Liste des compositions
- Mélodies — When night her purple veil had softly spread: Basso-2 violini • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenore-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: perduto • Z.354
- Mélodies — Bacchus is a power divine: Basso-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Soprano-b.c. • Z.375
- Mélodies — I fain would be free: perduto • Z.377
- Mélodies — If music be the food of love: Tenore-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenore-b.c. • Z.379B
- Mélodies — If music be the food of love: Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he: incompleta • Z.403
- Mélodies — Olinda in the shades unseen: Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenore-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine: Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenore-b.c. • Z.434
- Mélodies — Who but a slave can well express: Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: perduto • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenore-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenore-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenore-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenore-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzosoprano-b.c./pianoforte • (1683) • Z.370
- Mélodies — Let each gallant heart: Contraltista-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenore-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenore-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenore-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenore-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenore-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Contraltista-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenore-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenore-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenore-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenore-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenore-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Contraltista-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenore-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenore-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenore-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenore-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenore-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Basso-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenore-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Contraltista-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenore-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenore-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenore-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenore-b.c. • (1695) • Z.441
Sheet music for I lovd fair Celia Purcell
Celia Linde: Shades in Blue — Celia Linde
— — Classical
By Celia Linde. By Celia Linde. Classical, Guitar. Classical. Proprius #PRCD2085. Published by Proprius (NX.PRCD2085).
Price: $18.00
To All The Little Girls String, Piano, Vocal Score — Isolde Fair - Music, Hillary R. Clinton & Isolde Fair - Lyrics
Piano/Vocal/Chords,Violin,Viola,Cello,String Orchestra,Violin 1,2,3 Viola,Cello,Piano,Voice — Score,Set of Parts — Pop
Composed by Isolde Fair - Music, Hillary R. Clinton & Isolde Fair - Lyrics. Arranged by Starr Parodi, Jeff Eden Fair. Pop. Score, Set of Parts. 44 pages. Published by Esque Music (S0.203123).
Price: $24.00
A Recital of Seventeenth-Century Italian and English Songs — Celia Harper
— CD — Classical
By Celia Harper, Erin Headley, Richard Wistreich, and Robin Jeffrey. By Thomas Campion (1567-1620). Classical. CD. Naxos #CR3710-2. Published by Naxos (NX.CR3710-2).
Price: $16.00
Symphonies in G Minor / D Major — Celia Nicklin; Matthias Bamert; London Mozart Players; Desbruslais
— listening CD —
By Celia Nicklin; Matthias Bamert; London Mozart Players; Desbruslais. By Johann Baptist Vanhal (1739-1813). Listening CD. Published by Chandos (NX.CHAN-9607).
Price: $18.00
Celia Has A Thousand Charms — Henry Purcell
— Score Only —
Composed by Henry Purcell (1659-1695). Score Only. Novello & Co Ltd. #MUSNOV460100. Published by Novello & Co Ltd. (HL.14024719).
Price: $6.00
The Heart of Monpier (Shule Agra) — Kimberlie Fair
Piano Solo — Sheet Music Single — Baroque Period,Contemporary Classical,Folk,St. Patrick's Day
Composed by Kimberlie Fair. Baroque Period, Contemporary Classical, Folk, St. Patrick's Day. Sheet Music Single. 2 pages. Published by Kimberlie Fair (S0.363335).
Price: $3.00
Taliesin — Kimberlie Fair
Piano Solo — Score,Solo Part — Contemporary Classical,Post-Romantic,Repertoire
Composed by Kimberlie Fair. Contemporary Classical, Post-Romantic, Repertoire. Score, Solo Part. 3 pages. Published by Kimberlie Fair (S0.176027).
Price: $3.00
My Lovely Celia — George Munro
Piano/Vocal — Piano/Vocal — Classical
Classical. Piano/Vocal. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.333591).
Price: $3.00
Liebeslieder Polkas: Song To Celia — PDQ Bach
Piano (5 hands), alto voice, bass voice, soprano voice, tenor voice — piano reduction/vocal score — Choral
(From Libeslieder Polkas [S. 2/4]) S.A.T.B., With Piano, Five Hands. Composed by PDQ Bach (1935-). Edited by Professor Peter Schickele. Liebeslieder Polkas, for Chorus, with Piano, Five Hands. The Liebeslieder Polkas is the first opus of P.D.Q. Bach's to be discovered in which he inflicted his music on the work of well-known poets, or even known poets, for that matter. The fact that all the poets represented are English leads one to surmise tha. Choral. Piano reduction/vocal score. With Standard notation. S 2/4/2008. 11 pages. Duration 2:30. Theodore Presser Company #312-41334. Published by Theodore Presser Company (PR.312413340).
Price: $2.00
My Lovely Celia — George Monro
piano/vocal — — Classical
Composed by George Monro. Arranged by H. Lane Wilson. Classical. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.240707).
Price: $2.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949