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Juliana Hall
Juliana | Hall |
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Compositielijst
Vocale muziek
Sheet music for Juliana Hall
Carnegie Hall: Rescued — Juliana Hall
Soprano voice solo and Piano — — secular, 21st century
From Propriety. Composed by Juliana Hall (1958-). Secular, 21st century. 14 pages. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.8586-2E).
Price: $6.00
Bells and Grass — Juliana Hall
soprano voice and oboe — vocal collection — secular, 21st century
Composed by Juliana Hall (1958-). Secular, 21st century. Vocal collection. Duration 11 minutes. E.C. Schirmer Publishing #8584. Published by E.C. Schirmer Publishing (EC.8584).
Price: $15.00
Letters from Edna — Juliana Hall
mezzo soprano voice and piano — vocal collection — secular, 21st century
Composed by Juliana Hall (1958-). Secular, 21st century. Vocal collection. Duration 18 minutes. E.C. Schirmer Publishing #8587. Published by E.C. Schirmer Publishing (EC.8587).
Price: $24.00
Syllables of Velvet, Sentences of Plush — Juliana Hall
Piano, Voice — — Classical, Collection, Contemporary
Seven Songs for Soprano & Piano on Letters of Emily Dickinson. Composed by Juliana Hall (1958-). Boosey & Hawkes Voice. Classical, Collection, Contemporary. 20 pages. Boosey & Hawkes #M051933136. Published by Boosey & Hawkes (HL.48008495).
Price: $19.00
Winter Windows — Juliana Hall
baritone and piano — vocal collection — secular, 21st century
Composed by Juliana Hall (1958-). Secular, 21st century. Vocal collection. Duration 18 minutes. E.C. Schirmer Publishing #8595. Published by E.C. Schirmer Publishing (EC.8595).
Price: $19.00
Tell me where is Fancy bred — Juliana Hall
Countertenor voice solo and Piano — — secular, 21st century
From O Mistress Mine. Composed by Juliana Hall (1958-). Secular, 21st century. 9 pages. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.8576-08E).
Price: $4.00
Propriety — Juliana Hall
soprano voice and piano — vocal collection — secular, 21st century
Composed by Juliana Hall (1958-). Secular, 21st century. Vocal collection. Duration 16 minutes. E.C. Schirmer Publishing #8586. Published by E.C. Schirmer Publishing (EC.8586).
Price: $19.00
Fables for a Prince — Juliana Hall
soprano voice, mezzo-soprano voice, tenor, baritone, and piano — vocal collection — secular, 21st century
Composed by Juliana Hall (1958-). Secular, 21st century. Vocal collection. Duration 16 minutes. E.C. Schirmer Publishing #8591. Published by E.C. Schirmer Publishing (EC.8591).
Price: $24.00
August — Juliana Hall
Tenor voice solo and Piano — — Secular, 21st Century, Creation/Nature
From The Poet's Calendar. Composed by Juliana Hall (1958-). Secular, 21st Century, Creation/Nature. 6 pages. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.8579-08E).
Price: $2.00
How Do I Love Thee?: 5 Songs for Soprano and Piano on Sonnets by Elizabeth Barrett Browning — Juliana Hall
soprano voice and piano — — 21st Century
Composed by Juliana Hall (1958-). 21st Century. E.C. Schirmer Publishing #8568. Published by E.C. Schirmer Publishing (EC.8568).
Price: $19.00
- A Certain Tune (5 songs for Solo English Horn based on poems by Sara Teasdale)
- Death’s Echo (5 songs for Baritone and Piano on poems by W.H. Auden)
- Ding Dong Bell (8 epitaphs for Cello Solo based on epitaphs by Walter de la Mare)
- Letters from Edna (8 songs for Mezzo and Piano on letters of Edna St. Vincent Millay)
- Lovestars (5 Songs for Soprano, Cello and Piano on poems by e.e. cummings)
- Night Dances (7 songs for Soprano and Piano on poems by Elizabeth Bishop, Emily Brontë, Emily Dickinson, Edna St. Vincent Millay and Sylvia Plath)
- Orpheus Singing (5 songs for Alto Saxophone and Piano based on sonnets by Rainer Maria Rilke)
- Peacock Pie (20 songs for Tenor and Piano on poems by Walter de la Mare)
- Propriety (5 songs for Soprano and Piano on poems by Marianne Moore)
- Syllables of Velvet, Sentences of Plush (7 songs for Soprano and Piano on letters of Emily Dickinson)
- Two-Bit Variations (Variations for Piano Solo based on the theme of "Shave and a Haircut, Two Bits")
- Winter Windows (7 songs for Baritone and Piano on poems by Walter de la Mare, Robert Frost, Edna St. Vincent Millay and Percy Byssche Shelley)
Juliana Hall is primarily known as a composer of classical art songs. She has written over 35 song cycles (comprised of more than 250 individual songs), anthems for a capella choir, a cantata, and a chamber opera. In recent years, she has also composed several collections of childrens’ piano music (nearly 40 separate pieces), as well as a variety of instrumental works for cello, english horn, piano, and saxophone.
Hall’s music has been performed in at least 24 countries in North and South America, Europe, Asia, and Australia, at performance venues including Weill Recital Hall at Carnegie Hall, the Library of Congress, and Wigmore Hall. Festival performances include concerts at the Norfolk Chamber Music, Ojai, and Tanglewood summer music festivals.
Her compositions have been broadcast over numerous radio networks, including the BBC, NPR, Radio France, Radio MonaLisa, and Radio ArtsIndonesia. Several works have been recorded on the Vienna Modern Masters label, and a new recording of her song cycle Letters from Edna is slated for a summer 2013 release on the Albany record label. In addition, her song cycle Syllables of Velvet, Sentences of Plush is published by Boosey & Hawkes.
Hall’s songs have been taught at a number of universities and professional music schools (including the Juilliard School and festivals and institutes like Tanglewood and SongFest), and she has also given seminars in song writing at the Hartt School of Music, where she was a Visiting Professor of Composition in 2006.
Hall’s teachers include Martin Bresnick, Leon Kirchner, and Frederic Rzewski at the Yale School of Music (where she earned a Master of Music in Composition) and she completed her formal composition studies with Dominick Argento. Piano teachers include Boris Berman, Martin Canin, Jeanne Kirstein, Seymour Lipkin, and Lee Luvisi.
In 1989 she was awarded a Guggenheim Fellowship in Music Composition, and her commissions include two from the Schubert Club of St. Paul, Minnesota, one for a song cycle for soprano Dawn Upshaw (Night Dances) and one for a song cycle for baritone David Malis (Winter Windows).
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