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Sheet music for Jonathan FeBland
clarinet in B-flat, piano — score and part(s) —
Graded pieces for intermediate-level players. Composed by Hyacinthe Klose, Jonathan Febland, Henry Purcell (1659-1695), Wolfgang Amadeus Mozart (1756-1791), Franz Schubert (1797-1828), Bedrich Smetana (1824-1884), Alexander Borodin (1833-1887), Peter Ilyich Tchaikovsky (1840-1893), Antonin Dvorak (1841-1904), Gabriel Faure (1845-1924), Scott Joplin (1868-1917), Paul Harvey, Carl Baermann (1810-1885), and Friedrich Demnitz. Arranged by James Rae. Score and part(s). With Standard notation. 50 + 32 pages. Universal Edition #UE021498. Published by Universal Edition (PR.UE021498).
Piano Solo,Easy Piano — Piano Reduction,Score — 21st Century,Modern,Movies,New Age
Composed by Jenny Cox (additional music by Jonathan Cox). Arranged by Jonathan Cox. 21st Century, Modern, Movies, New Age. Piano Reduction, Score. 3 pages. Published by Published by Jonathan Cox (S0.177281).
Flute,Oboe,Clarinet,Bassoon,Trumpet,Trombone,Tuba,Horn in F,Euphonium,Cello,Double Bass,Timpani,Drums,Tenor Voice,Concert Band — Score,Set of Parts — 21st Century,20th Century,Repertoire,World
Composed by Jonathan Laflamme. 21st Century, 20th Century, Repertoire, World. Score, Set of Parts. 168 pages. Jonathan S. Laflamme #193742701. Published by Jonathan S. Laflamme (S0.16290).
Piano Solo,Piano/Vocal/Chords,Easy Piano,Piano Accompaniment,Flute,Violin,Voice,Soprano Voice,Alto Voice — Piano Reduction — Contemporary Classical,World,Asian
Composed by Words & Music: Jonathan Cox. Contemporary Classical, World, Asian. Piano Reduction. 6 pages. Published by Published by Jonathan Cox (S0.131813).
Concert Band,Marching Band,Mixed Instrumentation — Individual Part,Score — Instructional,Folk Music,21st Century
Arranged by Jonathan S. Laflamme. Instructional, Folk Music, 21st Century. Individual Part, Score. 25 pages. Jonathan S. Laflamme #193742701. Published by Jonathan S. Laflamme (S0.13022).
Concert Band — Set of Parts,Score — Renaissance,Christmas,20th Century
Composed by Jonathan S. Laflamme. Renaissance, Christmas, 20th Century. Set of Parts, Score. 114 pages. Jonathan S. Laflamme #193742702. Published by Jonathan S. Laflamme (S0.13023).
Concert Band — Set of Parts,Score — Instructional,Folk Music,20th Century,21st Century
Composed by Jonathan S. Laflamme. Instructional, Folk Music, 20th Century, 21st Century. Set of Parts, Score. 168 pages. Jonathan S. Laflamme #193742703. Published by Jonathan S. Laflamme (S0.13040).
Gustav Mahler: Das Lied von der Erde — Bamberger Symphoniker; Jonathan Nott; Roberto Sacca; Stephen Gadd; Jonathan Nott
— hybrid super audio listening CD — Classical
By Bamberger Symphoniker; Jonathan Nott; Roberto Sacca; Stephen Gadd; Jonathan Nott. By Gustav Mahler (1860-1911). Country of Origin: Switzerland. Classical. Hybrid super audio listening CD. Published by Tudor (NX.TUDOR7202).
Jonathan Sargent: Little Cathedrals — Jonathan Sargent; David Davidson; John Catchings; Jeff Taylor; Rod McGaha; Blair Masters
— CD (1 disc) — Classical
By Jonathan Sargent; David Davidson; John Catchings; Jeff Taylor; Rod McGaha; Blair Masters. By Jonathan Sargent. Country of Origin: United States. Classical. CD (1 disc). Published by Naxos (NX.STE015).
Jonathan Sheffer: The Conference of the Birds — Moravian Philharmonic Orchestra; Joyce DiDonato; Jonathan Sheffer
— 2 listening CDs — Classical
By Moravian Philharmonic Orchestra; Joyce DiDonato; Jonathan Sheffer. By Jonathan Sheffer. Classical. 2 listening CDs. Published by Navona Records (NX.NV6037).
Programme note (written by Maria Rice) for a performance of Jonathan FeBland’s “Preludes 1 to 6 for Piano”.
Preludes 1 to 6 are examples of FeBland’s light classical or educational style — aimed to be playable by intermediate to advanced level students, as well as being entertaining for both performers and audiences alike. The preludes were written in two groups of three, and each draws inspiration from diverse influences in Western music. The first movement in this delightful set of pastiches may be considered Debussian, owing to its expressive cascades of harmony. The second, elegant yet austere, recalls the exquisitely sculpted piano melodies of Shostakovich, while the third contains elements of Stravinsky (perhaps of the Symphony of Psalms). Prelude 4 showcases the dance-like rhythms of traditional Scottish folk music with camponological overtones in contrast to the measured pace of the following movement’s serene Bach-like variations. Prelude 6 concludes the group with flourishes of joy, mystery, and triumph influenced mainly by music of FeBland’s native England (although not without some French tinges! Un petit homage a Messiaen peut-etre?) Preludes 1-3 and 4-6 were premiered in London at the Queen Elizabeth Hall and St. John’s Smith Square, respectively. The first set of 3 are also published by Bardic Edition, UK.
Jonathan FeBland trained at the Royal Academy of Music, London (1978-82) and has composed in a wide range of different musical styles although there is usually some underlying tonality to his work. He has written Contemporary ‘Serious’ Music, Light/Educational Music and Jazz in a number of different genres.
His work is available in print from Universal Edition, London and the Sibelius Music website. He has also been recorded on CD - Louis Demetrius Alvanis (Piano) on the Meridian label and Deborah de Graaff (Clarinet) on the Walsingham label among others, have recorded his work.
Most recently he has been focusing on Jazz and has completed a set of 12 Jazz Piano Pieces, 3 Jazz Etudes (for Piano) and a one-movement Jazz Symphony in 33 Grooves (originally composed for ‘the Masterprize’).
It is possible to hear some of Jonathan FeBland’s compositions online at the Sibelius Music website where they have been met by other professional musicians with favourable reviews.