Liste des compositions
- Mélodies — When night her purple veil had softly spread : Basse-2 violons • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair : Ténor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts : perdu • Z.354
- Mélodies — Bacchus is a power divine : Basse-b.c. • Z.360
- Mélodies — I came, I saw, and was undone : Soprano-b.c. • Z.375
- Mélodies — I fain would be free : perdu • Z.377
- Mélodies — If music be the food of love : Ténor-b.c. • Z.379A
- Mélodies — If music be the food of love : Ténor-b.c. • Z.379B
- Mélodies — If music be the food of love : Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II" : Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr : Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium : Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes : Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore : Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move : Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes : Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he : inachevé • Z.403
- Mélodies — Olinda in the shades unseen : Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers : Ténor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The) : Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more : Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine : Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles : Ténor-b.c. • Z.434
- Mélodies — Who but a slave can well express : Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ? : perdu • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see : Ténor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing : Ténor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks : Ténor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms : Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams : Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown : Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart : Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love' : Ténor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam : Sop./Mezzo-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart : Ctreténor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown : Ténor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too : Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses : Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A) : Ténor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds : Ténor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin : Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms : Ténor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves : Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive : Ténor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys : Ctreténor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill : Ténor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble : Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade : Ténor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear : Ténor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion : Ténor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry : Ténor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep : Ctreténor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind : Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still : Ténor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams : Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world : Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue : Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice : Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love : Ténor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I : Ténor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love : Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance : Ténor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it : Ténor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over : Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat : Basse-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair : Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours : Ténor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill : Ctreténor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more : Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her : Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia : Ténor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad : Ténor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song : Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind : Ténor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover : Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ? : Ténor-b.c. • (1695) • Z.441
Sheet music for When Thyrsis did the splendid eye Purcell
Thyrsis — Carl Reinecke
SATB choir — Full score — Secular choral music
Composed by Carl Reinecke (1824-1910). German title: Thyrsis "An Jener Silberquelle". Secular choral music. Full score. 2 pages. Duration 2 minutes. Carus Verlag #CV 40.240/23. Published by Carus Verlag (CA.4024023).
Price: $1.00
PULVER Lev: "An Eye for an Eye", musical scenes from Act 3, for Symphony Orchestra (Full score + set of parts) — Lev PULVER (1883 ‚Äì 1970)
Full Orchestra — Score,Set of Parts — 20th Century,Musicals,European
Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century, Musicals, European. Score, Set of Parts. 118 pages. Published by Really Good Music, LLC. (S0.646641).
Price: $120.00
Flute Concerto [No. 1] in G major K. 313 (285c) — Wolfgang Amadeus Mozart
flute, orchestra — study score — Classical
Urtext. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Henrik Wiese. Solo concerto. Partitur-Bibliothek (Score Library).
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
Classical. Study score. Breitkopf and Haertel #PB 5301-07. Published by Breitkopf and Haertel (BR.PB-5301-07).Price: $13.00
Flute Concerto [No. 1] in G major K. 313 (285c) — Wolfgang Amadeus Mozart
flute solo and orchestra — full score — Classical period
Urtext. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Henrik Wiese. Partitur-Bibliothek (Score Library).
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
Classical period. Full score. Breitkopf and Haertel #PB-5295. Published by Breitkopf and Haertel (BR.PB-5295).Price: $30.00
Flute Concerto [No. 1] in G major K. 313 (285c) — Wolfgang Amadeus Mozart
flute solo and orchestra — violin 1 part — Classical
Urtext. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Henrik Wiese. This edition: violin 1. Solo concerto. Orchester-Bibliothek (Orchestral Library).
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
Classical. Violin 1 part. Breitkopf and Haertel #OB 5295-15. Published by Breitkopf and Haertel (BR.OB-5295-15).Price: $6.00
Flute Concerto [No. 1] in G major K. 313 (285c) — Wolfgang Amadeus Mozart
flute solo and orchestra — violin 2 part — Classical
Urtext. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Henrik Wiese. This edition: violin 2. Solo concerto. Orchester-Bibliothek (Orchestral Library).
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
Classical. Violin 2 part. Breitkopf and Haertel #OB 5295-16. Published by Breitkopf and Haertel (BR.OB-5295-16).Price: $6.00
Flute Concerto [No. 1] in G major K. 313 (285c) — Wolfgang Amadeus Mozart
flute solo and orchestra — viola part — Classical
Urtext. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Henrik Wiese. This edition: viola. Solo concerto. Orchester-Bibliothek (Orchestral Library).
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
Classical. Viola part. Breitkopf and Haertel #OB 5295-19. Published by Breitkopf and Haertel (BR.OB-5295-19).Price: $6.00
Flute Concerto [No. 1] in G major K. 313 (285c) — Wolfgang Amadeus Mozart
flute solo and orchestra — basso (cello/double bass) — Classical
Urtext. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Henrik Wiese. This edition: cello/double bass. Solo concerto. Orchester-Bibliothek (Orchestral Library).
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
Classical. Basso (cello/double bass). Breitkopf and Haertel #OB 5295-26. Published by Breitkopf and Haertel (BR.OB-5295-26).Price: $6.00
Flute Concerto [No. 1] in G major K. 313 (285c) — Wolfgang Amadeus Mozart
flute solo and orchestra — wind parts — Classical
Urtext. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Henrik Wiese. This edition: wind parts. Solo concerto. Orchester-Bibliothek (Orchestral Library).
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
Classical. Wind parts. Breitkopf and Haertel #OB 5295-30. Published by Breitkopf and Haertel (BR.OB-5295-30).Price: $28.00
Anleitung zur Singkunst — Joh F. Agricola
— — Baroque
Faksimile der Ausgabe Berlin 1757 (Ubers. J. H. Agricola). Composed by Joh F. Agricola and Pier F. Tosi. Edited by Kurt Wichmann. Buchverlag Breitkopf & Hartel (Music Books).
What Quantz did for the flute, C. P. E. Bach for the clavier, and Leopold Mozart for the violin, Tosi did for the voice with his comprehensive vocal method.
Baroque. Breitkopf and Haertel #BV-295. Published by Breitkopf and Haertel (BR.BV-295).Price: $48.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949