Liste des compositions
- Duos: 2 voci-b.c. — How delightful's the life of an innocent swain : Sop.-Basse-b.c. • Z.373
- Duos: 2 voci-b.c. — Beneath a dark and melancholy grove : Soprano-Basse-b.c. • Z.461
- Duos: 2 voci-b.c. — Draw near, you lovers : Sop.-Basse-b.c. • Z.462
- Duos: 2 voci-b.c. — High on a throne of glitt'ring ore : Sop.-Basse-b.c. • Z.465
- Duos: 2 voci-b.c. — No, to what purpose should I speak : Sop.-Basse-b.c. • Z.468
- Duos: 2 voci-b.c. — Young Thirsis' fate : Soprano-Basse-b.c. • Z.473
- Duos: 2 voci-b.c. — Above the tumults of a busy state • Z.480
- Duos: 2 voci-b.c. — Alas, how barbarous are we • Z.482
- Duos: 2 voci-b.c. — Go, tell Amynta, gentle swain • Z.489
- Duos: 2 voci-b.c. — Haste, gentle Charon : 2 Basses • Z.490
- Duos: 2 voci-b.c. — How great are the blessings or A Health to King James • Z.494
- Duos: 2 voci-b.c. — In all our Cynthia's shining sphere • Z.496
- Duos: 2 voci-b.c. — I spy Celia, Celia eyes me • Z.499
- Duos: 2 voci-b.c. — Julia, your unjust disdain • Z.500
- Duos: 2 voci-b.c. — Oh ! what a scene does entertain my sight : avec flute à bec • Z.506
- Duos: 2 voci-b.c. — See where she sits : avec 2 violons • Z.508
- Duos: 2 voci-b.c. — Soft notes and gently raised : avec 2 flutes à bec • Z.510
- Duos: 2 voci-b.c. — Sylvia, thou brighter eye of night • Z.511
- Duos: 2 voci-b.c. — There ne'er was so wretched a lover AS I • Z.513
- Duos: 2 voci-b.c. — Trip it, trip it in a ring • Z.515
- Duos: 2 voci-b.c. — What can we poor females do ? • Z.518
- Duos: 2 voci-b.c. — While bolts and bars my day control • Z.523
- Duos: 2 voci-b.c. — While you for me alone had charms • Z.524
- Duos: 2 voci-b.c. — How pleasant is this flowery plain : Soprano-Ténor-2 flutes à bec • Z.543
- Duos: 2 voci-b.c. — Scarce had the rising sun appear'd : Sop.-Basse-b.c. • (1679) • Z.469
- Duos: 2 voci-b.c. — Since the pox or the plague : Ténor-Basse-b.c. • (1679) • Z.471
- Duos: 2 voci-b.c. — What hope for us remains now he is gone ? : Sop.-Basse-b.c. • (1679) • Z.472
- Duos: 2 voci-b.c. — When Strephon found his passion vain : Soprano-Basse-b.c. • (1683) • Z.435
- Duos: 2 voci-b.c. — Let us, kind Lesbia, give away : Soprano-Basse-b.c. • (1684) • Z.466
- Duos: 2 voci-b.c. — When gay Philander left the plain • (1684) • Z.519
- Duos: 2 voci-b.c. — Farewell, ye rocks, ye sea and sands : Ténor-Basse-b.c. • (1685) • Z.463
- Duos: 2 voci-b.c. — Musing on cares of human fate : Sop.-Basse-b.c. • (1685) • Z.467
- Duos: 2 voci-b.c. — Come, lay by all care • (1685) • Z.484
- Duos: 2 voci-b.c. — Sit down, my dear Sylvia • (1685) • Z.509
- Duos: 2 voci-b.c. — Though my mistress be fair • (1685) • Z.514
- Duos: 2 voci-b.c. — When, lovely phyllis, thou art kind • (1685) • Z.520
- Duos: 2 voci-b.c. — Grasshopper and a fly (A) • (1686) • Z.481
- Duos: 2 voci-b.c. — Come, dear companions of th'Arcadian fields • (1686) • Z.483
- Duos: 2 voci-b.c. — I saw fair Cloris all alone • (1686) • Z.498
- Duos: 2 voci-b.c. — Sacharissa's grown old • (1686) • Z.507
- Duos: 2 voci-b.c. — Sylvia, 'tis true you're fair : Ténor-Basse-b.c. • (1686) • Z.512
- Duos: 2 voci-b.c. — When Teucer from his father fled • (1686) • Z.522
- Duos: 2 voci-b.c. — Gentle shepherds, you that know : Soprano-Basse-b.c. • (1687) • Z.464
- Duos: 2 voci-b.c. — Fill the blow with rosy wine • (1687) • Z.487
- Duos: 2 voci-b.c. — Hence, fond deceiver • (1687) • Z.492
- Duos: 2 voci-b.c. — How sweet is the air and refreshing • (1687) • Z.495
- Duos: 2 voci-b.c. — In some kind dream • (1687) • Z.497
- Duos: 2 voci-b.c. — Oft am I by the women told • (1687) • Z.505
- Duos: 2 voci-b.c. — Has yet your breast no pity learn'd ? • (1688) • Z.491
- Duos: 2 voci-b.c. — Here's to thee, Dick • (1688) • Z.493
- Duos: 2 voci-b.c. — See how the fading glories of the year : Sop.-Basse-b.c. • (1689) • Z.470
- Duos: 2 voci-b.c. — Let Hector, Achilles and each brave commander • (1689) • Z.501
- Duos: 2 voci-b.c. — Nestor, who did to thrice man's age attain • (1689) • Z.503
- Duos: 2 voci-b.c. — Were I to choose the greatest bliss • (1689) • Z.517
- Duos: 2 voci-b.c. — Lost is my quiet for ever • (1691) • Z.502
- Duos: 2 voci-b.c. — Why, my Daphne, why complaining ? • (1691) • Z.525
- Duos: 2 voci-b.c. — Fair Cloe, my breast so alarms • (1692) • Z.486
- Duos: 2 voci-b.c. — Underneath this myrtle shade • (1692) • Z.516
- Duos: 2 voci-b.c. — Dulcibella, when e'er I sue for a kiss • (1694) • Z.485
- Duos: 2 voci-b.c. — O dive custos Auriacae domus : 2 Sopranos • (1695) • Z.504
- Duos: 2 voci-b.c. — When Myra sings • (1695) • Z.521
Sheet music for When Teucer from his father fled Purcell
Variations on a romance by Mehul Op. 23 — Franz Xaver Mozart
piano — —
Urtext. Composed by Franz Xaver Mozart. Edited by Joachim Draheim. Edition Breitkopf.
Franz Xaver Wolfgang Mozart was born in 1791, the year of his father's death. A child progidy like his father, he was a composer of more than average talent.
Breitkopf and Haertel #EB-8150. Published by Breitkopf and Haertel (BR.EB-8150).Price: $13.00
Nearer, My God, to Thee Op. 81 — Sigfrid Karg-Elert
vocal solo(s), flute, choir, organ — full score — Early 20th Century
Canzona. Composed by Sigfrid Karg-Elert (1877-1933). Partitur-Bibliothek (Score Library). During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period. Early 20th Century. Full score. Breitkopf and Haertel #PB-5387. Published by Breitkopf and Haertel (BR.PB-5387).
Price: $22.00
Passion Canzona Op. 84 — Sigfrid Karg-Elert
soprano voice, clarinet, oboe, choir, organ — score and parts — Early 20th Century
The Burial of Christ. Composed by Sigfrid Karg-Elert (1877-1933). Partitur-Bibliothek (Score Library).
During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period.
Early 20th Century. Score and parts. Breitkopf and Haertel #PB-5390. Published by Breitkopf and Haertel (BR.PB-5390).Price: $30.00
Nearer, My God, to Thee Op. 81 — Sigfrid Karg-Elert
— choral score —
Canzona. Composed by Sigfrid Karg-Elert (1877-1933). During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period. Choral score. Breitkopf and Haertel #CHB-5307-02. Published by Breitkopf and Haertel (BR.CHB-5307-02).
Price: $6.00
Passion Canzona Op. 84 — Sigfrid Karg-Elert
Voice(s) with various inst. — choral score — Early modern
The Burial of Christ. Composed by Sigfrid Karg-Elert (1877-1933). Cantata. Chor-Bibliothek (Choral Library). During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period. Early modern. Choral score. Breitkopf and Haertel #CHB 5310-02. Published by Breitkopf and Haertel (BR.CHB-5310-02).
Price: $4.00
Duets Op. 5 — Friedrich Ludwig Dulon
2 flutes — — Classical period
Urtext. Composed by Friedrich Ludwig Dulon. Edited by Albrecht Imbescheid. Edition Breitkopf. Dulon, born in 1769, was a highly esteemed flute virtuoso in his time, who undertook his first concert tours at the age of 13. Perhaps he owed part of his legendary renown to the fact that he was blind since his early childhood. Classical period. Breitkopf and Haertel #EB-8498. Published by Breitkopf and Haertel (BR.EB-8498).
Price: $22.00
Duets Op. 5 — Friedrich Ludwig Dulon
2 flutes — — Classical period
Urtext. Composed by Friedrich Ludwig Dulon. Edited by Albrecht Imbescheid. Edition Breitkopf. Dulon, born in 1769, was a highly esteemed flute virtuoso in his time, who undertook his first concert tours at the age of 13. Perhaps he owed part of his legendary renown to the fact that he was blind since his early childhood. Classical period. Breitkopf and Haertel #EB-8499. Published by Breitkopf and Haertel (BR.EB-8499).
Price: $23.00
Duets Op. 5 — Friedrich Ludwig Dulon
2 flutes — — Classical period
Urtext. Composed by Friedrich Ludwig Dulon. Edited by Albrecht Imbescheid. Edition Breitkopf. Dulon, born in 1769, was a highly esteemed flute virtuoso in his time, who undertook his first concert tours at the age of 13. Perhaps he owed part of his legendary renown to the fact that he was blind since his early childhood. Classical period. Breitkopf and Haertel #EB-8500. Published by Breitkopf and Haertel (BR.EB-8500).
Price: $19.00
Henry Purcell And His Contemporaries — Henry Purcell
Harpsichord — Book Only —
Composed by Henry Purcell (1659-1695). Book Only. Composed 2002. Chester Music #MUSCH55429. Published by Chester Music (BT.MUSCH55429).
Price: $5.00
Come, Ye Sons of Art — Henry Purcell
Soprano voice, Alto voice, Piano — OCTAVO —
From the Birthday Ode to Queen Mary - April 30, 1694. Composed by Henry Purcell (1659-1695). Arranged by Russell L. Robinson. Fold. Henry Purcell, considered by many to be the finest composer of his day, is one of the Baroque period's greatest composers. Born in 1659 in London, he only lived to be thirty-six years old. He was the organist at Westminster Abbey for many years. This piec. OCTAVO. 8 pages. Duration 1 minute, 52 seconds. BriLee Music #BL1047. Published by BriLee Music (CF.BL1047).
Price: $1.00
(A) (B)
Soprano : Barbara Bonney Susan Gritton
(D) (Abd)
Ténor : Charles Daniels Basse : Michael George
(Basse de viole : Mark Caudle
Théorbe/Archiluth : David Miller - Orgue/clavecin : Robert King)
- 1Dgb -
Hyp 44161
- 1994 -
(C)
Soprano : Emma Kirby - Basse : David Thomas
Académie de musique ancienne
Direction : Christopher Hogwood
- £Agb -
Ol 425898.2