List of compositions
- Duos: 2 voices-b.c. — How delightful's the life of an innocent swain : Sop.-Basse-b.c. • Z.373
- Duos: 2 voices-b.c. — Beneath a dark and melancholy grove : Soprano-Basse-b.c. • Z.461
- Duos: 2 voices-b.c. — Draw near, you lovers : Sop.-Basse-b.c. • Z.462
- Duos: 2 voices-b.c. — High on a throne of glitt'ring ore : Sop.-Basse-b.c. • Z.465
- Duos: 2 voices-b.c. — No, to what purpose should I speak : Sop.-Basse-b.c. • Z.468
- Duos: 2 voices-b.c. — Young Thirsis' fate : Soprano-Basse-b.c. • Z.473
- Duos: 2 voices-b.c. — Above the tumults of a busy state • Z.480
- Duos: 2 voices-b.c. — Alas, how barbarous are we • Z.482
- Duos: 2 voices-b.c. — Go, tell Amynta, gentle swain • Z.489
- Duos: 2 voices-b.c. — Haste, gentle Charon : 2 Basses • Z.490
- Duos: 2 voices-b.c. — How great are the blessings or A Health to King James • Z.494
- Duos: 2 voices-b.c. — In all our Cynthia's shining sphere • Z.496
- Duos: 2 voices-b.c. — I spy Celia, Celia eyes me • Z.499
- Duos: 2 voices-b.c. — Julia, your unjust disdain • Z.500
- Duos: 2 voices-b.c. — Oh ! what a scene does entertain my sight : avec flute à bec • Z.506
- Duos: 2 voices-b.c. — See where she sits : avec 2 violons • Z.508
- Duos: 2 voices-b.c. — Soft notes and gently raised : avec 2 flutes à bec • Z.510
- Duos: 2 voices-b.c. — Sylvia, thou brighter eye of night • Z.511
- Duos: 2 voices-b.c. — There ne'er was so wretched a lover AS I • Z.513
- Duos: 2 voices-b.c. — Trip it, trip it in a ring • Z.515
- Duos: 2 voices-b.c. — What can we poor females do ? • Z.518
- Duos: 2 voices-b.c. — While bolts and bars my day control • Z.523
- Duos: 2 voices-b.c. — While you for me alone had charms • Z.524
- Duos: 2 voices-b.c. — How pleasant is this flowery plain : Soprano-Ténor-2 flutes à bec • Z.543
- Duos: 2 voices-b.c. — Scarce had the rising sun appear'd : Sop.-Basse-b.c. • (1679) • Z.469
- Duos: 2 voices-b.c. — Since the pox or the plague : Ténor-Basse-b.c. • (1679) • Z.471
- Duos: 2 voices-b.c. — What hope for us remains now he is gone ? : Sop.-Basse-b.c. • (1679) • Z.472
- Duos: 2 voices-b.c. — When Strephon found his passion vain : Soprano-Basse-b.c. • (1683) • Z.435
- Duos: 2 voices-b.c. — Let us, kind Lesbia, give away : Soprano-Basse-b.c. • (1684) • Z.466
- Duos: 2 voices-b.c. — When gay Philander left the plain • (1684) • Z.519
- Duos: 2 voices-b.c. — Farewell, ye rocks, ye sea and sands : Ténor-Basse-b.c. • (1685) • Z.463
- Duos: 2 voices-b.c. — Musing on cares of human fate : Sop.-Basse-b.c. • (1685) • Z.467
- Duos: 2 voices-b.c. — Come, lay by all care • (1685) • Z.484
- Duos: 2 voices-b.c. — Sit down, my dear Sylvia • (1685) • Z.509
- Duos: 2 voices-b.c. — Though my mistress be fair • (1685) • Z.514
- Duos: 2 voices-b.c. — When, lovely phyllis, thou art kind • (1685) • Z.520
- Duos: 2 voices-b.c. — Grasshopper and a fly (A) • (1686) • Z.481
- Duos: 2 voices-b.c. — Come, dear companions of th'Arcadian fields • (1686) • Z.483
- Duos: 2 voices-b.c. — I saw fair Cloris all alone • (1686) • Z.498
- Duos: 2 voices-b.c. — Sacharissa's grown old • (1686) • Z.507
- Duos: 2 voices-b.c. — Sylvia, 'tis true you're fair : Ténor-Basse-b.c. • (1686) • Z.512
- Duos: 2 voices-b.c. — When Teucer from his father fled • (1686) • Z.522
- Duos: 2 voices-b.c. — Gentle shepherds, you that know : Soprano-Basse-b.c. • (1687) • Z.464
- Duos: 2 voices-b.c. — Fill the blow with rosy wine • (1687) • Z.487
- Duos: 2 voices-b.c. — Hence, fond deceiver • (1687) • Z.492
- Duos: 2 voices-b.c. — How sweet is the air and refreshing • (1687) • Z.495
- Duos: 2 voices-b.c. — In some kind dream • (1687) • Z.497
- Duos: 2 voices-b.c. — Oft am I by the women told • (1687) • Z.505
- Duos: 2 voices-b.c. — Has yet your breast no pity learn'd ? • (1688) • Z.491
- Duos: 2 voices-b.c. — Here's to thee, Dick • (1688) • Z.493
- Duos: 2 voices-b.c. — See how the fading glories of the year : Sop.-Basse-b.c. • (1689) • Z.470
- Duos: 2 voices-b.c. — Let Hector, Achilles and each brave commander • (1689) • Z.501
- Duos: 2 voices-b.c. — Nestor, who did to thrice man's age attain • (1689) • Z.503
- Duos: 2 voices-b.c. — Were I to choose the greatest bliss • (1689) • Z.517
- Duos: 2 voices-b.c. — Lost is my quiet for ever • (1691) • Z.502
- Duos: 2 voices-b.c. — Why, my Daphne, why complaining ? • (1691) • Z.525
- Duos: 2 voices-b.c. — Fair Cloe, my breast so alarms • (1692) • Z.486
- Duos: 2 voices-b.c. — Underneath this myrtle shade • (1692) • Z.516
- Duos: 2 voices-b.c. — Dulcibella, when e'er I sue for a kiss • (1694) • Z.485
- Duos: 2 voices-b.c. — O dive custos Auriacae domus : 2 Sopranos • (1695) • Z.504
- Duos: 2 voices-b.c. — When Myra sings • (1695) • Z.521
Sheet music for I spy Celia, Celia eyes me Purcell
Spy vs. Spy — Matt Turner
Cello, Contrabass, Percussion 1 (Guiro), Percussion 2 (Congas), Percussion 3 (Bongos, Piano, Triangle), Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — score and part(s) —
Composed by Matt Turner. Collate - FS SWS. Young String Orchestra. Spy vs. Spy is reminiscent of spy theme music from the 1960s and 1970s. A solo section gives students an opportunity to improvise using a B blues scale (B, D, E, F, F?, A) or B minor pentatonic scale (B, D, E, F?, A). The conga and bongo players may devia. Score and part(s). With Standard notation. 162 pages. Carl Fischer Music #YAS80. Published by Carl Fischer Music (CF.YAS80).
Price: $55.00
Celia Linde: Shades in Blue — Celia Linde
— — Classical
By Celia Linde. By Celia Linde. Classical, Guitar. Classical. Proprius #PRCD2085. Published by Proprius (NX.PRCD2085).
Price: $18.00
Spy vs. Spy — Matt Turner
Bass, Cello, Percussion 1 - Guiro, Percussion 2 - Conga, Percussion 3 - Bongos & Triangle, Piano, Viola, Violin I, Violin II, Violin III — full score (large) —
Composed by Matt Turner. Collate - FS SWS. Carl Fischer Young String Orchestra Series. Full score (large). With Standard notation. Carl Fischer Music #YAS80F. Published by Carl Fischer Music (CF.YAS80F).
Price: $7.00
The Spy — Jeff Henderson
Piano — Sheet Music Single — Jazz,Classical Period
Composed by Jeff Henderson. Jazz, Classical Period. Sheet Music Single. 1 pages. Jeff Henderson #Spy. Published by Jeff Henderson (S0.15506).
Price: $3.00
A Recital of Seventeenth-Century Italian and English Songs — Celia Harper
— CD — Classical
By Celia Harper, Erin Headley, Richard Wistreich, and Robin Jeffrey. By Thomas Campion (1567-1620). Classical. CD. Naxos #CR3710-2. Published by Naxos (NX.CR3710-2).
Price: $16.00
Symphonies in G Minor / D Major — Celia Nicklin; Matthias Bamert; London Mozart Players; Desbruslais
— listening CD —
By Celia Nicklin; Matthias Bamert; London Mozart Players; Desbruslais. By Johann Baptist Vanhal (1739-1813). Listening CD. Published by Chandos (NX.CHAN-9607).
Price: $18.00
Celia Has A Thousand Charms — Henry Purcell
— Score Only —
Composed by Henry Purcell (1659-1695). Score Only. Novello & Co Ltd. #MUSNOV460100. Published by Novello & Co Ltd. (HL.14024719).
Price: $6.00
Turn Then Thine Eyes — Henry Purcell
piano/vocal — — Classical
By Henry Purcell and Benjamin Britten. By Henry Purcell (1659-1695). This edition: Interactive Download. Classical. 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.128310).
Price: $3.00
The Code — Alan Lee Silva
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — score and part(s) —
Composed by Alan Lee Silva. Collate - FS SWS. Young String Orchestra. Like the underscore of an international spy movie, The Code promises drama from the opening bar. The evocative harmonies in F-sharp minor, plus tight moving lines and syncopated rhythms, immediately catch ones ear and give young players a variety of music. Score and part(s). With Standard notation. 124 pages. Duration 0:02:35. Carl Fischer Music #YAS96. Published by Carl Fischer Music (CF.YAS96).
Price: $55.00
Nunc Dimittis (theme from Tinker, Tailor, Soldier, Spy) — Geoffrey Burgon
— Piano Vocal — Classical,Film/TV
By Geoffrey Burgon. This edition: Interactive Download. Classical, Film/TV. Piano Vocal. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.84691).
Price: $3.00
(A) (B)
Soprano : Barbara Bonney Susan Gritton
(D) (Abd)
Ténor : Charles Daniels Basse : Michael George
(Basse de viole : Mark Caudle
Théorbe/Archiluth : David Miller - Orgue/clavecin : Robert King)
- 1Dgb -
Hyp 44161
- 1994 -
(C)
Soprano : Emma Kirby - Basse : David Thomas
Académie de musique ancienne
Direction : Christopher Hogwood
- £Agb -
Ol 425898.2