Liste des compositions
- Mélodies — When night her purple veil had softly spread: Basso-2 violini • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenore-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: perduto • Z.354
- Mélodies — Bacchus is a power divine: Basso-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Soprano-b.c. • Z.375
- Mélodies — I fain would be free: perduto • Z.377
- Mélodies — If music be the food of love: Tenore-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenore-b.c. • Z.379B
- Mélodies — If music be the food of love: Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he: incompleta • Z.403
- Mélodies — Olinda in the shades unseen: Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenore-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine: Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenore-b.c. • Z.434
- Mélodies — Who but a slave can well express: Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: perduto • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenore-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenore-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenore-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenore-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzosoprano-b.c./pianoforte • (1683) • Z.370
- Mélodies — Let each gallant heart: Contraltista-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenore-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenore-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenore-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenore-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenore-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Contraltista-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenore-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenore-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenore-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenore-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenore-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Contraltista-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenore-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenore-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenore-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenore-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenore-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Basso-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenore-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Contraltista-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenore-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenore-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenore-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenore-b.c. • (1695) • Z.441
Sheet music for Since one poor view has drawn my heart Purcell
Ode To Joy — Beethoven/Andrew Poor
concert band — score and parts — Classical
Composed by Beethoven/Andrew Poor. Arranged by Andrew Poor. Classical. Score and parts. Published by Northeastern Music Publications (NS.100228).
Price: $45.00
Romances for Oboe and Piano, Op. 94 - Oboe (or Violin) and Piano — Robert Schumann
Oboe, Piano — instrumental solo book (paper bound) — Classical
For Oboe & Piano. Composed by Robert Schumann. Edited by Klaus Borner and Georg Meerwein. Sheet Music. Paperbound. Henle Music Folios. Rec. DipABRM since 2005: DipABRSM -- rec. LRSM since 2005: LRSM -- rec. FRSM since 2005: FRSM -- ABRSM 2018 remarks: recommended -- TCL 2016 Grade: 7 -- TCL 2016 remarks: rec. 2015-2016. Classical. Instrumental solo book (paper bound). With solo part, standard notation and piano accompaniment. 20 pages. G. Henle #HN427. Published by G. Henle (HL.51480427).
Price: $17.00
Schon lacht der holde Fruehling KV 580 — Wolfgang Amadeus Mozart
Voice(s) with various inst. — — Classical
Aria - Completion of the fragment. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Beyer. Arranged by Franz Beyer. Aria. Edition Breitkopf. The "Kochel" still lists the autograph to Mozart's beloved aria but has labeled it "missing" since 1964. The "Neue Mozart-Ausgabe" was thus no longer able to take it into consideration. Now, however, the manuscript has reappeared and has been used as an a. Classical. Breitkopf and Haertel #EB 8602. Published by Breitkopf and Haertel (BR.EB-8602).
Price: $19.00
Schon lacht der holde Fruehling KV 580 — Wolfgang Amadeus Mozart
soprano voice, clarinet, piano — wind parts — Classical period
Aria - Completion of the fragment. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Beyer. Arranged by Franz Beyer. Orchester-Bibliothek (Orchestral Library).
The Kochel still lists the autograph to Mozart's beloved aria but has labeled it missing since 1964. The Neue Mozart-Ausgabe was thus no longer able to take it into consideration. Now, however, the manuscript has reappeared and has been used as an auth. Classical period. Wind parts. Breitkopf and Haertel #OB-5282-30. Published by Breitkopf and Haertel (BR.OB-5282-30).
Price: $19.00
Schon lacht der holde Fruehling KV 580 — Wolfgang Amadeus Mozart
soprano voice, clarinet, piano — violin 1 part — Classical period
Aria - Completion of the fragment. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Beyer. Arranged by Franz Beyer. Orchester-Bibliothek (Orchestral Library).
The Kochel still lists the autograph to Mozart's beloved aria but has labeled it missing since 1964. The Neue Mozart-Ausgabe was thus no longer able to take it into consideration. Now, however, the manuscript has reappeared and has been used as an auth. Classical period. Violin 1 part. Breitkopf and Haertel #OB-5282-15. Published by Breitkopf and Haertel (BR.OB-5282-15).
Price: $4.00
Schon lacht der holde Fruehling KV 580 — Wolfgang Amadeus Mozart
soprano voice, clarinet, piano — violin 2 part — Classical period
Aria - Completion of the fragment. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Beyer. Arranged by Franz Beyer. Orchester-Bibliothek (Orchestral Library).
The Kochel still lists the autograph to Mozart's beloved aria but has labeled it missing since 1964. The Neue Mozart-Ausgabe was thus no longer able to take it into consideration. Now, however, the manuscript has reappeared and has been used as an auth. Classical period. Violin 2 part. Breitkopf and Haertel #OB-5282-16. Published by Breitkopf and Haertel (BR.OB-5282-16).
Price: $4.00
Schon lacht der holde Fruehling KV 580 — Wolfgang Amadeus Mozart
soprano voice, clarinet, piano — viola part — Classical period
Aria - Completion of the fragment. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Beyer. Arranged by Franz Beyer. Orchester-Bibliothek (Orchestral Library).
The Kochel still lists the autograph to Mozart's beloved aria but has labeled it missing since 1964. The Neue Mozart-Ausgabe was thus no longer able to take it into consideration. Now, however, the manuscript has reappeared and has been used as an auth. Classical period. Viola part. Breitkopf and Haertel #OB-5282-19. Published by Breitkopf and Haertel (BR.OB-5282-19).
Price: $4.00
Schon lacht der holde Fruehling KV 580 — Wolfgang Amadeus Mozart
soprano voice, clarinet, piano — violoncello/double bass part — Classical period
Aria - Completion of the fragment. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Beyer. Arranged by Franz Beyer. Orchester-Bibliothek (Orchestral Library).
The Kochel still lists the autograph to Mozart's beloved aria but has labeled it missing since 1964. The Neue Mozart-Ausgabe was thus no longer able to take it into consideration. Now, however, the manuscript has reappeared and has been used as an auth. Classical period. Violoncello/double bass part. Breitkopf and Haertel #OB-5282-26. Published by Breitkopf and Haertel (BR.OB-5282-26).
Price: $4.00
Schon lacht der holde Fruehling KV 580 — Wolfgang Amadeus Mozart
soprano voice, clarinet, piano — full score — Classical period
Aria - Completion of the fragment. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Franz Beyer. Arranged by Franz Beyer. Partitur-Bibliothek (Score Library).
The Kochel still lists the autograph to Mozart's beloved aria but has labeled it missing since 1964. The Neue Mozart-Ausgabe was thus no longer able to take it into consideration. Now, however, the manuscript has reappeared and has been used as an auth. Classical period. Full score. Breitkopf and Haertel #PB-5282. Published by Breitkopf and Haertel (BR.PB-5282).
Price: $25.00
4 Impromptus Op. 7, Op. 17, Op. 34, Op. 37 — Adolf Henselt
piano — — Romantic
Composed by Adolf Henselt (1814-1889). Edited by Rudiger Steinfatt. Edition Breitkopf. It has been years since a musical composition has done me as much good as the one I recently heard. It is as if your lay open before me.' (Robert Schumann to Henselt on August 7, 1837). Romantic. Breitkopf and Haertel #EB-8148. Published by Breitkopf and Haertel (BR.EB-8148).
Price: $18.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949