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Krystof Harant z Polzic
Kryštof (Christophorus) | Harant z Polžic a Bezdružic |
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Liste des compositions
Musica sacra
Compositions sorted on opus (if available)
incomplet
Sheet music for Krystof Harant z Polzic
Cappella Marianna: Praga Rosa Bohemiae — Barbora Kabatkova
— — Classical
By Barbora Kabatkova, Daniela Cermakova, Hana Blazikovca, Jaromir Nosek, Martin Schicketanz, Ondrej Holub, Tomas Lajtkep, Tore Denys, and Vojtech Semerad. By Jacobus Regnart, Joannes Sixtus Pragensis, Johannes Tourout, Josquin Deprez, Lupus Hellinck, Petrus Wilhelmi de Grudenz, Pierre de Bonhomme, Heinrich Isaac (1450-1517), Jacob Obrecht (1450-1505), and Krystof Harant (1621-). Classical, Renaissance. Classical. Supraphon Music Publishing #SU4273-2. Published by Supraphon Music Publishing (NX.SU4273-2).
Price: $19.00
Anthologie des reves — Krystof Maratka
Violin, cello and piano — Score and parts — Classical: 20th Century (Contemporary)
Composed by Krystof Maratka. Classical: 20th Century (Contemporary). Score and parts. 39 + 27 pages. Editions Jobert #JJ19879. Published by Editions Jobert (LM.JJ19879).
Price: $65.00
Czardas IV — Krystof Maratka
2 clarinets and piano — Score and parts — Classical: 20th Century (Contemporary)
Composed by Krystof Maratka and Milena Dolinova. Classical: 20th Century (Contemporary). Score and parts. 11 + 2x3 pages. Editions Jobert #JJ2083. Published by Editions Jobert (LM.JJ2083).
Price: $30.00
Luminarium - Concerto Pour Clarinette — Krystof Maratka
Clarinet and orchestra — Score — Classical: 20th Century (Contemporary)
Composed by Krystof Maratka. Classical: 20th Century (Contemporary). Score. 85 pages. Editions Jobert #JJ16830. Published by Editions Jobert (LM.JJ16830).
Price: $93.00
Czardas III — Krystof Maratka
Violin and piano — Score — Classical: 20th Century (Contemporary)
Composed by Krystof Maratka and Milena Dolinova. Classical: 20th Century (Contemporary). Score. 16 + 4 pages. Editions Jobert #JJ19527. Published by Editions Jobert (LM.JJ19527).
Price: $30.00
Chant G'Hai — Krystof Maratka
Suona and orchestra — Score — Classical: 20th Century (Contemporary)
Composed by Krystof Maratka. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ19466. Published by Editions Jobert (LM.JJ19466).
Price: $47.00
Praharphona — Krystof Maratka
Harp and orchestra — Score — Classical: 20th Century (Contemporary)
Composed by Krystof Maratka. Classical: 20th Century (Contemporary). Score. 128 pages. Editions Jobert #JJ2021. Published by Editions Jobert (LM.JJ2021).
Price: $43.00
Praharphona Sextet — Krystof Maratka
Harp, string quartet and percussions — Score — Classical: 20th Century (Contemporary)
Composed by Krystof Maratka. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ2038. Published by Editions Jobert (LM.JJ2038).
Price: $50.00
Sonates (6) — Krystof Maratka
Solo violin — Score — Classical: 20th Century (Contemporary)
Composed by Krystof Maratka. Classical: 20th Century (Contemporary). Score. 11 pages. Editions Jobert #JJ14416. Published by Editions Jobert (LM.JJ14416).
Price: $22.00
Perludia — Krystof Maratka
Alto flute, violin and cello — Score — Classical: 20th Century (Contemporary)
Composed by Krystof Maratka. Classical: 20th Century (Contemporary). Score. 12 pages. Editions Jobert #JJ14407. Published by Editions Jobert (LM.JJ14407).
Price: $28.00
Harant’s compositional legacy is not extensive. His surviving works include a manuscript score of a five-part mass, exemplifying the so-called parodic type of composition: as it were, it was modelled on then popular madrigal by Luca Marenzio, “Dolorosi martir, fieri tormenti”. Another five-part piece by Harant, a motet on the German text “Maria Kron, die Engel schon”, was published in 1604, alongside another 32 works by foremost masters of the Transalpine Renaissance, in a collection of Marian compositions titled “Rosetum Marianum”. In 1598, while on the pilgrimage to Palestine, Harant composed a six-part motet “Qui confidunt in Domino” to the text of Psalm 125, “which then imposed itself upon my mind with particular urgency” (Krystof Harant, Pilgrimage). Several years later the composition was published as an appendix to the account of Harant’s exciting voyage. Harant’s output betrays a gifted and skillful composer, on a par with the renowned masters of high Renaissance music.
Born into a none-too-wealthy noble family at the castle Klanovy in the south of Bohemia, Kryštof Harant received a thorough and broadly inspiring upbringing and education at the Innsbruck court of the Archduke Ferdinand of Tyrol. There, he acquired a wide range of knowledge, learned several languages, absorbed the essentials of Humanism and Renaissance, and last but not least, was instructed in the art of musical composition. He stay at Innsbruck gave the young nobleman an orientation which determined his subsequent lifepath. Apart from that influence, though, Harant was doubtless endowed with natural talent for a good many areas of activity, his creative and restless spirit driving him ever to the forefront of his contemporaries. Active as a man of letters, artist and musician, he was an equally accomplished explorer, sportsman, hunter and soldier. Perhaps the only thing Harant lacked was property. That was apparently also the cause of his modest official career, a sphere where he actually received his due only at the dramatic time of the Estates revolt, with tragic effect. (He was put to the sword with along 26 leading representatives of the Estates.)
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