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George Lloyd
George | Lloyd |
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Composition list
Opera and lyrical music
Sacred music
Symphonic music
Instrumental music
Chamber music
Concertante music
Sheet music for George Lloyd
The Merchant of Venice — Ajao; Albina; Ballard; Brookes; Corrigan; Feiler; Ferran; Findlay; Fortune-Lloyd; Hughes; Khoury; Lloyd; Mahoney; Nwosu; Protheroe; Saighal; Samuels
— DVD — Classical
By Ajao; Albina; Ballard; Brookes; Corrigan; Feiler; Ferran; Findlay; Fortune-Lloyd; Hughes; Khoury; Lloyd; Mahoney; Nwosu; Protheroe; Saighal; Samuels. By Shakespeare; Tritschler. Region: 0; Sound Type: LPCM & DTS 5.1. Classical. DVD. With Language: English; Subtitles: English. Duration 145 minutes. Published by Opus Arte (NX.OA-1202D).
Price: $24.00
Concertos for 2 Cellos — Julian Lloyd Webber; Jiaxin Lloyd Webber; European Union Chamber Orchestra; Hofmann
— listening CD —
By Julian Lloyd Webber; Jiaxin Lloyd Webber; European Union Chamber Orchestra; Hofmann. By Piazzolla Vivaldi. Naxos Classics. Listening CD. Published by Naxos (NX.8573374).
Price: $11.00
The Merchant of Venice — Ajao; Albina; Ballard; Brookes; Corrigan; Feiler; Ferran; Findlay; Fortune-Lloyd; Hughes; Khoury; Lloyd; Mahoney; Nwosu; Protheroe; Saighal; Samuels
— Blu-Ray DVD — Classical
By Ajao; Albina; Ballard; Brookes; Corrigan; Feiler; Ferran; Findlay; Fortune-Lloyd; Hughes; Khoury; Lloyd; Mahoney; Nwosu; Protheroe; Saighal; Samuels. By Shakespeare; Tritschler. Region: 0; Sound Type: LPCM & DTS Master Audio 5.1; Aspect Ratio: 16:9. Classical. Blu-Ray DVD. With Language: English; Subtitles: English. Duration 145 minutes. Published by Opus Arte (NX.OA-BD7192D).
Price: $29.00
Cello Song — Julian Lloyd Webber
Cello and Piano — Book Only — Classical
By Julian Lloyd Webber. By Julian Lloyd Webber. Music Sales America. Classical. Book Only. Composed 2005. 84 pages. Chester Music #MUSCH60883. Published by Chester Music (HL.14017409).
Price: $29.00
Mastering the Piano, Book 2 — perf. Valery Lloyd-Watts
Piano — Book and CD — Masterwork
Book 2. A 7-Volume Series of Motivating Performance Repertoire. By perf. Valery Lloyd-Watts. Edited by Valery Lloyd-Watts. Graded Standard Repertoire; Masterworks; Piano Collection. Masterwork. Book and CD. 24 pages. Alfred Music #00-22382. Published by Alfred Music (AP.22382).
Price: $9.00
Mastering the Piano, Book 7 — perf. Valery Lloyd-Watts
piano solo — Book/CD set — Classical
Book 7. A 7-Volume Series of Motivating Performance Repertoire. By perf. Valery Lloyd-Watts. Edited by Valery Lloyd-Watts and Carole L. Bigler. Graded Standard Repertoire; Masterworks; Piano Collection. Mastering the Piano. Classical. Book/CD set. 63 pages. Alfred Music #00-25757. Published by Alfred Music (AP.25757).
Price: $12.00
The Great Cello Solos — Julian Lloyd Webber
Cello and Piano — Book Only — Exam Material
By Julian Lloyd Webber. By Max Bruch (1838-1920). Edited by Julian Lloyd Webber. Music Sales America. Exam Material. Book Only. 54 pages. Chester Music #MUSCH60264. Published by Chester Music (HL.14019310).
Price: $19.00
Everybody's Perfect Masterpieces, Volumes 1-4 — perf. Valery Lloyd-Watts
Piano — CD — Masterwork
By perf. Valery Lloyd-Watts. Edited by Valery Lloyd-Watts. Graded Standard Repertoire; Masterworks; Piano Collection. Masterwork. CD. Alfred Music #00-14050. Published by Alfred Music (AP.14050).
Price: $10.00
Mastering the Piano, Book 6 — perf. Valery Lloyd-Watts
piano solo — Book/CD set — Classical
Book 6. A 7-Volume Series of Motivating Performance Repertoire. By perf. Valery Lloyd-Watts. Edited by Valery Lloyd-Watts and Carole L. Bigler. Graded Standard Repertoire; Masterworks; Piano Collection. Mastering the Piano. Classical. Book/CD set. 63 pages. Alfred Music #00-25754. Published by Alfred Music (AP.25754).
Price: $12.00
Mastering the Piano, Book 4 — perf. Valery Lloyd-Watts
Piano — Book and CD — Masterwork
Book 4. A 7-Volume Series of Motivating Performance Repertoire. By perf. Valery Lloyd-Watts. Edited by Valery Lloyd-Watts. Graded Standard Repertoire; Masterworks; Piano Collection. Masterwork. Book and CD. 40 pages. Alfred Music #00-22503. Published by Alfred Music (AP.22503).
Price: $10.00
- Symphonies 1–12
- 3 operas
- 4 piano concertos
- Various pieces for brass
- A Symphonic Mass
- Various works for solo piano
- A litany
- 2 Violin concertos
- Miscellaneous orchestral pieces
George Lloyd showed his talent as a composer early; he began composing at the age of 9, and began serious study at the age of 14. He was mainly educated at home because of rheumatic fever. He was trained in the dramatic aspects of opera by his father, who would regularly give him scenes from English plays to set to music, and he later studied violin with Albert Sammons and composition with Frank Kitson and Harry Farjeon. He was a student at Trinity College London. His first symphony, written at the age of 19, was premiered in 1933 by the Bournemouth Symphony Orchestra, with the composer conducting. A second symphony had its premiere in 1935 and was soon followed by a third. His first opera, Iernin, was performed in 1934 in Penzance, before being transferred to the Lyceum Theatre, London, where it had an unusually long run. His second opera, The Serf, was staged by Vladimir Rosing at Covent Garden in 1938.
(submitted by William Lloyd (GeorgeLloyd) <society@georgelloyd.com>)
After early successes with opera and three symphonies, he was badly shell-shocked in the Second World War, and retired to Cornwall to a market garden, growing carnations and mushrooms. He composed intermittently, but eventually his health improved, and he started to compose a number of new works, most of which he has conducted himself and recorded on the Albany Records label.
(This is an English composer whose work is wrongly ignored by many music critics. His symphonies are melodic, but nonetheless powerful. His choral writing is inspired, and I recommend his Symphonic Mass, as well as all his symphonies. Those who know his music, adore it.)
Comments
Anonymous (not verified)
Thu, 2009-10-15 19:12
Permalink
George Lloyd
Viewed from the US the British Classical Music scene is presented as a rather closed club, especially including critics, conductors, record companies, acadamies no doubt, and the mags like Grammophone. All of the above knew of Lloyd and some even heard his music, but he was ignored. I wonder why, given those who have been extolled writing dull tuneless noise hodge-podges. Surely a fair comparison to RVW or Bax or Arnold would be enough to know more about Lloyd and hear is music played. Odd, that he had to come to the US to conduct and record his symphonies, but to our delight. I am astonished at the conductors who overlooked him in favor of others.
Irwin Moss, LA/CA/USA