Liste des compositions
- Mélodies — When night her purple veil had softly spread : Basse-2 violons • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair : Ténor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts : perdu • Z.354
- Mélodies — Bacchus is a power divine : Basse-b.c. • Z.360
- Mélodies — I came, I saw, and was undone : Soprano-b.c. • Z.375
- Mélodies — I fain would be free : perdu • Z.377
- Mélodies — If music be the food of love : Ténor-b.c. • Z.379A
- Mélodies — If music be the food of love : Ténor-b.c. • Z.379B
- Mélodies — If music be the food of love : Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II" : Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr : Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium : Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes : Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore : Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move : Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes : Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he : inachevé • Z.403
- Mélodies — Olinda in the shades unseen : Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers : Ténor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The) : Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more : Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine : Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles : Ténor-b.c. • Z.434
- Mélodies — Who but a slave can well express : Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ? : perdu • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see : Ténor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing : Ténor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks : Ténor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms : Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams : Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown : Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart : Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love' : Ténor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam : Sop./Mezzo-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart : Ctreténor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown : Ténor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too : Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses : Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A) : Ténor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds : Ténor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin : Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms : Ténor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves : Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive : Ténor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys : Ctreténor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill : Ténor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble : Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade : Ténor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear : Ténor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion : Ténor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry : Ténor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep : Ctreténor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind : Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still : Ténor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams : Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world : Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue : Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice : Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love : Ténor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I : Ténor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love : Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance : Ténor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it : Ténor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over : Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat : Basse-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair : Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours : Ténor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill : Ctreténor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more : Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her : Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia : Ténor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad : Ténor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song : Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind : Ténor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover : Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ? : Ténor-b.c. • (1695) • Z.441
Sheet music for We now, my Thyrsis, never find Purcell
Thyrsis — Carl Reinecke
SATB choir — Full score — Secular choral music
Composed by Carl Reinecke (1824-1910). German title: Thyrsis "An Jener Silberquelle". Secular choral music. Full score. 2 pages. Duration 2 minutes. Carus Verlag #CV 40.240/23. Published by Carus Verlag (CA.4024023).
Price: $1.00
In dulci jubilo / Now Sing We, Now Rejoice — Dietrich Buxtehude
Cello — —
Now Sing We, Now Rejoice. Composed by Dietrich Buxtehude (1637-1707). Published by Concordia Publishing House (CR.98-1556U1).
Price: $3.00
Three Dowland Part Songs — John Dowland
SATB choir, piano accompaniment, lute, guitar — octavo — Music Education
What if I never speed / Can she excuse my wrongs / Now, O now, I needs must part. Composed by John Dowland (1563-1626). Edited by Dennis Shrock. GIA Historical Music. Music Education. Octavo. 24 pages. GIA Publications #8361. Published by GIA Publications (GI.G-8361).
Price: $2.00
Trumpet Voluntary — Jeremiah Clarke
Cornet in Bb), Trumpet in Bb (Cornet in Bb — solo part with piano reduction — Classical
Formerly attributed to Henry Purcell. Composed by Jeremiah Clarke (1674-1707). Arranged by Merle Isaac Clifford Lillya. Although the melody offered here has been known as Purcell's TRUMPET VOLUNTARY< musicologists now tell us that it was really composed by Jeremiah Clarke. Jeremiah Clarke was a contemporary of Purcell's, and is said to have originally issued the piece u. Classical. Solo part with piano reduction. With Standard notation. 10 pages. Carl Fischer Music #W2461. Published by Carl Fischer Music (CF.W2461).
Price: $7.00
It's Never Too Late Play... Classics —
solo piano — collection — Instructional, Method and Classical
17 New Arrangements for Piano Solo and Duet. Edited by Pam Wedgwood. Masterworks; Method/Instruction; Piano Method. Faber Edition: It's Never Too Late. Instructional, Method and Classical. Collection. With standard notation, fingerings and introductory text (does not include words to the songs). 31 pages. Faber Music #12-0571526519. Published by Faber Music (AP.12-0571526519).
Price: $13.00
Michael Gordon: Timber Remixed — Mantra Percussion; Squarepusher; Oneohtrix Point Never; Tim Hecker; Fennesz; Hauschka; Johann Johannson; Sam Pluta; Ikue Mori; Mira Calix; Greg Saunier; HPRIZM; Ian Williams
— CD (2 discs) — Classical
By Mantra Percussion; Squarepusher; Oneohtrix Point Never; Tim Hecker; Fennesz; Hauschka; Johann Johannson; Sam Pluta; Ikue Mori; Mira Calix; Greg Saunier; HPRIZM; Ian Williams. By Michael Gordon. Classical. CD (2 discs). Published by Cantaloupe (NX.CA21121).
Price: $16.00
Michael Gordon: Timber Remixed — Mantra Percussion; Squarepusher; Oneohtrix Point Never; Tim Hecker; Fennesz; Hauschka; Johann Johannson; Sam Pluta; Ikue Mori; Mira Calix; Greg Saunier; HPRIZM; Ian Williams
— vinyl (1 disc) — Classical
By Mantra Percussion; Squarepusher; Oneohtrix Point Never; Tim Hecker; Fennesz; Hauschka; Johann Johannson; Sam Pluta; Ikue Mori; Mira Calix; Greg Saunier; HPRIZM; Ian Williams. By Michael Gordon. Classical. Vinyl (1 disc). Published by Cantaloupe (NX.CA21121LP).
Price: $29.00
Purcell Cortege, A — Henry Purcell
Concert Band — Score and Parts —
Composed by Henry Purcell (1659-1695). Arranged by Stephen Bulla. Print-instrumental Concert Band. FJH Masterworks for Concert Band. This four-movement work captures the essence of Henry Purcell's musical style. The scoring and ranges make this piece very idiomatic and accessible for all instruments. This is excellent teaching material and is ideal for any concert or festival appearanc. Score and Parts. Duration 6:24. The FJH Music Company Inc #B1085. Published by The FJH Music Company Inc (FJ.B1085).
Price: $60.00
Purcell Society Volume 30 — Henry Purcell
Voice — Book Only — Sacred
Sacred Music Part 6 Songs and Vocal Ensemble. Composed by Henry Purcell (1659-1695). Purcell Society Volume. Sacred. Book Only. Novello & Co Ltd. #MUSNOV151030. Published by Novello & Co Ltd. (HL.14028580).
Price: $54.00
Purcell Society Volume 26 - King Arthur — Henry Purcell
Opera — Book Only — Opera or Operetta
King Arthur (Arr. Laurie). Composed by Henry Purcell (1659-1695). Purcell Society Volume. Opera or Operetta. Book Only. Novello & Co Ltd. #MUSNOV151026. Published by Novello & Co Ltd. (HL.14017908).
Price: $62.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949