Acis — George Frideric Handel
String Quartet — Score Only —
And Galatea. Composed by George Frideric Handel (1685-1759). Arranged by Carlo Martelli. Score Only. Broadbent and Dunn #BD12927S. Published by Broadbent and Dunn (BT.BD12927S).
Price: $5.00
Would You Gain The Tender Creature from Acis — George Frideric Handel
String Quartet — Set of Parts —
And Galatea. Composed by George Frideric Handel (1685-1759). Arranged by Carlo Martelli. Set of Parts. Broadbent and Dunn #BD12927P. Published by Broadbent and Dunn (BT.BD12927P).
Price: $11.00
Passerine — Newfoundland Folk Song
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — score and parts —
Composed by Newfoundland Folk Song. Arranged by Carl Strommen. SWS FS. Young String Orchestra. Based on a Newfoundland folk song, Passerine refers to the swallow found in the lyric of this song of lost love: She's like a swallow that flies so high, she's like the river that never runs dry, she's like the sunshine on the lee shore. I love my love, . Score and parts. With Standard notation. Duration 3 minutes, 24 seconds. Carl Fischer Music #YAS168. Published by Carl Fischer Music (CF.YAS168).
Price: $55.00
She Loves And She Confesses Too Voice/Piano — Henry Purcell
Voice and Piano — Book Only —
Composed by Henry Purcell (1659-1695). Book Only. Novello & Co Ltd. #MUSNOV955031. Published by Novello & Co Ltd. (BT.MUSNOV955031).
Price: $2.00
Jesu, Lover of My Soul: Jesus, Lover of My Soul — Philip W. J. Stopford
SATB choir, Organ or Full Orchestra — choral score — Lent, 21st Century, Trust/Guidance
Composed by Philip W. J. Stopford. Catholic Year C Lent5. Lent, 21st Century, Trust/Guidance. Choral score. MorningStar Music Publishers #50-6083. Published by MorningStar Music Publishers (MN.50-6083).
Price: $2.00
The Birth of Saint Patrick — Samuel Lover (1797-1868)
Choir,SSAA — Sheet Music Single — 21st Century,Folk,Comedy,Secular
Composed by Samuel Lover (1797-1868). Arranged by Mark D. Templeton. 21st Century, Folk, Comedy, Secular. Sheet Music Single. 6 pages. Mark Templeton Choral Music #MTN023. Published by Mark Templeton Choral Music (S0.24290).
Price: $1.00
Ich will leiden, ich will schweigen (I would suffer, I would keep silent) from Cantata BWV 87 — Johann Sebastian Bach
Flute,Clarinet,Woodwind Ensemble,flute and clarinet duet,woodwind duet — Score,Set of Parts — Baroque Period,Sacred
Composed by Johann Sebastian Bach (1685-1750). Arranged by Joe Armstrong and Liz Leehey. Baroque Period, Sacred. Score, Set of Parts. 8 pages. Published by Joe Armstrong and Liz Leehey (S0.6596).
Price: $8.00
If Ye Would Hear — Sydney F. Hodkinson
Handbells, Organ, Piano, alto voice, bass voice, soprano voice, tenor voice — choral part(s) — Classical
If Ye Would hear the angels sing. Composed by Sydney F. Hodkinson. Classical. Choral part(s). With Standard notation. 11 pages. Duration 4 minutes. Theodore Presser Company #342-40149. Published by Theodore Presser Company (PR.342401490).
Price: $1.00
Thomas Jeffersons Fiddle Tunes — James Meredith
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — —
Composed by James Meredith. Concert String Orchestra (CAS). Good music played well inspires the imagination. In the evenings after dinner at Monticello Thomas and Martha Jefferson enjoyed nothing better than to play music. Each was an accomplished musician. Jefferson would play the violin, and Martha would often a. With Standard notation. 156 pages. Carl Fischer Music #CAS108. Published by Carl Fischer Music (CF.CAS108).
Price: $60.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949