Liste des compositions
- Mélodies — When night her purple veil had softly spread: Bajo-2 violínes • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: perdido • Z.354
- Mélodies — Bacchus is a power divine: Bajo-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Soprano-b.c. • Z.375
- Mélodies — I fain would be free: perdido • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he: inacabado • Z.403
- Mélodies — Olinda in the shades unseen: Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine: Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: perdido • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-soprano-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart: Contratenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Contratenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Contratenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bajo-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Contratenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for Rashly I swore I would disown Purcell
Ich will leiden, ich will schweigen (I would suffer, I would keep silent) from Cantata BWV 87 — Johann Sebastian Bach
Flute,Clarinet,Woodwind Ensemble,flute and clarinet duet,woodwind duet — Score,Set of Parts — Baroque Period,Sacred
Composed by Johann Sebastian Bach (1685-1750). Arranged by Joe Armstrong and Liz Leehey. Baroque Period, Sacred. Score, Set of Parts. 8 pages. Published by Joe Armstrong and Liz Leehey (S0.6596).
Price: $8.00
If Ye Would Hear — Sydney F. Hodkinson
Handbells, Organ, Piano, alto voice, bass voice, soprano voice, tenor voice — choral part(s) — Classical
If Ye Would hear the angels sing. Composed by Sydney F. Hodkinson. Classical. Choral part(s). With Standard notation. 11 pages. Duration 4 minutes. Theodore Presser Company #342-40149. Published by Theodore Presser Company (PR.342401490).
Price: $1.00
Thomas Jeffersons Fiddle Tunes — James Meredith
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — —
Composed by James Meredith. Concert String Orchestra (CAS). Good music played well inspires the imagination. In the evenings after dinner at Monticello Thomas and Martha Jefferson enjoyed nothing better than to play music. Each was an accomplished musician. Jefferson would play the violin, and Martha would often a. With Standard notation. 156 pages. Carl Fischer Music #CAS108. Published by Carl Fischer Music (CF.CAS108).
Price: $60.00
Thomas Jeffersons Fiddle Tunes — James Meredith
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — —
Composed by James Meredith. Concert String Orchestra (CAS). Good music played well inspires the imagination. In the evenings after dinner at Monticello Thomas and Martha Jefferson enjoyed nothing better than to play music. Each was an accomplished musician. Jefferson would play the violin, and Martha would often a. With Standard notation. 156 pages. Carl Fischer Music #CAS108F. Published by Carl Fischer Music (CF.CAS108F).
Price: $7.00
Seven Steps To Heaven (2002) for string orchestra — Thomas Oboe Lee
Violin,Viola,Cello,Double Bass,String orchestra — Score — 21st Century,20th Century,Romantic Period,Classical Period,Jazz
Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Jazz. Score. With Funk Scherzo Interlude II Bossa nova Interlude III Perpetuo moto When Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that “Seven Steps” would be premiered at the Hancock Shaker Village, I thought it would be most appropriate . 39 pages. Published by Thomas Oboe Lee (S0.10383).
Price: $40.00
Seven Steps To Heaven (2002) for string septet or string orchestra — Thomas Oboe Lee
Violin,Viola,Cello,Double Bass,4 violins,2 violas,2 cellos and 1 double bass — Score — Baroque Period,Classical Period,Romantic Period,20th Century,21st Century
Composed by Thomas Oboe Lee. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Score. With Funk Scherzo Interlude II Bossa nova Interlude III Perpetuo moto When Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that “Seven Steps” would be premiered at the Hancock Shaker Village, I thought it would be most appropriate . 39 pages. Published by Thomas Oboe Lee (S0.13592).
Price: $40.00
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra — Thomas Oboe Lee
Voice — Score — 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period
Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.” I said, “Yes. I would be delighted to do so.” He . 88 pages. Published by Thomas Oboe Lee (S0.14238).
Price: $40.00
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra — Thomas Oboe Lee
Voice,Chamber Orchestra — Score — 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period
Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.” I said, “Yes. I would be delighted to do so.” He . 88 pages. Published by Thomas Oboe Lee (S0.28721).
Price: $40.00
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra — Thomas Oboe Lee
Full Orchestra — Score — 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period
Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.” I said, “Yes. I would be delighted to do so.” He . 88 pages. Published by Thomas Oboe Lee (S0.16737).
Price: $40.00
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra — Thomas Oboe Lee
Voice,Chamber Orchestra — Score — 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period
Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.” I said, “Yes. I would be delighted to do so.” He . 88 pages. Published by Thomas Oboe Lee (S0.19217).
Price: $40.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949