List of compositions
- Mélodies — When night her purple veil had softly spread: Bass-2 violins • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: lost • Z.354
- Mélodies — Bacchus is a power divine: Bass-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Soprano-b.c. • Z.375
- Mélodies — I fain would be free: lost • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he: unfinished • Z.403
- Mélodies — Olinda in the shades unseen: Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine: Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: lost • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart: Countertenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Countertenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Countertenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bass-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Countertenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for I came, I saw, and was undone Purcell
Undone Soliloquy #1 (Reaching) — Andrea Neustaeter
Piano Solo — Sheet Music Single — 21st Century,Etudes and Exercises,Repertoire,General Instructional
Composed by Andrea Neustaeter. 21st Century, Etudes and Exercises, Repertoire, General Instructional. Sheet Music Single. 3 pages. Published by Andrea Neustaeter (S0.26492).
Price: $3.00
Undone Soliloquy: Hope Lingers — Andrea Neustaeter
Piano Solo — — Contemporary Classical,Repertoire,Technique Training,Recital
Composed by Andrea Neustaeter. Contemporary Classical, Repertoire, Technique Training, Recital. 3 pages. Published by Andrea Neustaeter (S0.199433).
Price: $3.00
Undone Soliloquy #2 (Forgiveness) — Andrea Neustaeter
Piano Solo — Sheet Music Single — 21st Century
Composed by Andrea Neustaeter. 21st Century. Sheet Music Single. 4 pages. Published by Andrea Neustaeter (S0.26488).
Price: $3.00
Eclipsys — Sean O'Loughlin
String Orchestra — Score and Parts — Classical
For String Orchestra. Composed by Sean O'Loughlin. Edited by Amy Rosen. This edition: complete set. Carl Fischer First Plus String Orchestra Series. Eclipsys is roughly two minutes of pure excitement for young string orchestra. It is a great way to begin or end any concert. The music is set in minor featuring lots of energy and rhythmic verve. The title came from a sign I saw on the streets o. Classical. Score and Parts. With Standard notation. 74 pages. Carl Fischer Music #FAS20. Published by Carl Fischer Music (CF.FAS20).
Price: $50.00
Purcell Cortege, A — Henry Purcell
Concert Band — Score and Parts —
Composed by Henry Purcell (1659-1695). Arranged by Stephen Bulla. Print-instrumental Concert Band. FJH Masterworks for Concert Band. This four-movement work captures the essence of Henry Purcell's musical style. The scoring and ranges make this piece very idiomatic and accessible for all instruments. This is excellent teaching material and is ideal for any concert or festival appearanc. Score and Parts. Duration 6:24. The FJH Music Company Inc #B1085. Published by The FJH Music Company Inc (FJ.B1085).
Price: $60.00
Purcell Cortege, A — Henry Purcell
— Score —
Score Only. Composed by Henry Purcell (1659-1695). Arranged by Stephen Bulla. Print-instrumental Concert Band. FJH Masterworks for Concert Band. This four-movement work captures the essence of Henry Purcell's musical style. The scoring and ranges make this piece very idiomatic and accessible for all instruments. This is excellent teaching material and is ideal for any concert or festival appearanc. Score. Duration 6:24. Published by The FJH Music Company Inc (FJ.B1085S).
Price: $8.00
Purcell Society Volume 30 — Henry Purcell
Voice — Book Only — Sacred
Sacred Music Part 6 Songs and Vocal Ensemble. Composed by Henry Purcell (1659-1695). Purcell Society Volume. Sacred. Book Only. Novello & Co Ltd. #MUSNOV151030. Published by Novello & Co Ltd. (HL.14028580).
Price: $54.00
Purcell Society Volume 6 - — Henry Purcell
Organ Organ Accompaniment Harpsichord — Book Only — Baroque
Harpsichord And Org. Music (Original Engraving). Composed by Henry Purcell (1659-1695). Purcell Society Volume. Baroque. Book Only. Novello & Co Ltd. #MUSNOV950124. Published by Novello & Co Ltd. (HL.14024707).
Price: $144.00
Mixed Bag No.3 Purcell Popular Pieces (Sc/Pts) — Henry Purcell
— Score and Parts —
Composed by Henry Purcell (1659-1695). Woodwind, Ensembles. Mixed Bag. Mixed Bag No. 3 Purcell Popular Pieces (Sc/Pts). Score and Parts. Chester Music #CH55203. Published by Chester Music (HU.CH55203).
Price: $35.00
Purcell Society Volume 26 - King Arthur — Henry Purcell
Opera — Book Only — Opera or Operetta
King Arthur (Arr. Laurie). Composed by Henry Purcell (1659-1695). Purcell Society Volume. Opera or Operetta. Book Only. Novello & Co Ltd. #MUSNOV151026. Published by Novello & Co Ltd. (HL.14017908).
Price: $62.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949