Liste des compositions
- Mélodies — When night her purple veil had softly spread: Basso-2 violini • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenore-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: perduto • Z.354
- Mélodies — Bacchus is a power divine: Basso-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Soprano-b.c. • Z.375
- Mélodies — I fain would be free: perduto • Z.377
- Mélodies — If music be the food of love: Tenore-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenore-b.c. • Z.379B
- Mélodies — If music be the food of love: Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he: incompleta • Z.403
- Mélodies — Olinda in the shades unseen: Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenore-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine: Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenore-b.c. • Z.434
- Mélodies — Who but a slave can well express: Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: perduto • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenore-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenore-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenore-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenore-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzosoprano-b.c./pianoforte • (1683) • Z.370
- Mélodies — Let each gallant heart: Contraltista-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenore-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenore-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenore-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenore-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenore-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Contraltista-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenore-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenore-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenore-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenore-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenore-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Contraltista-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenore-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenore-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenore-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenore-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenore-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Basso-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenore-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Contraltista-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenore-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenore-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenore-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenore-b.c. • (1695) • Z.441
Sheet music for She loves and she confesses too Purcell
She Loves And She Confesses Too Voice/Piano — Henry Purcell
Voice and Piano — Book Only —
Composed by Henry Purcell (1659-1695). Book Only. Novello & Co Ltd. #MUSNOV955031. Published by Novello & Co Ltd. (BT.MUSNOV955031).
Price: $2.00
He Loves And She Loves — Ira Gershwin
piano — — Broadway,Classical,Standards
Composed by Ira Gershwin and George Gershwin (1898-1937). This edition: Interactive Download. Broadway, Classical, Standards. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.288365).
Price: $3.00
Fantasy On 'The Wee Cooper Of Fife' — Douglas Townsend
String Orchestra — Score and Parts —
Composed by Douglas Townsend. Carl Fischer Concert String Orchestra Series. My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life. Score and Parts. With Standard notation. Carl Fischer Music #CAS18. Published by Carl Fischer Music (CF.CAS18).
Price: $40.00
Passerine — Newfoundland Folk Song
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — score and parts —
Composed by Newfoundland Folk Song. Arranged by Carl Strommen. SWS FS. Young String Orchestra. Based on a Newfoundland folk song, Passerine refers to the swallow found in the lyric of this song of lost love: She's like a swallow that flies so high, she's like the river that never runs dry, she's like the sunshine on the lee shore. I love my love, . Score and parts. With Standard notation. Duration 3 minutes, 24 seconds. Carl Fischer Music #YAS168. Published by Carl Fischer Music (CF.YAS168).
Price: $55.00
It's Never Too Late Play... Classics —
solo piano — collection — Instructional, Method and Classical
17 New Arrangements for Piano Solo and Duet. Edited by Pam Wedgwood. Masterworks; Method/Instruction; Piano Method. Faber Edition: It's Never Too Late. Instructional, Method and Classical. Collection. With standard notation, fingerings and introductory text (does not include words to the songs). 31 pages. Faber Music #12-0571526519. Published by Faber Music (AP.12-0571526519).
Price: $13.00
Loves Me...Loves Me Not... — Camilla Tilling
— hybrid super audio listening CD — Classical
By Camilla Tilling, Musica Saeculorum, and Philipp von Steinaecker. By Christoph Willibald von Gluck (1714-1787) and Wolfgang Amadeus Mozart (1756-1791). Classical. Hybrid super audio listening CD. Published by Naxos (NX.BIS-2234).
Price: $19.00
Love Too Soon, Love Too Late - Piano Solo — Arthur Breur
Piano Solo — — Contemporary Classical
Composed by Arthur Breur. Contemporary Classical. 2 pages. Published by Floating Home Music (S0.602407).
Price: $3.00
Love Too Soon, Love Too Late - Harp Solo — Arthur Breur
Harp — Sheet Music Single — Contemporary Classical
Composed by Arthur Breur. Contemporary Classical. Sheet Music Single. 2 pages. Published by Floating Home Music (S0.604935).
Price: $3.00
The Toxology / even a good thing is too much if too often FULL SCORE — John Sinopoulo-Wilson
Organ,Alto Sax — Score — 21st Century,20th Century,Contemporary Classical,Recital,Comedy
Composed by John Sinopoulo-Wilson. 21st Century, 20th Century, Contemporary Classical, Recital, Comedy. Score. 2 pages. Published by John Sinopoulo-Wilson (S0.315909).
Price: $4.00
He Loves Me, He Loves Me Not — Isaac Shepard
Piano — Sheet Music Single — Pop,21st Century
Composed by Isaac Shepard. Pop, 21st Century. Sheet Music Single. 4 pages. Isaac Shepard Publishing #SM55. Published by Isaac Shepard Publishing (S0.14803).
Price: $3.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949