Kompositionsliste
- Mélodies — When night her purple veil had softly spread: Bass-2 Violinen • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: verloren • Z.354
- Mélodies — Bacchus is a power divine: Bass-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Sopran-b.c. • Z.375
- Mélodies — I fain would be free: verloren • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Sopran-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Sopran-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Sopran-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Sopran-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Sopran-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Sopran-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Sopran-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Sopran-b.c. • Z.402
- Mélodies — O ! how happy's he: unvollendet • Z.403
- Mélodies — Olinda in the shades unseen: Sopran-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Sopran-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Sopran-b.c. • Z.426
- Mélodies — What a sad fate is mine: Sopran-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Sopran-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: verloren • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Sopran-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Sopran-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Sopran-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Sopran-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-b.c./Klavier • (1683) • Z.370
- Mélodies — Let each gallant heart: Countertenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Sopran-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Countertenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Sopran-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Countertenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Sopran-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Sopran-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Sopran-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Sopran-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Sopran-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bass-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Sopran-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Countertenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Sopran-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for Stript of their green our groves appear Purcell
Street Samba — Jayne Groves, Matt Moore
Percussion Ensemble,for 12+ Players: Samba Whistle,Chocalho (or tambourine) & Shekere,Ganza (or metal cylinder shaker),Agogo Bells,Tamborim (or djembe),Repinique (or high timbale),Caixa (or snare drum),Bongos,Congas,3rd Surdo (or med tom),2nd Surdo (or med — — 21st Century,World,Latin,South American
Composed by Jayne Groves, Matt Moore. 21st Century, World, Latin, South American. 46 pages. Published by M Moore & J Groves (S0.190909).
Price: $37.00
Responses in e minor — Nicholas Groves
SATB — Score — Contemporary Classical,Christian,Sacred,General Worship
Composed by Nicholas Groves. Contemporary Classical, Christian, Sacred, General Worship. Score. 4 pages. Published by Nicholas Groves (S0.540380).
Price: $5.00
Nellie — Jayne Groves, Matt Moore
Concert Band,Grade 4.5 — Score,Set of Parts — 21st Century
Composed by Jayne Groves, Matt Moore. 21st Century. Score, Set of Parts. 135 pages. Published by M Moore & J Groves (S0.482707).
Price: $65.00
Hinchinbrook — Jayne Groves, Matt Moore
Multi-Percussion,Medium Difficult — — 21st Century,Contemporary Classical,Repertoire,Recital
Composed by Jayne Groves, Matt Moore. 21st Century, Contemporary Classical, Repertoire, Recital. 7 pages. Published by M Moore & J Groves (S0.514345).
Price: $17.00
Walsingham — Nicholas Groves
Organ — Score — 20th Century,Impressionistic
Composed by Nicholas Groves. 20th Century, Impressionistic. Score. 3 pages. Published by Nicholas Groves (S0.164707).
Price: $5.00
Toil and Trouble — Jayne Groves, Matt Moore
Timpani,Drums,Multi-Percussion,Percussion Ensemble,Large junior percussion ensemble,12+ Players (4 players playing top of plastic barrels with rods,4 players playing side of plastic barrels with drumstick [RH] & wrist bells / finger cymbals [LH],4 players — Score,Set of Parts — 21st Century,Classroom,Halloween,Fairy Tales
Composed by Jayne Groves, Matt Moore. 21st Century, Classroom, Halloween, Fairy Tales. Score, Set of Parts. 18 pages. Published by M Moore & J Groves (S0.187703).
Price: $25.00
In Grandfathers Arms — James Meredith
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — —
Composed by James Meredith. First-Plus String Orchestra (FAS). Good music played well inspires the imagination. Whether it is a grandfather, grandmother, mom, dad, aunt or uncle, everyone has had someone they cuddled with before bedtime. The warmth of their body, their arms protectively around you, their soothing voi. With Standard notation. 78 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #FAS109. Published by Carl Fischer Music (CF.FAS109).
Price: $50.00
In Grandfathers Arms — James Meredith
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — —
Composed by James Meredith. First-Plus String Orchestra (FAS). Good music played well inspires the imagination. Whether it is a grandfather, grandmother, mom, dad, aunt or uncle, everyone has had someone they cuddled with before bedtime. The warmth of their body, their arms protectively around you, their soothing voi. With Standard notation. 78 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #FAS109F. Published by Carl Fischer Music (CF.FAS109F).
Price: $6.00
Go, My Children, with My Blessing — Walter L. Pelz
SATB choir, optional congregation, organ — octavo — Baptism of Our Lord, Confirmation, 21st Century, Benediction/Sending, Children, Baptism, Hope/Assurance
Composed by Walter L. Pelz. Year A Baptism of Our Lord; Year A Baptism of Our Lord; Catholic Year C Baptism of Our Lord; Year C Baptism of Our Lord; Year C Pentecost10; Catholic Year C Ordinary17; Year A Proper 18 (23); Catholic Year A Ordinary23. Baptism of Our Lord, Confirmation, 21st Century, Benediction/Sending, Children, Baptism, Hope/Assurance. Octavo. MorningStar Music Publishers #50-8900. Published by MorningStar Music Publishers (MN.50-8900).
Price: $1.00
The Baptism of Our Lord — Charles E. Callahan Jr.
unison voices, optional descant, organ — octavo — Epiphany, Baptism of Our Lord, 21st Century, Baptism
Composed by Charles E. Callahan Jr. (1951-). Year A Baptism of Our Lord; Catholic Year C Baptism of Our Lord; Year C Baptism of Our Lord;;. Epiphany, Baptism of Our Lord, 21st Century, Baptism. Octavo. MorningStar Music Publishers #50-2003. Published by MorningStar Music Publishers (MN.50-2003).
Price: $1.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949