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Sheet music for Anton Filtz
2 flutes and basso continuo (Flute) - intermediate
Score and Parts. Composed by Anton Filtz (1733-1760). Edited by Hugo Ruf and Reinhard Matthias Ruf. Arranged by Hugo Ruf and Reinhard Ruf. This edition: Saddle stitching. Sheet music. Il Flauto Traverso (Flute Library). Classical. Score and Parts. Op. 2/5. 40 pages. Schott Music #FTR 188. Published by Schott Music (HL.49013119).
Composed by Anton Filtz (1733-1760). Edited by Heinrich Klug. Edition Breitkopf. Baroque. Solo part, piano reduction. Breitkopf and Haertel #EB-6528. Published by Breitkopf and Haertel (BR.EB-6528).
Composed by Anton Filtz (1733-1760). Orchester-Bibliothek (Orchestral Library). Baroque. Individual part. Breitkopf and Haertel #OB-4759-12. Published by Breitkopf and Haertel (BR.OB-4759-12).
Composed by Anton Filtz (1733-1760). Orchestral parts for sale. Orchestral. Violin 2 part. Edition Peters #EP6977-VLN2. Published by Edition Peters (PE.EP6977-VLN2).
Composed by Anton Filtz (1733-1760). Orchestral parts for sale. Orchestral. Cello / double bass part. Edition Peters #EP6977-VLCCB. Published by Edition Peters (PE.EP6977-VLCCB).
Composed by Anton Filtz (1733-1760). Orchestral parts for sale. Orchestral. Violin 1 part. Edition Peters #EP6977-VLN1. Published by Edition Peters (PE.EP6977-VLN1).
Most of the published works of Anton Filtz appeared posthumously, when his music became fashionable in Paris and elsewhere. He was a most prolific Mannheim Symphonist, having composed sixty symphonies (e.g. six symphonies à 4 parties op. 1), many trio sonatas and solo (mainly cello, flute, violin) sonatas and various concertos; further some Masses.
One of his works, a Concerto for Violoncello and Orchestra in G major, is recorded by the Camerata Bern, directed by Thomas Füri, with orchestral compositons by five of his colleagues in the Mannheim School, on “Die Mannheimer Schule — Music of the Early Classical Era” (Archiv, catalogue no. 2723 068).
Anton’s father was apparently also a cellist at Eichstätt (a prince-bishopric bordering, later in, Bavaria) and probably was his first music instructor. In 1754 Johann gained a position as second cellist in the Palatine Electorate (Kurpfalz)’s court orchestra, then Germany’s finest, commonly known after its residence as the Mannheim Orchestra, also the focal point of the so-called Mannheim School (qv). He studied further (probably counterpoint and harmony) with Johann Stamitz (qv), remaining at Mannheim until his death, aged twenty-six, and burial there.
A 19th Century dictionary quotes one of the legends arising from Fils’ early death and the lack of information about his life: alledgedly he died from his habit of eating spiders, assuring his shocked contemporaries they tasted just like strawberries.