Kompositionsliste
- Mélodies — When night her purple veil had softly spread: Bass-2 Violinen • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: verloren • Z.354
- Mélodies — Bacchus is a power divine: Bass-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Sopran-b.c. • Z.375
- Mélodies — I fain would be free: verloren • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Sopran-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Sopran-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Sopran-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Sopran-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Sopran-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Sopran-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Sopran-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Sopran-b.c. • Z.402
- Mélodies — O ! how happy's he: unvollendet • Z.403
- Mélodies — Olinda in the shades unseen: Sopran-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Sopran-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Sopran-b.c. • Z.426
- Mélodies — What a sad fate is mine: Sopran-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Sopran-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: verloren • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Sopran-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Sopran-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Sopran-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Sopran-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-b.c./Klavier • (1683) • Z.370
- Mélodies — Let each gallant heart: Countertenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Sopran-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Countertenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Sopran-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Countertenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Sopran-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Sopran-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Sopran-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Sopran-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Sopran-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bass-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Sopran-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Countertenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Sopran-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for Celias fond, too long Ive loved her Purcell
Annies Gone Home — Bud Woodruff
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — —
Composed by Bud Woodruff. First-Plus String Orchestra (FAS).
Annies Gone Home is a tribute to my Mother, Annette Fenner Hains (19232017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wil. With Standard notation. 78 pages. Carl Fischer Music #FAS108. Published by Carl Fischer Music (CF.FAS108).
Price: $50.00
Annies Gone Home — Bud Woodruff
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — —
Composed by Bud Woodruff. First-Plus String Orchestra (FAS).
Annies Gone Home is a tribute to my Mother, Annette Fenner Hains (19232017). Her siblings and cousins always called her Annie. She loved music, and her influence was the primary inspiration for me to go into music. Her tastes were wil. With Standard notation. 78 pages. Carl Fischer Music #FAS108F. Published by Carl Fischer Music (CF.FAS108F).
Price: $6.00
Sheet Music for Ballet Class: Plies, from Etudes II album by Robert Long — Robert Long
Piano Solo — — 20th Century,Impressionistic,Post-Romantic
Composed by Robert Long. 20th Century, Impressionistic, Post-Romantic. 4 pages. Published by Robert Long (S0.351613).
Price: $2.00
Sheet Music for Ballet Class: Plies, from Ballet Etudes album by Robert Long — Robert Long
Piano Solo — — Contemporary Classical,Impressionistic,Post-Romantic
Composed by Robert Long. Contemporary Classical, Impressionistic, Post-Romantic. 3 pages. Published by Robert Long (S0.353815).
Price: $2.00
The Girl IVe Left Behind Me — G. Macfarren
SATB Choir — Choral Score — Classical
Composed by G. Macfarren. Classical. Choral Score. Composed 2015. 4 pages. Curwen #MUSJC60774. Published by Curwen (BT.MUSJC60774).
Price: $2.00
Interlude Nightfall — Yukiko Nishimura
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — —
Composed by Yukiko Nishimura. First-Plus String Orchestra (FAS). This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each ph. With Standard notation. 78 pages. Carl Fischer Music #FAS110. Published by Carl Fischer Music (CF.FAS110).
Price: $50.00
Interlude Nightfall — Yukiko Nishimura
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — —
Composed by Yukiko Nishimura. First-Plus String Orchestra (FAS). This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each ph. With Standard notation. 78 pages. Carl Fischer Music #FAS110F. Published by Carl Fischer Music (CF.FAS110F).
Price: $6.00
String Quartet in Eb major — Fanny Cecile Mendelssohn
Quartet — score and parts — Romantic
Urtext. Composed by Fanny Cecile Mendelssohn (1805-1847). Edited by Gunter Marx. Kammermusik-Bibliothek (Chamber Music Library). It is hard to believe that Fanny Hensel needed a "craftsman's approval" from her famous brother Felix Mendelssohn Bartholdy in order to be allowed to publish some of her compositions under her own name. Romantic. Score and parts. Breitkopf and Haertel #KM 2255. Published by Breitkopf and Haertel (BR.KM-2255).
Price: $50.00
From heav'n above to earth I come (Vom Himmel hoch, da komm ich her) — Michael Praetorius
SSATB choir — Full score — Sacred, Motets
Composed by Michael Praetorius (1571-1621) and Martin Luther (1483-1546). Edited by Gerhard Trubel. Hymns by Martin Luther: Vom Himmel hoch, da komm ich her. German title: Vom Himmel hoch, da komm ich her. Sacred, Motets. Full score. 8 pages. Duration 2 minutes. Carus Verlag #CV 01.424/00. Published by Carus Verlag (CA.142400).
Price: $4.00
From heav'n above to earth I come (Vom Himmel hoch, da komm ich her) — Johann Hermann Schein
SST voice soli, basso continuo, [bass instrument] — Full score — Sacred concertos, Sacred vocal music, Christmas
Aus: Opella Nova (1618), Teil 1. Composed by Johann Hermann Schein (1586-1630) and Martin Luther (1483-1546). Edited by Paul Horn. Hymns by Martin Luther: Vom Himmel hoch, da komm ich her. German title: Vom Himmel hoch, da komm ich her. Sacred concertos, Sacred vocal music, Christmas. Full score. Composed 1617. 4 pages. Carus Verlag #CV 05.094/00. Published by Carus Verlag (CA.509400).
Price: $3.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949