"The determination to lead his own freedom has driven Thierry Lancino to reveal himself as a multifaceted composer of imaginative experiments and invention. This freedom and this independence of tone are the main characteristics of his work."

The first part of Thierry Lancino’s musical creative life has been dedicated to understanding the musical phenomena by composing and experimenting with electronic and computer means. After a BA in literature at Poitiers University and his "Prix de Composition" at the Paris Conservatory, he associates with major institution; Stanford University’s CCRMA, where he leads his research works under John Chowning’s direction; the Pompidou Center’s Music Institute (IRCAM) where he remains a member of the staff during 7 years, collaborates closely with Pierre Boulez, experiments, teaches and composes. He considers this period as a thorough apprenticeship of his craft.

For his body of works, he receives in 1988 the "Prix de Rome" (pensionnaire of the Académie de France à Rome, at Villa Medici for two years). This acquired independence, along with promising commissions, encourages him to move away from electronic means. He then writes exclusively vocal, chamber and orchestral music ever since. This period marks a major turn in his aesthetics and type of production. His works become noticeably more lyrical and his interest moves toward the expression of strong emotion. Naturally, vocal music becomes an significant medium for his composition.

Thierry Lancino fills various residency positions as a composer. He collaborates with major festivals, soloists and orchestras in Europe. He is a permanent US resident since 1999 (dual citizenship in 2005) and lives in Manhattan.

"Lancino’s dual personality, classical and experimental, makes him accessible, although he leaves no room for facility, nor concession, nor academic formulas. Discreet, curious and showing a singular culture, he is immersed in musical art away from dominant trends."

Above quotes by Sabine Ejdelman (Le Courrier Français, April 1997)