Kompositionsliste
- Mélodies — When night her purple veil had softly spread: Bass-2 Violinen • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: verloren • Z.354
- Mélodies — Bacchus is a power divine: Bass-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Sopran-b.c. • Z.375
- Mélodies — I fain would be free: verloren • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Sopran-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Sopran-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Sopran-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Sopran-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Sopran-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Sopran-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Sopran-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Sopran-b.c. • Z.402
- Mélodies — O ! how happy's he: unvollendet • Z.403
- Mélodies — Olinda in the shades unseen: Sopran-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Sopran-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Sopran-b.c. • Z.426
- Mélodies — What a sad fate is mine: Sopran-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Sopran-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: verloren • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Sopran-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Sopran-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Sopran-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Sopran-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-b.c./Klavier • (1683) • Z.370
- Mélodies — Let each gallant heart: Countertenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Sopran-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Countertenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Sopran-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Countertenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Sopran-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Sopran-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Sopran-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Sopran-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Sopran-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bass-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Sopran-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Countertenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Sopran-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for O solitude, my sweetest choice Purcell
Magany (Solitude) — Gyorgy Ligeti
mixed choir (SABar) — choral score —
(Solitude). Composed by Gyorgy Ligeti (1923-2006). This edition: Saddle stitching. Sheet music. Schott Kammerchor Reihe (Choral Music). Takt-, Dynamik- und Tempowechsel sorgen fur reizvolle Kontraste in dem zugleich modernen wie volksliedhaften Chorsatz. Er ist auf Ungarisch, Deutsch und Englisch auffuhrbar. Choral score. Composed 1946. 8 pages. Duration 3'. Schott Music #SKR 20019. Published by Schott Music (HL.49012113).
Price: $4.00
Solitude — Sean O'Loughlin
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — score and part(s) —
Composed by Sean O'Loughlin. Young String Orchestra. Solitude is a dramatic composition for the developing string orchestra. The music is reminiscent of the great folk song settings of Holst, Grainger and others. Keep the music soft in the beginning to allow for growth later on in the piece. The main melody. Score and part(s). With Standard notation. 8 + 70 pages. Duration 3 minutes, 58 seconds. Carl Fischer Music #YAS165. Published by Carl Fischer Music (CF.YAS165).
Price: $50.00
O Solitude — Henry Purcell
Voice, Harpsichord and Continuo — Book Only —
Composed by Henry Purcell (1659-1695). Book Only. Novello & Co Ltd. #MUSNOV151025-38. Published by Novello & Co Ltd. (BT.MUSNOV151025-38).
Price: $10.00
The Storm Is Passing Over — Charles Tindley
Choir, Piano — Octavo — African-American, Classical, Contemporary, Gospel, Spiritual
CME Conductor's Choice. Composed by Charles Tindley. Arranged by Barbara Baker. Conductor's Choice. African-American, Classical, Contemporary, Gospel, Spiritual. Octavo. 8 pages. Boosey & Hawkes #M051469369. Published by Boosey & Hawkes (HL.48004683).
Price: $2.00
Angel Band — Shawn Kirchner
Choral — Octavo — Classical, Concert, Festival
No. 2 from Heavenly Home: Three American Songs CME Conductor's Choice. Composed by Shawn Kirchner and William B. Bradbury. Arranged by Shawn Kirchner. Conductor's Choice. Classical, Concert, Festival. Octavo. 16 pages. Boosey & Hawkes #M051480340. Published by Boosey & Hawkes (HL.48021289).
Price: $2.00
Piano Concerto No.1 — Keith Emerson
2 Piano, 4 Hands — solo part with piano reduction —
Composed by Keith Emerson. Arranged by Daniel Dorff. Solo part with piano reduction. With Standard notation. 52 pages. Duration 19 minutes. Lead Choice #490-01001. Published by Lead Choice (PR.490010010).
Price: $40.00
I Will Lift Mine Eyes — Jake Runestad
Choral — Octavo — A Cappella, Classical, Concert, Festival, General Worship, Psalm, Sacred
CME Conductor's Choice. Composed by Jake Runestad. Conductor's Choice. A Cappella, Classical, Concert, Festival, General Worship, Psalm, Sacred. Octavo. 12 pages. Boosey & Hawkes #M051479542. Published by Boosey & Hawkes (HL.48020864).
Price: $2.00
Well Sung Song — David L. Brunner
Choral — Octavo — Concert, Festival, Inspirational
CME Conductor's Choice. Composed by David L. Brunner. Conductor's Choice. Concert, Festival, Inspirational. Octavo. 12 pages. Boosey & Hawkes #M051480234. Published by Boosey & Hawkes (HL.48021244).
Price: $1.00
Amazing Grace — S. Hatfield
Choral, Chorus, Bagpipes — Octavo — American, Classical, Contemporary
(from Ower the Hills) CME Conductor's Choice. Composed by S. Hatfield. Arranged by Stephen Hatfield. Conductor's Choice. American, Classical, Contemporary. Octavo. 8 pages. Boosey & Hawkes #M051471263. Published by Boosey & Hawkes (HL.48004806).
Price: $2.00
Magnificat — Imant Raminsh
Choir, Piano — — Canadian, Cantata, Classical, Contemporary, Sacred
CME Conductor's Choice. Composed by Imant Raminsh (1943-). Conductor's Choice. Canadian, Cantata, Classical, Contemporary, Sacred. 44 pages. Boosey & Hawkes #M051321803. Published by Boosey & Hawkes (HL.48002898).
Price: $9.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949