Liste des compositions
- Mélodies — When night her purple veil had softly spread: Bajo-2 violínes • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: perdido • Z.354
- Mélodies — Bacchus is a power divine: Bajo-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Soprano-b.c. • Z.375
- Mélodies — I fain would be free: perdido • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he: inacabado • Z.403
- Mélodies — Olinda in the shades unseen: Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine: Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: perdido • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-soprano-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart: Contratenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Contratenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Contratenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bajo-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Contratenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for Ah ! what pains, what racking thiughts Purcell
Cantata BWV 3 O God, how many pains of heart — Johann Sebastian Bach
vocal solo(s), mixed choir, orchestra — vocal score — Baroque
2nd Sunday after Epiphany. Composed by Johann Sebastian Bach (1685-1750). Edited by Gunter Raphael. Arranged by Gunter Raphael. Edition Breitkopf. Baroque. Vocal score. Breitkopf and Haertel #EB-7003. Published by Breitkopf and Haertel (BR.EB-7003).
Price: $9.00
The Pains Of Hell Came Satb — Edwin George Monk
SATB Choir — Choral Score — Classical
Composed by Edwin George Monk. Classical. Choral Score. Novello & Co Ltd. #MUSNOV500184. Published by Novello & Co Ltd. (BT.MUSNOV500184).
Price: $2.00
Dulce dolor del amor , sweet love pains , classic guitar — alfred feenstra
Guitar — Score,Sheet Music Single — Post-Romantic,World,Valentine's Day,Recital
Composed by alfred feenstra. Post-Romantic, World, Valentine's Day, Recital. Score, Sheet Music Single. 4 pages. Published by Alfred Feenstra (S0.674589).
Price: $4.00
Cantata BWV 3 O God, how many pains of heart — Johann Sebastian Bach
— choral score —
2nd Sunday after Epiphany. Composed by Johann Sebastian Bach (1685-1750). Choral score. Breitkopf and Haertel #CHB-4503-02. Published by Breitkopf and Haertel (BR.CHB-4503-02).
Price: $4.00
Purcell Cortege, A — Henry Purcell
Concert Band — Score and Parts —
Composed by Henry Purcell (1659-1695). Arranged by Stephen Bulla. Print-instrumental Concert Band. FJH Masterworks for Concert Band. This four-movement work captures the essence of Henry Purcell's musical style. The scoring and ranges make this piece very idiomatic and accessible for all instruments. This is excellent teaching material and is ideal for any concert or festival appearanc. Score and Parts. Duration 6:24. The FJH Music Company Inc #B1085. Published by The FJH Music Company Inc (FJ.B1085).
Price: $60.00
Purcell Society Volume 30 — Henry Purcell
Voice — Book Only — Sacred
Sacred Music Part 6 Songs and Vocal Ensemble. Composed by Henry Purcell (1659-1695). Purcell Society Volume. Sacred. Book Only. Novello & Co Ltd. #MUSNOV151030. Published by Novello & Co Ltd. (HL.14028580).
Price: $54.00
Purcell Society Volume 26 - King Arthur — Henry Purcell
Opera — Book Only — Opera or Operetta
King Arthur (Arr. Laurie). Composed by Henry Purcell (1659-1695). Purcell Society Volume. Opera or Operetta. Book Only. Novello & Co Ltd. #MUSNOV151026. Published by Novello & Co Ltd. (HL.14017908).
Price: $62.00
Purcell Cortege, A — Henry Purcell
— Score —
Score Only. Composed by Henry Purcell (1659-1695). Arranged by Stephen Bulla. Print-instrumental Concert Band. FJH Masterworks for Concert Band. This four-movement work captures the essence of Henry Purcell's musical style. The scoring and ranges make this piece very idiomatic and accessible for all instruments. This is excellent teaching material and is ideal for any concert or festival appearanc. Score. Duration 6:24. Published by The FJH Music Company Inc (FJ.B1085S).
Price: $8.00
Purcell Society Volume 7 — Henry Purcell
String Ensemble — Book Only — Baroque
10 Sonatas Of Four Parts (Full Score). Composed by Henry Purcell (1659-1695). Purcell Society Volume. Baroque. Book Only. Novello & Co Ltd. #MUSNOV151007. Published by Novello & Co Ltd. (HL.14026444).
Price: $55.00
Purcell Society Volume 9 — Henry Purcell
SATB Orchestra — Book Only — Baroque, Choral
Dioclesian (Full Score). Composed by Henry Purcell (1659-1695). Purcell Society Volume. Baroque, Choral. Book Only. Novello & Co Ltd. #MUSNOV151009. Published by Novello & Co Ltd. (HL.14031930).
Price: $40.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949