Liste des compositions
- Mélodies — When night her purple veil had softly spread: Bajo-2 violínes • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: perdido • Z.354
- Mélodies — Bacchus is a power divine: Bajo-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Soprano-b.c. • Z.375
- Mélodies — I fain would be free: perdido • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he: inacabado • Z.403
- Mélodies — Olinda in the shades unseen: Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine: Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: perdido • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-soprano-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart: Contratenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Contratenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Contratenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bajo-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Contratenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for Through mournful shades and solitary groves Purcell
Toil and Trouble — Jayne Groves, Matt Moore
Timpani,Drums,Multi-Percussion,Percussion Ensemble,Large junior percussion ensemble,12+ Players (4 players playing top of plastic barrels with rods,4 players playing side of plastic barrels with drumstick [RH] & wrist bells / finger cymbals [LH],4 players — Score,Set of Parts — 21st Century,Classroom,Halloween,Fairy Tales
Composed by Jayne Groves, Matt Moore. 21st Century, Classroom, Halloween, Fairy Tales. Score, Set of Parts. 18 pages. Published by M Moore & J Groves (S0.187703).
Price: $25.00
Street Samba — Jayne Groves, Matt Moore
Percussion Ensemble,for 12+ Players: Samba Whistle,Chocalho (or tambourine) & Shekere,Ganza (or metal cylinder shaker),Agogo Bells,Tamborim (or djembe),Repinique (or high timbale),Caixa (or snare drum),Bongos,Congas,3rd Surdo (or med tom),2nd Surdo (or med — — 21st Century,World,Latin,South American
Composed by Jayne Groves, Matt Moore. 21st Century, World, Latin, South American. 46 pages. Published by M Moore & J Groves (S0.190909).
Price: $37.00
Responses in e minor — Nicholas Groves
SATB — Score — Contemporary Classical,Christian,Sacred,General Worship
Composed by Nicholas Groves. Contemporary Classical, Christian, Sacred, General Worship. Score. 4 pages. Published by Nicholas Groves (S0.540380).
Price: $5.00
Nellie — Jayne Groves, Matt Moore
Concert Band,Grade 4.5 — Score,Set of Parts — 21st Century
Composed by Jayne Groves, Matt Moore. 21st Century. Score, Set of Parts. 135 pages. Published by M Moore & J Groves (S0.482707).
Price: $65.00
Hinchinbrook — Jayne Groves, Matt Moore
Multi-Percussion,Medium Difficult — — 21st Century,Contemporary Classical,Repertoire,Recital
Composed by Jayne Groves, Matt Moore. 21st Century, Contemporary Classical, Repertoire, Recital. 7 pages. Published by M Moore & J Groves (S0.514345).
Price: $17.00
Walsingham — Nicholas Groves
Organ — Score — 20th Century,Impressionistic
Composed by Nicholas Groves. 20th Century, Impressionistic. Score. 3 pages. Published by Nicholas Groves (S0.164707).
Price: $5.00
Fifty Shades Of Grey — Johann Pachelbel
Piano — solo part — Classical
Classical Selections Arranged For Piano. Composed by Johann Pachelbel (1653-1706), Johann Sebastian Bach (1685-1750), Frederic Chopin (1810-1849), Giuseppe Verdi (1813-1901), Leo Delibes (1836-1891), Gabriel Faure (1845-1924), Claude Debussy (1862-1918), Ralph Vaughan Williams (1872-1958), Sergei Rachmaninoff (1873-1943), Joseph Canteloube (1879-1957), Heitor Villa-Lobos (1887-1959), and Thomas Tallis (1505-1585). Edited by Justin Tokke. Arranged by Justin Tokke, Nicholas Hopkins, and David Dutkanicz. SWS. Fifty Shades. Classical. Solo part. With Standard notation. 44 pages. Theodore Presser Company #410-41343. Published by Theodore Presser Company (PR.410413430).
Price: $19.00
Wagner: the Flying Dutchman — James Levine; Morris; Voigt; Heppner; Rootering; Groves; Svenden; Metropolis Opera Orchestra And Chorus
— 2 listening CDs — Classical
By James Levine; Morris; Voigt; Heppner; Rootering; Groves; Svenden; Metropolis Opera Orchestra And Chorus. By Richard Wagner (1813-1883). Sony Opera House. Classical. 2 listening CDs. Published by Sony Music Entertainment (NX.88697448222).
Price: $13.00
He's Always Been Faithful — Sara Groves
SATB choir; orchestra — octavo — Contemporary, Hymntune, General Worship, Assurance, Christ's Presence, Comfort, Confidence, Encouragement, Faithfulness, Guidance, Promise, Sacred
Composed by Sara Groves and William Runyan. Arranged by Thomas Fettke. Vocal Solo Sheet Music Series. Contemporary, Hymntune, General Worship, Assurance, Christ's Presence, Comfort, Confidence, Encouragement, Faithfulness, Guidance, Promise, Sacred. Octavo. 12 pages. Duration 12 minutes. Hope Publishing Company #C5462. Published by Hope Publishing Company (HP.C5462).
Price: $2.00
He's Always Been Faithful — Sara Groves
SATB choir; orchestra — Performance/Accompaniment CD — Contemporary, Hymntune, General Worship, Assurance, Christ's Presence, Comfort, Confidence, Encouragement, Faithfulness, Guidance, Promise, Sacred
Composed by Sara Groves and William Runyan. Arranged by Thomas Fettke. Vocal Solo Sheet Music Series. Contemporary, Hymntune, General Worship, Assurance, Christ's Presence, Comfort, Confidence, Encouragement, Faithfulness, Guidance, Promise, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5462C. Published by Hope Publishing Company (HP.C5462C).
Price: $29.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949