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Franz Vinzenz Krommer
Franz Vinzenz | Krommer • Křamer |
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Composition list
Sacred music
Instrumental music
Chamber music
Symphonic music
Concertante music
Compositions sorted on opus (if available)
110 numéros
Florence
Op. 1
Op. 2
Op. 3
Op. 4
Op. 5
Op. 6
Op. 7
Op. 8
Op. 9
Op. 10
Op. 11
Op. 12
Op. 13
Op. 14
Op. 15
Op. 16
Op. 17
Op. 18B
Op. 19
Op. 20
Op. 21
Op. 22
Op. 23
Op. 24
Op. 25
Op. 26
Op. 27
Op. 30
Op. 31
Op. 32
Op. 33
Op. 34
Op. 35A
Op. 35B
Op. 36
Op. 37
Op. 38
Op. 39
Op. 40
Op. 41
Op. 42A
Op. 42B
Op. 43
Op. 44
Op. 45A
Op. 45B
Op. 46
Op. 47
Op. 48
Op. 49
Op. 50
Op. 51
Op. 52
Op. 52a
Op. 53
Op. 54
Op. 55
Op. 56
Op. 57
Op. 58
Op. 59
Op. 60
Op. 61
Op. 62
Op. 63
Op. 64
Op. 65
Op. 66
Op. 67
Op. 68
Op. 69A
Op. 69B
Op. 70A
Op. 70B
Op. 71
Op. 72
Op. 73
Op. 74
Op. 75
Op. 76
Op. 77
Op. 78
Op. 79
Op. 80A
Op. 80B
Op. 81
Op. 82
Op. 83A
Op. 83B
Op. 84
Op. 85
Op. 86
Op. 86a
Op. 87
Op. 88
Op. 89
Op. 90A
Op. 90B
Op. 91
Op. 92A
Op. 92B
Op. 93
Op. 94A
Op. 94B
Op. 95A
Op. 95B
Op. 96
Op. 97A-100A
Op. 97B
Op.100B
Op.101
Op.102
Op.103
Op.104
Op.105
Op.106
Op.107
Op.108
Op.109
Op.110
Op.posth
perdu
s.opus
s/n°
Vienne
Sheet music for Franz Vinzenz Krommer
Partita in Dis — Franz Vinzenz Krommer
2 oboes, 2 clarinets, 2 horns, 2 bassoons, double bass — score — chamber music
Composed by Franz Vinzenz Krommer. Edited by Andreas Lindner. This edition: First Edition. Chamber music. Diletto Musicale. Chamber music. Score. 60 pages pages. Doblinger Music Publishers #DM-01388-PA. Published by Doblinger Music Publishers (DB.DM-01388-PA).
Price: $36.00
Partita in Dis — Franz Vinzenz Krommer
2 oboes, 2 clarinets, 2 horns, 2 bassoons, double bass — score — chamber music
Composed by Franz Vinzenz Krommer. Edited by Andreas Lindner. This edition: First Edition. Chamber music. Diletto Musicale. Chamber music. Score. Doblinger Music Publishers #DM-01388-ST. Published by Doblinger Music Publishers (DB.DM-01388-ST).
Price: $59.00
Franz Krommer Clarinetconcert in Eb Part 1 — Franz Krommer (1759-1831)
Piano Solo,Clarinet — Play-Along — Romantic Period,Classical Period
Composed by Franz Krommer (1759-1831). Arranged by Christian Roßmeißl. Romantic Period, Classical Period. Play-Along. Published by Christian Ross (S0.621425).
Price: $4.00
Franz Krommer Clarinetconcert in Eb Part 2 — Franz Krommer (1759-1831)
Piano Solo,Clarinet — Play-Along — Romantic Period,Classical Period
Composed by Franz Krommer (1759-1831). Arranged by Christian Roßmeißl. Romantic Period, Classical Period. Play-Along. Published by Christian Ross (S0.621427).
Price: $3.00
Two-Piano Accompaniment to Franz Krommer's Concerto for Two Clarinets in Eb, Op. 35 (Movement I) — Franz Krommer
Piano 1,Piano 2 — Set of Parts — Classical Period
Composed by Franz Krommer (1759-1831). Arranged by Jeffrey W. Gettleman. Classical Period. Set of Parts. 60 pages. Published by Jeffrey Gettleman (S0.695795).
Price: $20.00
Franz Krommer (1759-1830) - Flute Concerto n.1 op.30 ( Full Score and parts) — Franz Krommer (1759-1830)
Flute,Chamber Orchestra — Score,Set of Parts,Solo Part — Classical Period
Composed by Franz Krommer (1759-1830). Arranged by James Strauss. Classical Period. Score, Set of Parts, Solo Part. 176 pages. Published by James Strauss (S0.517921).
Price: $60.00
Krommer: Variations on Theme of Pleyel for Clarinet Trio — Franz Krommer
Oboe,Clarinet,English Horn,Woodwind Trio,Clarinet Trio — Score,Set of Parts — Classical Period,Wedding,Recital
Composed by Franz Krommer (1759-1831). Arranged by Craig Buying. Classical Period, Wedding, Recital. Score, Set of Parts. 18 pages. Published by No Squeak Publishing (S0.520355).
Price: $4.00
Versetten und Praeludien durch alle acht Kirchentone — P. Vinzenz Konig
organ — Full score —
Composed by P. Vinzenz Konig. Edited by Konrad Ruhland. This edition: Paperbound. Music from East Bavaria. German title: Versetten Und Praeludien 1600601. Full score. 22 pages. Carus Verlag #CV 91.144/00. Published by Carus Verlag (CA.9114400).
Price: $11.00
Piano Concerto No. 1, Op. 15 — Vinzenz Lachner
piano, 2 violins, viola, cello, Doublebass — score and parts —
Arranged by Vinzenz Lachner. Piano(s) & Other Instruments. Score and parts. Bruckner Verlag #WW903. Published by Bruckner Verlag (PE.WW903).
Price: $162.00
Litaniae Beatae Mariae Virginis — Vinzenz Fux
solo soprano voice (tenor voice), SATB choir, violin, 2 viola, basso continuo — Full score — Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary
Composed by Vinzenz Fux. Edited by Wolfgang Furlinger. This edition: Paperbound. Music of the 17th century. German title: Litaniae Beatae Mariae Virginis 1700501. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. 28 pages. Carus Verlag #CV 91.210/00. Published by Carus Verlag (CA.9121000).
Price: $22.00
Like many of his fellow Czech composers and perfomers, Franz Krommer (originally spelled Franciscus Vincentius Křamar) had gravitated to Vienna under the influence of the cities’ artistic and cultural attraction and, as a result became one of the most successful composers of his time. He left more than 300 compositions in most genres, except opera and piano.
Despite the suggestion that Krommer was an intellectual lightweight compared with many of his contemporaries, in the opinion of this writer his music shows originality, high technical competence and is well worth listening to as one of the “first division” (behind the Premier League of Haydn, Beethoven etc.).
Quite a lot of Krommer’s music is now available on CD. Of particular note are his “Harmonien” for wind ensemble (Naxos, et al.), a number of concertos for flute, clarinet and concertante and less wellknown but of no lesser quality are Bruno Meier’s recordings of the 9 flute quintets. Chandos have recorded two of the nine known symphonies in their “Contemporaries of Mozart” series. Recordings of Krommer’s many string quartets and quintets are yet to emerge – although there is an increasing amount of wind & strings chamber music CDs to be found.
(Contribution by Adrian House <adrian.house@ntlworld.com>.)
Born as Fransek Vincenc Kramar at Kamenice (Kamenitz, Southern Moravia), the son of an innkeeper who later became mayor of Kamenice, he studied organ and violin with his uncle Anton Matthias Kramar near Brno. Kramar then had various appointments with nobility in Simontormnya , Pecs et al., before settling in Vienna in 1795 (some accounts say 1785).
By this time, Kramar had renamed himself Franz Krommer, adapting to life in Vienna and developing a reputation as a violin tutor as well as a useful conductor and composer. However, attempts to gain a position at the royal palace were unsuccessful until 1815, when he was appointed Imperial Court Composer, and in 1818 Krommer succeeded his countryman Leopold Kozeluh as Kammer-Kapellmeister. This role lapsed after his death in 1831.
By the time of his appointment as Kapellmeister, Krommer was widely known and published as a composer, and accompanied Emperor Franz I on his travels through France and Italy – where the musician was himself well received by the local conservatories.
“He was a simple man, friendly, cheerful and very good-hearted – the battle between literature and aesthetics interested him just as little as did the wars of Kings and peoples; he lived in his own private peaceful world – a Hellenistic being, transformed into the figure of a bourgeois musician with a wig and a lace jabot, short trousers and buckled shoes” (von Riehl – “Musikalische Charakterköpfe”, circa 1850).
(Contribution by Adrian House <adrian.house@ntlworld.com>.)