Kompositionsliste
- Mélodies — When night her purple veil had softly spread: Bass-2 Violinen • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: verloren • Z.354
- Mélodies — Bacchus is a power divine: Bass-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Sopran-b.c. • Z.375
- Mélodies — I fain would be free: verloren • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Sopran-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Sopran-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Sopran-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Sopran-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Sopran-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Sopran-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Sopran-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Sopran-b.c. • Z.402
- Mélodies — O ! how happy's he: unvollendet • Z.403
- Mélodies — Olinda in the shades unseen: Sopran-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Sopran-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Sopran-b.c. • Z.426
- Mélodies — What a sad fate is mine: Sopran-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Sopran-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: verloren • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Sopran-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Sopran-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Sopran-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Sopran-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-b.c./Klavier • (1683) • Z.370
- Mélodies — Let each gallant heart: Countertenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Sopran-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Countertenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Sopran-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Countertenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Sopran-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Sopran-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Sopran-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Sopran-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Sopran-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bass-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Sopran-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Countertenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Sopran-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for Amidst the shades and cool refreshing streams Purcell
Fifty Shades Of Grey — Johann Pachelbel
Piano — solo part — Classical
Classical Selections Arranged For Piano. Composed by Johann Pachelbel (1653-1706), Johann Sebastian Bach (1685-1750), Frederic Chopin (1810-1849), Giuseppe Verdi (1813-1901), Leo Delibes (1836-1891), Gabriel Faure (1845-1924), Claude Debussy (1862-1918), Ralph Vaughan Williams (1872-1958), Sergei Rachmaninoff (1873-1943), Joseph Canteloube (1879-1957), Heitor Villa-Lobos (1887-1959), and Thomas Tallis (1505-1585). Edited by Justin Tokke. Arranged by Justin Tokke, Nicholas Hopkins, and David Dutkanicz. SWS. Fifty Shades. Classical. Solo part. With Standard notation. 44 pages. Theodore Presser Company #410-41343. Published by Theodore Presser Company (PR.410413430).
Price: $19.00
Pepper Tree Lane — Alan Lee Silva
String Orchestra — Score and Parts —
Composed by Alan Lee Silva. Carl Fischer First Plus String Orchestra Series. With its Americana harmony and country-flavored melodies, Pepper Tree Lane is a refreshing musical experience for the young musician and audience member alike. The AAB form begins with quiet, warm chord voicings in the upper strings and a piz. Score and Parts. With Standard notation. 76 pages. Carl Fischer Music #FAS33. Published by Carl Fischer Music (CF.FAS33).
Price: $38.00
Mad Bess — Henry Purcell
high voice and piano — —
(from silent shades). Composed by Henry Purcell (1659-1695). Edited by Sir Michael Tippett and Walter Bergmann. This edition: Folding. Sheet music. Schott. 8 pages. Schott Music #ED 11944. Published by Schott Music (HL.49014828).
Price: $9.00
Blue Mountain — Alexander Safford
String Orchestra — Score and Parts —
Composed by Alexander Safford. Print-instrumental String Orchestra. FJH String Orchestra. Upbeat and spirited, this dynamic composition is a refreshing jolt of energy. Featuring buoyant melodies and driving rhythms, the piece bustles from start to finish. An underlying rhythmic motive accompanies a high spirited melody along with double stops . Score and Parts. Duration 2:30. The FJH Music Company Inc #ST6410. Published by The FJH Music Company Inc (FJ.ST6410).
Price: $60.00
From Silent Shades — Henry Purcell
Voice, Harpsichord and Continuo — Book Only —
Composed by Henry Purcell (1659-1695). Book Only. Novello & Co Ltd. #MUSNOV151025-15. Published by Novello & Co Ltd. (BT.MUSNOV151025-15).
Price: $10.00
Olde English Aires — Traditional
String Orchestra — Score and Parts —
Greensleeves, Scarborough Fair - Full Score and Parts. Composed by Traditional. Edited by Amy Rosen. Arranged by Ron Gorow. Carl Fischer Concert String Orchestra Series. Played joyously, with full bow, the piece is an opportunity to resonate these timeless tunes. Both are written in the Dorian mode, with refreshing modal harmony. After a dynamic introduction, each tune is visited, then they are interwoven in a playful, ba. Score and Parts. With Standard notation. 114 pages. Carl Fischer Music #CAS8. Published by Carl Fischer Music (CF.CAS8).
Price: $55.00
Blue Mountain — Alexander Safford
— Score —
Score Only. Composed by Alexander Safford. Print-instrumental String Orchestra. FJH String Orchestra. Upbeat and spirited, this dynamic composition is a refreshing jolt of energy. Featuring buoyant melodies and driving rhythms, the piece bustles from start to finish. An underlying rhythmic motive accompanies a high spirited melody along with double stops . Score. Duration 2:30. Published by The FJH Music Company Inc (FJ.ST6410S).
Price: $6.00
Sweet Refreshing Sleep — William Schuman
SATB choir, Piano rehearsal — choral part(s) — Choral
S.A.T.B., a Cappella. Composed by William Schuman (1910-1992). Mail Order Madrigals. Choral. Choral part(s). With Standard notation. 12 pages. Theodore Presser Company #342-40031. Published by Theodore Presser Company (PR.342400310).
Price: $1.00
The Keyboard Crocodile —
piano — collection — Pedagogical
Easy Piano Pieces for Children. Edited by Elisabeth et al. Haas. Edition Breitkopf.
The Keyboard Crocodile is actually quite harmless. This friendly beast crawls colorfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times.
Pedagogical. Collection. Breitkopf and Haertel #EB-8506. Published by Breitkopf and Haertel (BR.EB-8506).Price: $25.00
The Keyboard Crocodile —
piano — collection — Pedagogical
Easy Piano Pieces for Children. Edited by Elisabeth et al. Haas. Edition Breitkopf.
The Keyboard Crocodile is actually quite harmless. This friendly beast crawls colorfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times.
Pedagogical. Collection. Breitkopf and Haertel #EB-8516. Published by Breitkopf and Haertel (BR.EB-8516).Price: $25.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949