Liste des compositions
- Mélodies — When night her purple veil had softly spread: Bajo-2 violínes • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: perdido • Z.354
- Mélodies — Bacchus is a power divine: Bajo-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Soprano-b.c. • Z.375
- Mélodies — I fain would be free: perdido • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he: inacabado • Z.403
- Mélodies — Olinda in the shades unseen: Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine: Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: perdido • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-soprano-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart: Contratenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Contratenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Contratenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bajo-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Contratenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for From silent shades or Bess of Bedlam Purcell
Mad Bess — Henry Purcell
high voice and piano — —
(from silent shades). Composed by Henry Purcell (1659-1695). Edited by Sir Michael Tippett and Walter Bergmann. This edition: Folding. Sheet music. Schott. 8 pages. Schott Music #ED 11944. Published by Schott Music (HL.49014828).
Price: $9.00
Bess you is my woman — George Gershwin
soprano, bass-baritone and Concert band — Full score —
From the Opera Porgy and Bess. Composed by George Gershwin (1898-1937). Arranged by Roger Niese. Baton Music vocal series. From the Opera Porgy and Bess. Full score. Duration 6:00. Baton Music #BM270-SCORE. Published by Baton Music (BF.BM270-SCORE).
Price: $30.00
Bess you is my woman — George Gershwin
soprano, bass-baritone and Concert band — Full score and set of parts —
From the Opera Porgy and Bess. Composed by George Gershwin (1898-1937). Arranged by Roger Niese. Baton Music vocal series. From the Opera Porgy and Bess. Full score and set of parts. Duration 6:00. Baton Music #BM270-SET. Published by Baton Music (BF.BM270-SET).
Price: $162.00
From Silent Shades — Henry Purcell
Voice, Harpsichord and Continuo — Book Only —
Composed by Henry Purcell (1659-1695). Book Only. Novello & Co Ltd. #MUSNOV151025-15. Published by Novello & Co Ltd. (BT.MUSNOV151025-15).
Price: $10.00
Pastorale on Silent Night — Pastorale On "silent Night"
Organ-Digital Version — Organ Book — Christmas, Sacred
Composed by Pastorale On "silent Night". Arranged by Pastorale On "silent Night". Christmas, Sacred. Organ Book. 8 pages. Hope Publishing Company #325DP. Published by Hope Publishing Company (H1.325DP).
Price: $9.00
Fifty Shades Of Grey — Johann Pachelbel
Piano — solo part — Classical
Classical Selections Arranged For Piano. Composed by Johann Pachelbel (1653-1706), Johann Sebastian Bach (1685-1750), Frederic Chopin (1810-1849), Giuseppe Verdi (1813-1901), Leo Delibes (1836-1891), Gabriel Faure (1845-1924), Claude Debussy (1862-1918), Ralph Vaughan Williams (1872-1958), Sergei Rachmaninoff (1873-1943), Joseph Canteloube (1879-1957), Heitor Villa-Lobos (1887-1959), and Thomas Tallis (1505-1585). Edited by Justin Tokke. Arranged by Justin Tokke, Nicholas Hopkins, and David Dutkanicz. SWS. Fifty Shades. Classical. Solo part. With Standard notation. 44 pages. Theodore Presser Company #410-41343. Published by Theodore Presser Company (PR.410413430).
Price: $19.00
Porgy and Bess (Medley) — George Gershwin
— Part(s); Score — 20th Century; Broadway; Masterwork Arrangement; Standard
Featuring: I Got Plenty o' Nuttin' / It Ain't Necessarily So / Summertime / Crab Man / Bess, You Is My Woman Now. Composed by George Gershwin (1898-1937). Arranged by James Barnes. Concert Band; Masterworks; Performance Music Ensemble; Single Titles; Tony. Pop Symphonic Band. 20th Century; Broadway; Masterwork Arrangement; Standard. Part(s); Score. 252 pages. Duration 8:30. Belwin Music #00-CB9802. Published by Belwin Music (AP.CB9802).
Price: $95.00
I got plenty o' nuttin' — George Gershwin
bass-baritone voice and Concert band — Full score —
From the Opera Porgy and Bess. Composed by George Gershwin (1898-1937). Arranged by Roger Niese. Baton Music vocal series. From the Opera Porgy and Bess. Full score. Duration 2:30. Baton Music #BM252-SCORE. Published by Baton Music (BF.BM252-SCORE).
Price: $24.00
Summertime (from Porgy and Bess) — DuBose
— Choral Octavo — 20th Century; Broadway; Masterwork Arrangement; Secular; Standard
From the Musical Porgy and Bess. Composed by DuBose, George Gershwin (1898-1937), Ira Gershwin, and Dorothy Heyward. Arranged by Russell L. Robinson. Masterworks; Performance Music Ensemble; Single Titles; Tony. Alfred Archive Edition: Alfred Pop Choral Series. 20th Century; Broadway; Masterwork Arrangement; Secular; Standard. Choral Octavo. 16 pages. Alfred Music #00-CHM04013. Published by Alfred Music (AP.CHM04013).
Price: $2.00
Bess, You Is My Woman Now — Gil Evans
Jazz Studio Orchestra — score — Ballad
As Recorded by Miles Davis and Gil Evans on 1958's Porgy and Bess. Edited by Dylan Canterbury, Rob DuBoff, and Jeffrey Sultanof. Arranged by Gil Evans. Range: Trumpet 1: C6; Trombone 1: Cb5. Ballad. Score. Published by Jazz Lines Publications (JL.JLP-7552S).
Price: $20.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949