List of compositions
- Mélodies — When night her purple veil had softly spread: Bass-2 violins • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: lost • Z.354
- Mélodies — Bacchus is a power divine: Bass-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Soprano-b.c. • Z.375
- Mélodies — I fain would be free: lost • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he: unfinished • Z.403
- Mélodies — Olinda in the shades unseen: Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine: Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: lost • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart: Countertenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Countertenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Countertenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bass-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Countertenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for I envy not a monarchs fate Purcell
Return of the Monarchs (score only) — Victor Lopez
Full Orchestra — Conductor Score —
Composed by Victor Lopez. Full Orchestra. Belwin Intermediate Full Orchestra. Conductor Score. 24 pages. Belwin Music #00-31539S. Published by Belwin Music (AP.31539S).
Price: $8.00
Monarchs: Movement for Orchestra — Judith Lang Zaimont
Orchestra — Study Score —
Composed by Judith Lang Zaimont (1945-). Study Score. Composed 1988. Duration 18'. Published by Subito Music Corporation (SU.95010280).
Price: $50.00
Monarchs of Music — William Mahan
Harp — — Classical Period,Baroque Period,Repertoire,Recital
Composed by William Mahan. Classical Period, Baroque Period, Repertoire, Recital. 26 pages. Published by Afghan Press Music for the Harp (S0.643771).
Price: $16.00
Serenata No. 1 in D major Op. 69a — Jean Sibelius
violin, orchestra — piano reduction — Early 20th Century
Composed by Jean Sibelius (1865-1957). Edited by Hermann Gartner. Arranged by Hermann Gartner. Edition Breitkopf.
Herr Gartner's arrangement is excellent. Herr Gartner is worth his weight in gold - I sincerely envy him. (Jean Sibelius)
Early 20th Century. Piano reduction. Breitkopf and Haertel #EB-3936. Published by Breitkopf and Haertel (BR.EB-3936).Price: $18.00
Serenata No. 2 in G minor Op. 69b — Jean Sibelius
violin, orchestra — piano reduction — Early 20th Century
Composed by Jean Sibelius (1865-1957). Edited by Hermann Gartner. Arranged by Hermann Gartner. Edition Breitkopf.
Herr Gartner's arrangement is excellent. Herr Gartner is worth his weight in gold - I sincerely envy him. (Jean Sibelius)
Early 20th Century. Piano reduction. Breitkopf and Haertel #EB-3937. Published by Breitkopf and Haertel (BR.EB-3937).Price: $20.00
Envy Eldest Born Of Hell — George Frideric Handel
SATB Choir and Piano — Choral Score — Classical
Composed by George Frideric Handel (1685-1759). Classical. Choral Score. Novello & Co Ltd. #MUSNOV400233. Published by Novello & Co Ltd. (HL.14014201).
Price: $3.00
The Floral Wedding — Victor Herbert
piano and voice — —
Composed by Victor Herbert (1859-1924). Portraits, Courtship & love, Celebrations, Flowers--symbols, Envy, Distress. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20509).
Price: $5.00
In deepest need I cry to you (Aus tiefer Not schrei ich zu dir) — Johann Sebastian Bach
SATB choir, basso continuo — Full score — Sacred vocal music, Hymn settings, End of the church year, Psalms, Mourning, death
Aus: Aus tiefer Not schrei ich zu dir. Composed by Johann Sebastian Bach (1685-1750) and Martin Luther (1483-1546). Edited by Hermann Stern. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir. Sacred vocal music, Hymn settings, End of the church year, Psalms, Mourning, death. Full score. BWV 38,1. 12 pages. Duration 5 minutes. Carus Verlag #CV 01.543/00. Published by Carus Verlag (CA.154300).
Price: $5.00
There's Not A Swain Of The Plain — Henry Purcell
piano/vocal — — Classical
By Henry Purcell and Benjamin Britten. By Henry Purcell (1659-1695). Classical. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.128309).
Price: $3.00
Remember Not O Lord, Our Offences — Henry Purcell
SATB Choir — Choral Score — Hymns & Chorals
(Purcell Society Edition). Composed by Henry Purcell (1659-1695). Hymns & Chorals. Choral Score. Novello & Co Ltd. #MUSNOV950539. Published by Novello & Co Ltd. (BT.MUSNOV950539).
Price: $2.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949