Compositielijst
- Mélodies — When night her purple veil had softly spread: Bas-2 violen • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: verloren • Z.354
- Mélodies — Bacchus is a power divine: Bas-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Sopraan-b.c. • Z.375
- Mélodies — I fain would be free: verloren • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Sopraan-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Sopraan-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Sopraan-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Sopraan-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Sopraan-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Sopraan-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Sopraan-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Sopraan-b.c. • Z.402
- Mélodies — O ! how happy's he: onvoltooid • Z.403
- Mélodies — Olinda in the shades unseen: Sopraan-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Sopraan-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Sopraan-b.c. • Z.426
- Mélodies — What a sad fate is mine: Sopraan-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Sopraan-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: verloren • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Sopraan-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Sopraan-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Sopraan-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Sopraan-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart: Countertenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Sopraan-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Countertenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Sopraan-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Countertenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Sopraan-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Sopraan-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Sopraan-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Sopraan-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Sopraan-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bas-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Sopraan-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Countertenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Sopraan-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for Thousand sevral ways I tried Purcell
A Thousand, Thousand Ways — Henry Purcell
Alto SATB Continuo — Choral Score — Classical
Composed by Henry Purcell (1659-1695). Classical. Choral Score. Novello & Co Ltd. #MUSNOV954525. Published by Novello & Co Ltd. (BT.MUSNOV954525).
Price: $3.00
Treinta y tres formas de mirar un mismo objeto (Thirty-three ways to look at the same object) — Roberto Sierra
Piano Four-Hands — —
Thirty-three ways to look at the same object. Composed by Roberto Sierra. Composed 2008. Duration 25'. Published by Subito Music Corporation (SU.92070340).
Price: $34.00
Celia Has A Thousand Charms — Henry Purcell
— Score Only —
Composed by Henry Purcell (1659-1695). Score Only. Novello & Co Ltd. #MUSNOV460100. Published by Novello & Co Ltd. (HL.14024719).
Price: $6.00
Primula — Yukiko Nishimura
string orchestra — score and part(s) —
Joy to the Spring. Composed by Yukiko Nishimura. Young String Orchestra. A primula is a flower that blooms in the spring. I was inspired by this dainty little flower to compose a piece with a fresh and bright atmosphere. I tried to make the music easy to play, yet strove to compose a string sound with thick harmonies. I hope t. Score and part(s). With Standard notation. Duration 3 minutes, 28 seconds. Carl Fischer Music #YAS140. Published by Carl Fischer Music (CF.YAS140).
Price: $50.00
Sonata Pathetique — Ludwig van Beethoven
String Orchestra — Score and Parts —
Full Score and Parts. Composed by Ludwig van Beethoven (1770-1827). Arranged by Roy Phillippe. Carl Fischer Concert String Orchestra Series. The adagio cantabile movement of Beethoven's Sonata Pathetique is one of his most beautiful and recognizable melodies. In this arrangement, I have tried to showcase this lovely piece through a combination of traditional and modern harmon. Score and Parts. With Standard notation. 118 pages. Carl Fischer Music #CAS20. Published by Carl Fischer Music (CF.CAS20).
Price: $45.00
Morning — Edvard Grieg
String Orchestra — Score and Parts —
From Peer Gynt Suite No. 1 - Full Score and Parts. Composed by Edvard Grieg (1843-1907). Arranged by Roy Phillippe. Carl Fischer Young String Orchestra Series. Morning is one of Edvard Griegs most familiar melodies. Youngsters may recognize it from many cartoons that use it, along with chirping birds, to signal the dawn of a new day. The main theme repeats many times so I have tried to make each entrance differe. Score and Parts. With Standard notation. 76 pages. Carl Fischer Music #YAS46. Published by Carl Fischer Music (CF.YAS46).
Price: $55.00
The Moldau (Vltava) — Bedrich Smetana
orchestra — violin 1 part —
From the Symphonic Poem My Fatherland. Composed by Bedrich Smetana (1824-1884). Edited by Milan Pospisil. Eulenburg Orchestral Series.
Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.
Violin 1 part. Eulenburg Edition #EOS-20472-15. Published by Eulenburg Edition (BR.EOS-20472-15).Price: $6.00
The Moldau (Vltava) — Bedrich Smetana
orchestra — violin 2 part —
From the Symphonic Poem My Fatherland. Composed by Bedrich Smetana (1824-1884). Edited by Milan Pospisil. Eulenburg Orchestral Series.
Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.
Violin 2 part. Eulenburg Edition #EOS-20472-16. Published by Eulenburg Edition (BR.EOS-20472-16).Price: $6.00
The Moldau (Vltava) — Bedrich Smetana
orchestra — viola part —
From the Symphonic Poem My Fatherland. Composed by Bedrich Smetana (1824-1884). Edited by Milan Pospisil. Eulenburg Orchestral Series.
Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.
Viola part. Eulenburg Edition #EOS-20472-19. Published by Eulenburg Edition (BR.EOS-20472-19).Price: $6.00
The Moldau (Vltava) — Bedrich Smetana
orchestra — violoncello 1 part —
From the Symphonic Poem My Fatherland. Composed by Bedrich Smetana (1824-1884). Edited by Milan Pospisil. Eulenburg Orchestral Series.
Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.
Violoncello 1 part. Eulenburg Edition #EOS-20472-23. Published by Eulenburg Edition (BR.EOS-20472-23).Price: $6.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949