Liste des compositions
- Mélodies — When night her purple veil had softly spread : Basse-2 violons • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair : Ténor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts : perdu • Z.354
- Mélodies — Bacchus is a power divine : Basse-b.c. • Z.360
- Mélodies — I came, I saw, and was undone : Soprano-b.c. • Z.375
- Mélodies — I fain would be free : perdu • Z.377
- Mélodies — If music be the food of love : Ténor-b.c. • Z.379A
- Mélodies — If music be the food of love : Ténor-b.c. • Z.379B
- Mélodies — If music be the food of love : Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II" : Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr : Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium : Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes : Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore : Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move : Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes : Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he : inachevé • Z.403
- Mélodies — Olinda in the shades unseen : Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers : Ténor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The) : Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more : Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine : Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles : Ténor-b.c. • Z.434
- Mélodies — Who but a slave can well express : Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ? : perdu • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see : Ténor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing : Ténor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks : Ténor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms : Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams : Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown : Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart : Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love' : Ténor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam : Sop./Mezzo-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart : Ctreténor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown : Ténor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too : Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses : Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A) : Ténor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds : Ténor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin : Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms : Ténor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves : Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive : Ténor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys : Ctreténor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill : Ténor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble : Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade : Ténor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear : Ténor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion : Ténor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry : Ténor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep : Ctreténor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind : Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still : Ténor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams : Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world : Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue : Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice : Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love : Ténor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I : Ténor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love : Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance : Ténor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it : Ténor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over : Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat : Basse-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair : Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours : Ténor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill : Ctreténor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more : Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her : Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia : Ténor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad : Ténor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song : Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind : Ténor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover : Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ? : Ténor-b.c. • (1695) • Z.441
Sheet music for Love is now become a trade Purcell
Circle Dance — Bill Calhoun
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — score and part(s) —
Composed by Bill Calhoun. Collate - FS SWS. Young String Orchestra. Circle Dance is sure to become a favorite with your students. With its memorable fiddle-tune character and recurring rhythmic and melodic themes, Circle Dance is a piece designed for the student musician. All sections of the orchestra get to become the me. Score and part(s). With Standard notation. 144 pages. Carl Fischer Music #YAS87. Published by Carl Fischer Music (CF.YAS87).
Price: $45.00
Antiquitas — Bill Calhoun
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — score and part(s) —
Composed by Bill Calhoun. Collate - FS SWS. Carl Fischer Beginning String Orchestra Series. Antiquitas is sure to become a favorite with your students. With its modal qualities and dance-like character, Antiquitas takes your imagination back in time. All sections of the orchestra get to become the melodic focus within this work. Making use of co. Score and part(s). With Standard notation. 78 pages. Duration 0:01:48. Carl Fischer Music #BAS50. Published by Carl Fischer Music (CF.BAS50).
Price: $40.00
In dulci jubilo / Now Sing We, Now Rejoice — Dietrich Buxtehude
Cello — —
Now Sing We, Now Rejoice. Composed by Dietrich Buxtehude (1637-1707). Published by Concordia Publishing House (CR.98-1556U1).
Price: $3.00
The Composer's Handbook Vol. 1 — Bruce Cole
— — Classical, Instruction, Songwriting
A do-it-yourself approach combining trick of the trade and other techniques with step-by-step guides to projects. Composed by Bruce Cole. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical, Instruction, Songwriting. 236 pages. Schott Music #ED 12405. Published by Schott Music (HL.49003169).
Price: $68.00
Trade Winds — Frederick Keel
Piano, Voice — — Classical, Contemporary
Composed by Frederick Keel. Boosey & Hawkes Voice. Piece for the NFMC Vocal event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Classical, Contemporary. 6 pages. Boosey & Hawkes #M060034510. Published by Boosey & Hawkes (HL.48009944).
Price: $11.00
Trade Winds (Alizes) — Frederick Keel
piano/vocal — — Classical
By Frederick Keel. Classical. 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.240142).
Price: $2.00
Trade Winds — Carolyn Southworth
Piano Solo — — Impressionistic,Post-Modern,Recital,New Age
Composed by Carolyn Southworth. Impressionistic, Post-Modern, Recital, New Age. 5 pages. Published by Heron's Point Music (S0.586011).
Price: $3.00
Trade Winds — Frederick Keel
Piano Accompaniment,SATB — Octavo — Romantic Period
Composed by Frederick Keel. Arranged by Andrew Wyndham. Romantic Period. Octavo. 5 pages. Published by Andrew Wyndham (S0.719859).
Price: $1.00
Just TRADE — 480558 plus
Piano,Metalica — Sheet Music Single — Impressionistic,World,Anniversary,Spoken Word
Composed by 480558 plus . Impressionistic, World, Anniversary, Spoken Word. Sheet Music Single. 13 pages. Published by 480558 plus Sheetmusic (S0.69545).
Price: $62.00
Now I Become Myself — Gwyneth W. Walker
SSAA choir, piano — octavo — 21st Century
Composed by Gwyneth W. Walker (1947-). 21st Century. Octavo. E.C. Schirmer Publishing #5409. Published by E.C. Schirmer Publishing (EC.5409).
Price: $2.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949