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Heinrich Schütz
Heinrich | Schütz |
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Composition list
Opera and lyrical music
Sacred music
Chamber music
Vocal music
Compositions sorted on opus (if available)
douteux
perdu
s/n°
Swv 1-19. 1
Swv 20
Swv 21
Swv 22-47. 2
Swv 49
Swv 50 .3
Swv 52
Swv 53-93 . 4
Swv 94
Swv 95
Swv 97-256 5
Swv 257-76. 6
Swv 277
Swv 278
Swv 279-81. 7
Swv 282-05. 8
Swv 306-37. 9
Swv 341-67.10
Swv 368
Swv 369-97.11
Swv 398-18.12
Swv 419
Swv 420-31.13
Swv 432
Swv 433
Swv 434
Swv 435
Swv 448
Swv 468
Swv 477
Swv 478
Swv 479
Swv 480
Swv 481
Swv 482-92
Swv 493
Swv 494
Sheet music for Heinrich Schutz
Symphoniae sacrae II (Stuttgart Schutz Edition, vol. 11) — Heinrich Schutz
— full score (complete edition / selected edition) — Sacred concertos, Sacred vocal music, Psalms, German
Composed by Heinrich Schutz (1585-1672). Edited by Konrad Kuster. Arranged by Paul Horn. This edition: Complete edition. Cycles: Schutz: Symphoniae sacrae II SWV 341-367. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Symphoniae Sacrae II. Sacred concertos, Sacred vocal music, Psalms, German. Full score (complete edition / selected edition). 312 pages. Carus Verlag #CV 20.911/00. Published by Carus Verlag (CA.2091100).
Price: $280.00
Stuttgarter Schutz-Ausgabe: Symphoniae Sacrae I (Gesamtausgabe, Bd. 7) — Heinrich Schutz
— full score (complete edition / selected edition) — Sacred vocal music, Psalms, Latin, Special days, Epiphany, Holy Week, Easter and Eastertide, Prayer, Praise and thanks, Daily hours
Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. This edition: urtext. Cycles: Schutz: Symphoniae sacrae I SWV 257-276. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Symphoniae Sacrae I. Sacred vocal music, Psalms, Latin, Special days, Epiphany, Holy Week, Easter and Eastertide, Prayer, Praise and thanks, Daily hours. Full score (complete edition / selected edition). 216 pages. Carus Verlag #CV 20.907/00. Published by Carus Verlag (CA.2090700).
Price: $280.00
Stuttgart Schutz Edition: Kleine geistliche Konzerte II. 31 geistliche Konzerte fur 1-5 Singstimmen und Bc (Complete edition, vol. 10) — Heinrich Schutz
— full score (complete edition / selected edition) — Sacred concertos, Sacred vocal music
Composed by Heinrich Schutz (1585-1672). Edited by Michael Heinemann. Cycles: Schutz: Kleine geistliche Konzerte II SWV 306-337. Complete editions / Selected works: Heinrich Schutz Complete Edition. Sacred concertos, Sacred vocal music. Full score (complete edition / selected edition). Carus Verlag #CV 20.910/00. Published by Carus Verlag (CA.2091000).
Price: $262.00
Cantiones sacrae (Schutz Complete Edition, vol. 5) — Heinrich Schutz
— full score (complete edition / selected edition) — Sacred vocal music
Composed by Heinrich Schutz (1585-1672). Edited by Uwe Wolf. This edition: Complete edition. Cycles: Schutz: Cantiones sacrae SWV 53-92. Complete editions / Selected works: Heinrich Schutz Complete Edition. Sacred vocal music. Full score (complete edition / selected edition). 224 pages. Carus Verlag #CV 20.905/00. Published by Carus Verlag (CA.2090500).
Price: $255.00
Cantiones sacrae (Schutz Complete Edition, vol. 5) — Heinrich Schutz
bass instrument — Single Part, Bass instrument — Sacred vocal music
Composed by Heinrich Schutz (1585-1672). Edited by Uwe Wolf. This edition: Complete edition. Cycles: Schutz: Cantiones sacrae SWV 53-92. Complete editions / Selected works: Heinrich Schutz Complete Edition. Bass instrument. Sacred vocal music. Single Part, Bass instrument. 48 pages. Carus Verlag #CV 20.905/11. Published by Carus Verlag (CA.2090511).
Price: $34.00
Stuttgarter Schutz-Ausgabe: Italienische Madrigale (Gesamtausgabe, Bd.1) — Heinrich Schutz
— full score (complete edition / selected edition) — Madrigals, Secular choral music
Composed by Heinrich Schutz (1585-1672). Edited by Siegfried Schmalzriedt. This edition: urtext. Cycles: Schutz: Italienische Madrigale SWV 1-19. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Italienische Madrigale. Madrigals, Secular choral music. Full score (complete edition / selected edition). Composed 1623. 152 pages. Carus Verlag #CV 20.901/00. Published by Carus Verlag (CA.2090100).
Price: $145.00
Stuttgarter Schutz-Ausgabe: Auferstehungshistorie (Gesamtausgabe, Bd. 4) — Heinrich Schutz
SSSATTBarB favorit-chor (antiphonal/chamber choir), SATB/SATB choir 4 baSS viola da gamba, organ — full score (complete edition / selected edition) — Sacred vocal music, Easter and Eastertide
Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Cycles: Schutz: Auferstehungshistorie SWV 50. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Auferstehungs-Historie (Dt). Sacred vocal music, Easter and Eastertide. Full score (complete edition / selected edition). Composed 1623. SWV 50. 112 pages. Duration 38 minutes. Carus Verlag #CV 20.904/00. Published by Carus Verlag (CA.2090400).
Price: $113.00
Stuttgarter Schutz-Ausgabe: Musikalische Exequien (Gesamtausgabe, Bd. 8) — Heinrich Schutz
— full score (complete edition / selected edition) — Sacred vocal music, Requiem, Lent and Passiontide, Mourning, death
Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. This edition: urtext. Cycles: Schutz: Musikalische Exequien SWV 279-281. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Musikalische Exequien. Sacred vocal music, Requiem, Lent and Passiontide, Mourning, death. Full score (complete edition / selected edition). 136 pages. Carus Verlag #CV 20.908/00. Published by Carus Verlag (CA.2090800).
Price: $95.00
Stuttgarter Schutz-Ausgabe: Musikalische Exequien (Gesamtausgabe, Bd. 8) — Heinrich Schutz
violoncello/double bass — Single Part, Cello/Double Bass — Sacred vocal music, Requiem, Lent and Passiontide, Mourning, death
Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. This edition: urtext. Cycles: Schutz: Musikalische Exequien SWV 279-281. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Musikalische Exequien. Sacred vocal music, Requiem, Lent and Passiontide, Mourning, death. Single Part, Cello/Double Bass. 12 pages. Carus Verlag #CV 20.908/11. Published by Carus Verlag (CA.2090811).
Price: $9.00
Stuttgarter Schutz-Ausgabe: Zwolf geistliche Gesange (Gesamtausgabe, Bd. 15) — Heinrich Schutz
— full score (complete edition / selected edition) — Sacred vocal music, Magnificats, Mass sections, Psalms, German, Holy Week, Eucharist, Communion, Prayer, Praise and thanks, Morning, midday, evening, Psalms, Daily hours, Baptism, Our Father
Composed by Heinrich Schutz (1585-1672). Edited by Gunter Graulich. This edition: urtext. Cycles: Schutz: Zwolf geistliche Gesange SWV 420-431. Complete editions / Selected works: Heinrich Schutz Complete Edition. German title: Zwolf geistliche Gesange. Sacred vocal music, Magnificats, Mass sections, Psalms, German, Holy Week, Eucharist, Communion, Prayer, Praise and thanks, Morning, midday, evening, Psalms, Daily hours, Baptism, Our Father. Full score (complete edition / selected edition). 168 pages. Carus Verlag #CV 20.915/00. Published by Carus Verlag (CA.2091500).
Price: $124.00
Heinrich Schütz is without doubt one of the great German composers. He was born in a well-to-do family, and like his brothers was destined to become a trader and lawyer. However, Count Moritz of Hessen discovered his musical talents, and it was he who also financed Heinrich’s study with Giovanni Gabrieli in Venice. He brought with him the Italian music style. Back in Germany he worked as a court organist in Kassel, where he soon became very famous. In 1617 Schütz became "Kapellmeister" at the court of Johann Georg I of Saksen. After that he also worked at the courts of Wolfenbüttel, Zeitz, Halle, Gera and Hamburg). For two periods of time (1633–1635 and 1642–1644) he also worked in Copenhagen, where fled to hide from the horrors 30-year War.
Schütz became very old: 87 year. Till his death he was productive as a composer. In fact, he wanted to retire at 60, but because of his popularity (they called him the Father of German Music), his master Johann Georg I would not let him go. Even successor Johann Georg II asked him to be present with his music on festive days.