Orchestral works

• (Little) Symphony No. 1, for string orchestra (1984 – 1989)
• Symphony No. 2, for chamber orchestra with organ (1990 – 1995) (Diploma work of the composer)

Choral works

• Canticles of the (orthodox) vespers mass (1988 – 1999)
• Canticles of the (orthodox) divine liturgy (1989 – 1998)
• Three prayers to our lady, God’s mother (1994): To God’s Mother... My Kindest Queen... The Angel, crying...

Many more separate church choir pieces on the Orthodox Church Slavonic texts (1988 – 2007), included:

• Polyeleos (Prise Lord’s Name)
• Doors of the misery open to us...
• The good robber...
• Lord, turn thee and help me! (after Psalm 70, in the Russian Bible: Psalm 69)
• Our father
• Let all the human bodies keep silence...
• My soul, bless the Lord (after Psalm 103/102)
• Bless the lord, my soul (after Psalm 104/103)
• Sing the blessing to the Lord, my soul (after Psalm 146/145)
• Glory to God in heaven
• King of heaven
• Joyful about thee...
• God with us
• Jesus` prayer
• Prayer of st. ephraim the syrian

• Exaudi orationem meam (fugue from unfinished "Requiem", for mixed choir), in memory of Gerard Dekker (1993, rev. 2003)
• Veni creator spiritus (motet for double mixed choir with organ) (1992 – 1993)
• Two motets on the latin texts, for mixed choir, organ and five "obligatory instruments" (1994): Ave maris stella; Salve Regina
• Ave verum, te deum, ave regina coelorum, for mixed choir and organ (2000, arrangement of the previous composed work for voice and organ)
• Two wedding marches from aure, arr. for mixed choir and organ (2001)
• Wedding march from Foldfjorden, arr. for mixed choir and organ (2001)
• Ave Maria, for mixed choir and organ ad libitum (1988, 2004)
• Nunc dimittis (St. Simeon’s Prayer), for tenor solo and men’s choir (1988, 2004)
• 17. Mai – 1945 (May 17, 1945), for mixed choir a cappella, Norwegian text: by Hans Gudvangen sr. (2004 – 2005), dedicated to the choir ”Aure Songlag” and its conductor Harald O. Kalland
• Three folk songs from Foldfjorden, arr. for mixed choir a cappella (2005), dedicated to the choir ”Aure Songlag”
• Many more Norwegian (local) folk music arrangements for choir (ca. 15, 2000 – 2005)

• Canons de répentance ("Repentance Canons"), for mixed choir a cappella on the Orthodox Church Slavonic texts (1999 – 2000 – 2003 – , unfinished): Repentance Canon to our Lord, God and Saviour Jesus Christ; Repentance Canon to our Lady, God’s Mother; Prayer Canon to our Lady, God’s Mother
• Troparions and condacs to the Orthodox Religious Holidays (2007 - , unfinished)
• Landemerke (Landmark), Tustna-song, version for mixed choir with piano or/and organ, Norwegian text by Martin Halsbog (2007), dedicated to the 100th anniversary of South Tustna Chapel

Chamber music works

• Petit andante (The Little Andante), for cello (bassoon) and piano (organ) (1985, revised 1995, 2001)
• Intermezzo, for flute solo (1985, rev. 2004), dedicated to Åsta Andreassen
• Three pieces, for violin and piano (1989, rev. 1997): Hommage à Schumann; Hommage à Haydn; Hommage à Chopin
• String quartet (No. 1) in D minor (1990, unfinished), dedicated to Prof. Dmitri A. Tolstoy
• Tetraptych, for clarinet and cello (1988, rev. 1998)
• Two pieces, for French horn and piano (1989, rev. 1995, 1997): Moderato; Andante cantabile
• Three pieces, for flute and bassoon (1990)
• Trois thrénodies (Three Threnodies), for cello and organ (1991, rev. 1997, 1999)
• Due pezzi per quatre corni (Two pieces, for four French horns) (1991, rev. 1995): Equale; Totentanz (Death`s Dance)
• Eclogue, for viola and organ (1991, rev. 1995 – 1996)
• Grosse fuge fûr das holzblãserquartett (The Great Fugue for Woodwind Quartet) (1992)
• Seven pieces, for violin solo (1992, rev. 1994) Transcribed for balalaika solo (2001), dedicated to Prof. Dr. Nicolaus N. Zwetnow
• Parabolisme (Parabolism), for violin and organ (1992)
• Suite eccèntrique pour quatuor á cordes en neuf mouvements (Eccentric Suite for String Quartet, in nine movements) (1992, rev. 1998)
• Poème d’offrande ("The Victim Poem"), for cello and piano (1992 – 1993, rev. 1995)
• Trois mouvements pour cor seul (Three Movements for French horn solo) (1993), dedicated to Valentina A. Blazhchuk: Thesis Antithesis Synthesis
• Four consequences, for trombones (1994), dedicated to Asbjørn Klaksvik: Entrata, for trombone solo Bicinium, for trombone duet Song, for trombone trio Equale (Equal), for trombone quartet
• Syllogisme & praerogative, for oboe solo (1994)
• Sonate-phantasie pour alto seul (for viola solo) (1994)
• Ave verum, te deum, ave regina coelorum, for high voice (soprano, tenor) and organ (1994), dedicated to La Vaune Henry
• Ave verum, ave regina coelorum, version for voice and piano (1995)
• Denkend aan Holland... (Thinking about Holland), Dutch text by H. Marsman
• Einsamkeit ("Loneliness"), a chamber cantata for baritone, four block flutes and harp, Russian text: K. Altermann (1997 – 2000 – 2003 – , unfinished)
• Sonate-phantasie pour basson seul (for bassoon solo) (1997 – 2005), dedicated to Ivar Andresen
• Wedding march from Aure, arr. by Helge Husby, Torgeir Bergfald and Alexey Kurbanov for two violins and organ (2000)
• Grave, from Symphony No. 2, arr. for viola and organ (2004), dedicated to Björn Sjögren
• Sørgmodig vise (Mourning Song), folk tune from Nordmøre, arr. by Helge Husby and Alexey Kurbanov for two violins and organ (2004)
• Landemerke (Landmark), Tustna-song, for voice with piano or/and organ, Norwegian text by Martin Halsbog (2007), dedicated to the 100th anniversary of South Tustna Chapel
• Many more chamber vocal works on the Russian texts (1985 – 2004)

Organ works

• Five choral preludes (1988, 2006)
• Pastorale (Hommage à Franz Liszt et César Franck) (1989)
• Cantabile (1990), dedicated to Prof. Nina I. Oxentian//The Music for Organ by Modern St. Petersburg Composers/Compiled by N. Oksentyan, V. Shlyapnikov. St. Petersburg: Union of Artists, 2003
• Philosophical pieces (1990)
• Prière (Prayer) (1990)
• Sursum corda! (organ fantasy) (1990), dedicated to Prof. Nina I. Oxentian
• Three pieces (1990 – 1991): Elevazione (transcription of the "Elèvation" for piano, see below) Hommage à W. B. Yeats Berceuse (Lullaby)
• Méditation (1990 – 1991), dedicated to Prof. Nina I. Oxentian
• Two pieces (1991): Mantra Om; De Profundis (rev. 2002, in memory of Fridtjof Kristiansen)
• Two pieces (1992), in memory of my teacher Sergei J. Wolfensohn: Metanoia (Repentance); Dianoia (Thinking)
• Epitaphy, in memory of Prof. Boris A. Arapov (1992)
• Fugue based on the choral theme "Von Himmel hoch, da kom ich her" (1992, 2001)
• Choral prelude based on the choral theme "Schmûcke dich, o liebe Seele" (1992)
• Passacaglia (1992 – 1993)
• Festive voluntary (1992 – 1993)
• Four organ transcriptions (1991 – 1999): Richard Wagner, Funeral March from "Gõtterdãmmerung"; Peter I. Tchaikovsky, 6th Symphony, Finale; Isaac Albéniz, Prelude in G minor; Michael M. Kourbanoff, ”Souvenir d`Alexandre Borodine” for string quartet
• Lamentazione di Jeremia (Jeremiah’s Lamentations) (1993, rev. 1997), in memory of Prof. Vitali M. Buyanovsky
• Deux substances (Two Substances) (1994), dedicated to Prof. Vladimir A. Shliapnikoff: 1. Substance Mentale 2. Substance Astrale (rev. 2001)//The Music for Organ by Modern St. Petersburg Composers/Compiled by N. Oksentyan, V. Shlyapnikov. St. Petersburg: Union of Artists, 2003
• Saecula obscura (1994), dedicated to Christina Mandang
• Tre freschi, suita per organo (Three Frescoes, suite for organ) (1991 – 1996, rev. 1999), dedicated to the restaurators Alexander P. & Valentina B. Grekovs
• Six religious folk tunes from Nordheim (Tustna), arr. for organ/keyboard with an eventual instrumental/vocal solo (2004), dedicated to Ola Bræin
• Seven aure folk tunes, arr. for organ/keyboard with an eventual instrumental/vocal solo (2004), dedicated to the 80th anniversary of St. Mary Church in Aure
• Four Christmas/New Year folk tunes from Nordheim (Tustna), arr. for organ/keyboard with an eventual instrumental/vocal solo (2004 – 2006)
• Four diverse religious folk tunes of cnristmas character from Halsa/Valsøyfjord, arr. for organ/keyboard with an eventual instrumental/vocal solo (2004)
• Five folk tunes from Hitra of religious character, arr. for organ/keyboard with an eventual instrumental/vocal solo (2005)
• Two religious folk tunes of easter character from Halsa and Rendal, arr. for organ/keyboard with an eventual instrumental/vocal solo (2006)
• Two old wedding marches, arr. for organ (”all-organ”) (2007), dedicated to Nordvesttreffen 2007
• Seven folk tunes of different kind from Sør-Trøndelag and Romsdal, simply arr. for organ/keyboard with an eventual instrumental/vocal solo (2007), dedicated to Ola Bræin because of Edvard Bræin’s 120th birth anniversary
• Five religious folk tunes of new year character from Nordmøre, simply arr. for organ/keyboard with an eventual instrumental/vocal solo (2007 – 2008), dedicated to Ola and Gunlaug Bræin
• Three petter dass tunes from Nordheim (Tustna), arr. for organ/keyboard with an eventual instrumental/vocal solo (2008)
• Seven petter dass tunes from Nordmøre, simply arr. for organ/keyboard with an eventual instrumental/vocal solo (2008)
• Many different Norwegian (local) folk music arrangements for organ (ca. 25, 2000 – 2008)

Piano works

• Variations sur le thème de Paganini (1984)
• Polonaise in A flat major (1985)
• Musica funebre, in memory of Samantha Smith (1985, rev. 1994, 2003)
• Prelude in F minor (1985 – 1986)
• Sonata in F major "Hommage à Mozart" (1986)
• Zwei stimmungen (1987)
• Quatre pièces de fantaisies (1987, rev. 2003)
• Feuille d’album (Album Leaf) in E flat major (1988)
• Poème (1988, 2007)
• Largo pathétique (1988, rev. 1995)
• 7 Études grandes sur les thèmes des caprices de Paganini (1989)
• Sonate in E flat major (1989)
• Hommage à Innocenti Annensky (1990)
• Music devoted to non-existence (1991)
• Consolation, elevation, interludium & abstraction (1991) (NB: "Elevation" is also transcribed for organ under the title "Elevazione")
• Variations in G major (1991)
• Three voluntaries (1991, rev. 1997)
• Sonata in C major ("Sonate Totalitaire") (1991 – 1992, the last – 4th – movement is unfinished)
• Neuf muniatures (Nine Miniatures) (1992, rev. 1994)
• Paradigme de la compassion (1992, rev. 2011)
• Cavatina (1992 – 1993)
• Cinq préludes et fugues (Five Preludes and Fugues) (1992 – 1993, rev. 1996), dedicated to Anastasia Zvereva
• Les structures amorphes, cinq morceaux (The Amorphal Structures, five pieces) (1993), dedicated to Natalia Shamarina
• Four spots (1994)
• Dilemmas, triptych (1994), dedicated to Prof. Alexander D. Mnatsakanian
• Sonata in D minor (1994 – 1997), dedicated to Prof. Alexander D. Mnatsakanian
• Something like a waltz, in memory of Valery A. Gavrilin (1997 – 1998)
• Many more small piano pieces (preludes, fugues, etudes, children’s music, etc.) (1981 – 1999)