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Paul Hindemith
Paul | Hindemith |
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Compositielijst
Opera en lyrische muziek
Geestelijke muziek
Instrumentale muziek
Kamermuziek
Symfonische muziek
Concertante muziek
Vocale muziek
Compositions sorted on opus (if available)
50 numéros
fragments
inédit
Op. 1
Op. 2
Op. 3
Op. 4
Op. 5
Op. 6
Op. 7
Op. 8
Op. 9
Op. 10
Op. 11/ 1- 2
Op. 11/ 3
Op. 11/ 4
Op. 11/ 5
Op. 11/ 6
Op. 12
Op. 13
Op. 14
Op. 15
Op. 16
Op. 17
Op. 18
Op. 19
Op. 20
Op. 20a
Op. 21
Op. 22
Op. 23a
Op. 23b
Op. 24/ 1
Op. 24/ 2
Op. 25/ 1
Op. 25/ 2
Op. 25/ 3
Op. 25/ 4
Op. 26
Op. 27
Op. 27a
Op. 28
Op. 28a
Op. 29
Op. 30
Op. 31
Op. 31/ 3
Op. 31/ 4
Op. 32
Op. 33
Op. 34
Op. 35
Op. 36/ 1
Op. 36/ 2
Op. 36/ 3
Op. 36/ 4
Op. 37
Op. 38
Op. 39
Op. 40
Op. 41
Op. 43/ 1
Op. 43/ 2
Op. 44/ 1
Op. 44/ 2
Op. 44/ 3
Op. 44/ 4
Op. 45/ 1
Op. 45/ 2
Op. 45/ 3
Op. 45/ 4
Op. 45/ 5
Op. 45a
Op. 46/ 1
Op. 46/ 2
Op. 47
Op. 48
Op. 49
Op. 50
Op.post
perdu
s.opus
Sheet music for Paul Hindemith
Hindemith-Jahrbuch Band 40 — Paul Hindemith
— Softcover —
Annales Hindemith 2011/XL. Composed by Paul Hindemith (1895-1963). Edited by Frankfurt Hindemith-Institut and Main. This edition: Paperback/Soft Cover. Book. Schott Music. Softcover. 214 pages. Schott Music #BN 151. Published by Schott Music (HL.49019240).
Price: $31.00
Hindemith-Jahrbuch — Paul Hindemith
— — Classical Reference
Annales Hindemith 1999. Composed by Paul Hindemith (1895-1963). Edited by Frankfurt Hindemith-Institut and Main. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical Reference. 310 pages. Schott Music #BN 139. Published by Schott Music (HL.49000717).
Price: $31.00
Hindemith-Jahrbuch — Paul Hindemith
— Softcover — Classical Reference
Annales Hindemith 2000. Composed by Paul Hindemith (1895-1963). Edited by Frankfurt Hindemith-Institut and Main. This edition: Paperback/Soft Cover. Book. Edition Schott. Authentische Einfuhrungen zu Hindemiths eigenen Werken und fruhe Belege historischer Auffuhrungspraxis. Classical Reference. Softcover. 223 pages. Schott Music #BN 140. Published by Schott Music (HL.49000718).
Price: $31.00
3 American Folksongs — Paul Hindemith
3 recorders (SSA or SAT) — — Classical
Three Recorders Score and Parts. Composed by Paul Hindemith (1895-1963). Edited by Luitgard Schader. This edition: Saddle stitching. Sheet music. Original Music for Recorder. Wahrend einer Tournee durch die Vereinigten Staaten wurde Paul Hindemith 1938 von einem Mitarbeiter seines amerikanischen Verlags gebeten, kleine Stucke fur Blockloten zu schreiben, die anderen Komponisten als Vorbild dienen sollten. Hindemith nahm den Au. Classical. Composed 1938. 12 pages. Schott Music #OFB 211. Published by Schott Music (HL.49017931).
Price: $13.00
The Hindemith Collection — Paul Hindemith
piano — Softcover — Classical
Ten piano works by Paul Hindemith. Composed by Paul Hindemith (1895-1963). Edited by Maurice Hinson. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. 48 pages. Schott Music #SMC 533. Published by Schott Music (HL.49012159).
Price: $9.00
Des kleinen Elektromusikers Lieblinge — Paul Hindemith
string trio / wind instrumentstrio — Score and Parts —
7 Pieces for 3 Trautoniums. Composed by Paul Hindemith (1895-1963). This edition: Saddle stitching. Sheet music. Schott. Die hier erstmals veroffentlichten Stucke schrieb Hindemith fur das Musikfest Neue Musik Berlin 1930. Hindemith hat diese Stucke zwar nicht publiziert, aber er hat wenig spater, wohl 1934, ein Thema in seine Oper Mathis der Maler ubernommen. Die weitere V. Score and Parts. Composed 1930. 44 pages. Duration 9'. Schott Music #ED 8510. Published by Schott Music (HL.49008059).
Price: $31.00
Blacher, Eisler, Genzmer & Hindemith: Works for Winds — Hindemith Quintett
— Listening CD (1 disc) — Classical
By Hindemith Quintett, Munchener Kammerorchester, and Alexander Liebreich. By Boris Blacher (1903-1975), Hanns Eisler (1898-1962), Harald Genzmer, and Paul Hindemith (1895-1963). Classical. Listening CD (1 disc). Published by Naxos (NX.COV91613).
Price: $18.00
Flute Sonata (1936) — Paul Hindemith
Flute, Piano — set of performance parts — 20th Century
Edited from the edition Paul Hindemith. Samtliche Werke by Luitgard Schader. Composed by Paul Hindemith (1895-1963). This edition: Saddle stitching. Sheet music. Edition Schott. The edition is part of the ABRSM syllabus and Trinity syllabus 2007 (grade 8). 20th Century. Set of performance parts. Composed 1936. 28 pages. Duration 15m. Schott Music #ED 2522. Published by Schott Music (HL.49003799).
Price: $19.00
Trumpet Sonata (1939) — Paul Hindemith
Piano, Trumpet — set of performance parts (includes pull out part for trumpet) — 20th Century
Edited from the text Edition Paul Hindemith: Samtliche Werke by Luitgard Schader. Composed by Paul Hindemith (1895-1963). This edition: Saddle stitching. Sheet music. Edition Schott. The edition is part of the ABRSM Summer 2006 syllabus and Trinity syllabus 2007 (grade 8). 20th Century. Set of performance parts (includes pull out part for trumpet). With full score notation and standard notation. Composed 1939. 31 pages. Duration 12'. Schott Music #ED 3643. Published by Schott Music (HL.49004226).
Price: $22.00
Sonata — Paul Hindemith
viola and piano — — Classical
Edited after: Paul Hindemith, Complete Works, Vol. V/7. Composed by Paul Hindemith (1895-1963). Edited by Dorothea Baumann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1939. 64 pages. Duration 23'. Schott Music #ED 3640. Published by Schott Music (HL.49004223).
Price: $23.00
Born in Hanau, Germany, Hindemith was taught the violin as a child. He entered the Hochsche Konservatorium in Frankfurt am Main where he studied conducting, composition and violin under Arnold Mendelssohn and Bernhard Sekles, supporting himself by playing in dance bands and musical-comedy outfits. He led the Frankfurt Opera orchestra from 1915 to 1923 and played in the Rebner string quartet in 1921 in which he played second violin, and later the viola. In 1929 he founded the Amar Quartet, playing viola, and extensively toured Europe.
In 1922, some of his pieces were heard in the International Society for Contemporary Music festival at Salzburg, which first brought him to the attention of an international audience. The following year, he began to work as an organizer of the Donaueschingen Festival, where he programmed works by several avant garde composers, including Anton Webern and Arnold Schoenberg. From 1927 he taught composition at the Berliner Hochschule für Musik in Berlin. In the 1930s he made a visit to Cairo and several visits to Ankara where (at the invitation of Atatürk) he led the task of reorganizing Turkish music education. Towards the end of the 1930s, he made several tours of America as a viola and viola d’amore soloist.
In the 1930s the Nazis condemned his music as “degenerate”, despite protests from the conductor Wilhelm Furtwängler, and in 1940 Hindemith immigrated to the United States. (He was not himself Jewish, but his wife was.) At the same time that he was codifying his musical language, his teaching began to be affected by his theories. Once in the States he taught primarily at Yale University where he had such notable pupils as Lukas Foss, Norman Dello Joio, Harold Shapero, Hans Otte, Ruth Schonthal, and Oscar-winning film director George Roy Hill. During this time he also held the Charles Eliot Norton Chair at Harvard, from which the book A Composer’s World was extracted. He became an American citizen in 1946, but returned to Europe in 1953, living in Zürich and teaching at the University there. Towards the end of his life he began to conduct more, and made numerous recordings, mostly of his own music. He was awarded the Balzan Prize in 1962.
Hindemith died in Frankfurt am Main from acute pancreatitis.
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