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Max Lifchitz
Max | Lifchitz |
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Compositielijst
Concertante muziek
Sheet music for Max Lifchitz
Robert Martin: The Gorky Pieces — Lisa Hansen; Jordan Dodson; The North/South Chamber Orchestra; Max Lifchitz; Max Lifchitz
— CD (1 disc) — Classical
By Lisa Hansen; Jordan Dodson; The North/South Chamber Orchestra; Max Lifchitz; Max Lifchitz. By Robert Martin. Country of Origin: United States. Classical. CD (1 disc). Published by Naxos (NX.N-S-R-1063).
Price: $12.00
Vintage Soundscapes & More — Max Lifchitz
— CD — Classical
By Max Lifchitz, North/South Chamber Orchestra, Rocco Parisi, Ken Perlman, and Arthur Campbell. By Edward Green, Federico Ermirio, Max Lifchitz, Elizabeth Bell (1928-), and Harold Schiffman (1957-). Classical. CD. Naxos #N/S R 1064. Published by Naxos (NX.N-S-R-1064).
Price: $12.00
David Maves: the Piano Sonatas — Max Lifchitz
— listening CD —
By Max Lifchitz. By David Maves. Listening CD. Published by Naxos (NX.N-S-R-1008).
Price: $12.00
Clarinet Fantasy — Goldsmith; Lifchitz; Schenk
— listening CD —
By Goldsmith; Lifchitz; Schenk. By Bell; Enriquez; Graetzer; Et al. Listening CD. Published by Naxos (NX.N-S-R-1006).
Price: $12.00
Orchestral Works — Oberg; Lifchitz
— listening CD —
By Oberg; Lifchitz. By Aurelio de la Vega (1925-). Listening CD. Published by Naxos (NX.N-S-R-1051).
Price: $12.00
The North/South Chamber Orchestra: Brightness Aloft — Carolyn Beck
— CD — Classical
By Carolyn Beck, Elizabeth Farnum, and The North/South Chamber Orchestra. By Christopher James, Max Lifchitz, and David Maves. Classical, Contemporary Era. Classical. CD. Naxos #N/S R 1065. Published by Naxos (NX.N-S-R-1065).
Price: $12.00
Max Reger in seinen Konzerten: Reger konzertiert — Max Reger
— Book — Veroffentlichungen des Max-Reger-Instituts, Musicological books
Composed by Max Reger (1873-1916). Edited by Ingeborg Schreiber, Ottmar Schreiber. This edition: Paperbound. Veroffentlichungen des Max-Reger-Instituts, Musicological books. German title: Reger: Max Reger in seinen Konzerten: Reger konzertiert. Veroffentlichungen des Max-Reger-Instituts, Musicological books. Book. 244 pages. Carus Verlag #CV 24.303/10. Published by Carus Verlag (CA.2430310).
Price: $20.00
Max Reger in seinen Konzerten: Programme der Konzerte Regers — Max Reger
— Book — Veroffentlichungen des Max-Reger-Instituts, Musicological books
Composed by Max Reger (1873-1916). Edited by Ingeborg Schreiber. This edition: Paperbound. Veroffentlichungen des Max-Reger-Instituts, Musicological books. German title: Reger: Max Reger in seinen Konzerten: Programme der Konzerte Regers. Veroffentlichungen des Max-Reger-Instituts, Musicological books. Book. 348 pages. Carus Verlag #CV 24.303/20. Published by Carus Verlag (CA.2430320).
Price: $34.00
Max Reger in seinen Konzerten: Rezensionen der Konzerte Regers — Max Reger
— Book — Veroffentlichungen des Max-Reger-Instituts, Musicological books
Composed by Max Reger (1873-1916). Edited by Ingeborg Schreiber, Ottmar Schreiber. This edition: Paperbound. Veroffentlichungen des Max-Reger-Instituts, Musicological books. German title: Reger: Max Reger in seinen Konzerten: Rezensionen der Konzerte Regers. Veroffentlichungen des Max-Reger-Instituts, Musicological books. Book. 383 pages. Carus Verlag #CV 24.303/30. Published by Carus Verlag (CA.2430330).
Price: $27.00
Cuatro Estudios — Carlos Chavez
Piano — — Classical, Contemporary, Mexican
Piano Solo. Composed by Carlos Chavez (1899-1978). Edited by M Lifchitz. Piano Method. Classical, Contemporary, Mexican. 43 pages. Published by Carlanita Music (HL.50481949).
Price: $14.00
Orchestral
- Piano Concerto
- lntervención (for violin and orch.)
- Night Voices No. 13 (for cello and orchestra)
- Yellow Ribbons Nos. 8, 9, 17, 18, 37 & 40
Large Ensemble
- Globos
- Roberta
- Tiempos
- Yellow Ribbons Nos. 11, 12 & 41 (wind ensemble)
Chamber Ensemble
- Exceptional String Quartet (four double basses)
- I Got Up (trombone, double bass, percussion, electronics)
- Night Voices No. 8 (marimba and chamber ensemble)
- Night Voices No. 10 (violin and chamber ensemble)
- Winter Counterpoint (flute, oboe, bassoon, viola, piano)
- Yellow Ribbons No. 2 (violin, clarinet, and piano)
- Yellow Ribbons No. 5 (two clarinets and piano)
- Vignettes (wind quintet)
For Two Performers
- Duo (violin and cello)
- Mosaico Latinoamericano (flute and piano)
- Night Voices No. 1 (two clarinets, string quartet and piano)
- Night Voices No. 3 (oboe and piano)
Percussion
- Rhythmic Soundscape (piano and percussion)
- Music for Percussion (five percussionists)
- Inner Pulse (solo percussion)
- Pulsations & Dos Danzas (four percussionists)
Band
Mosaico Mexicano
Solo Instruments
- Transformations No. 1 (cello)
- Transformations No. 2 (violin)
- Transformations No. 3 (marimba)
- Affinities (piano)
- Tientos (accordion)
- Yellow Ribbons No. 16 (double bass)
- Yellow Ribbons No. 39 (flute)
Vocal Works
- Canto de Paz (soprano and ensemble)
- Villancios Rebeldes (Chorus)
- Latin American Christmas Songs (Chorus)
- Of Bondage and Freedom (sop, vln, pno)
Max Lifchitz is active as a composer, performer, arts administrator and educator.
A graduate of The Juilliard School and Harvard University, he was invited to join the faculty of the University at Albany, State University of New York in 1986. Previously, he held teaching appointments at the Manhattan School of Music and Columbia University.
In addition to teaching a variety of music courses and general education offerings, Lifchitz has served as Chair of both the University at Albany’s Music Department and the Latin American and Caribbean Studies Department, where he holds a joint appointment.
He received the University at Albany Award for Excellence in Research in 2005.
His creative endeavors have been supported by grants and fellowships from the ASCAP Foundation; the Ford Foundation; the John Simon Guggenheim Memorial Foundation; Meet the Composer, Inc.; The University of Michigan Society of Fellows; the CAPS Program of New York State; and the National Endowment for the Arts.
As a pianist, Lifchitz was awarded the first prize in the 1976 Gaudeamus Competition for Performers of Contemporary Music held in Holland. His concert appearances throughout Latin America have been underwritten by the Fund for US Artists at International Festivals. Recently, he appeared as conductor of the Houston-based Foundation for Modern Music Ensemble and as pianist in the Grand Canyon Music Festival (Arizona) and the Nuovi Spazi Musicali Festival (Rome, Italy).
Lifchitz is the founder and artistic director of North/South Consonance, Inc., a non-profit organization based in New York City devoted to the promotion and performance of music by composers from the Americas.
Active since 1980, the North/South Consonance Ensemble has received grants from, among others, the Aaron Copland Fund, the Yvar Mikhashoff Fund for New Music, the Virgil Thomson Foundation; the Mary Flagler Cary Charitable Trust, the JP Morgan Chase/Meet the Composer Fund, the New York City Department of Cultural Affairs, the New York State Council for the Arts and the National Endowment for the Arts. It has also received contributions from several corporations and numerous individual donors.
North/South Consonance Inc. sponsors an annual concert series in New York City featuring new chamber music from the Americas and has issued forty-two highly acclaimed compact discs on the North/South Recordings label.
Lifchitz is represented as composer, pianist and conductor on several CD and LP albums issued by the Classic Masters, CRI, Finnadar, New World, North/South, Opus One, Philips, RCA Victor and Vienna Modern Masters labels.
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