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Gavin Bryars
Gavin | Bryars |
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Liste des compositions
Música lírica
Música de cámera
Música concertanta
Música sacra
Música sinfonica
Música vocal
Música instrumental
Sheet music for Gavin Bryars
First Book of Madrigals — Gavin Bryars
unaccompanied male voices (ATTTBar) — choral score — Classical
Composed by Gavin Bryars (1943-). Edited by Gavin Bryars. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Choral score. Composed 1998-2000. 32 pages. Duration 35'. Schott Music #ED 12679. Published by Schott Music (HL.49003319).
Price: $27.00
Live at Punkt — Gavin Bryars Ensemble
— listening CD — Classical
By Gavin Bryars Ensemble and Henriksen. By Gavin Bryars (1943-). Classical. Listening CD. Published by Naxos (NX.BCGBCD15).
Price: $16.00
The Sinking of the Titanic — Gavin Bryars Ensemble
— listening CD — Classical
By Gavin Bryars Ensemble. By Gavin Bryars (1943-). Classical. Listening CD. Published by Naxos (NX.BCGBCD21).
Price: $16.00
Jesus' Blood Never Failed Me Yet — Gavin Bryars
— listening CD — Classical
By Gavin Bryars. By Gavin Bryars (1943-). Classical. Listening CD. Published by Naxos (NX.BCGBCD22).
Price: $16.00
I Tatti Madrigals — Gavin Bryars
— listening CD — Classical
By Gavin Bryars. By Gavin Bryars (1943-). Classical. Listening CD. Published by Naxos (NX.BCGBCD26).
Price: $16.00
Oi Me Lasso — Gavin Bryars
— listening CD — Classical
By Gavin Bryars, Cooper, Goff, Potter, and Friman. By Gavin Bryars (1943-). Classical. Listening CD. Published by Naxos (NX.BCGBCD5).
Price: $16.00
A Listening Room — Gavin Bryars Ensemble
— listening CD — Classical
By Gavin Bryars Ensemble, Smith, Heaton, and Ekers. By Gavin Bryars (1943-). Classical. Listening CD. Published by Naxos (NX.BCGBCD8).
Price: $16.00
Nothing Like The Sun — Gavin Bryars Ensemble
— CD (1 disc) — Classical
By Gavin Bryars Ensemble. By Gavin Bryars (1943-). Classical. CD (1 disc). Naxos #BCGBCD 24. Published by Naxos (NX.BCGBCD-24).
Price: $14.00
Bryars Green Rag Score — Gavin Bryars
clarinet and piano — —
Arranged for clarinet and piano. Composed by Gavin Bryars (1943-). Sheet music. Edition Schott. Duration 20'. Schott Music #ED13002. Published by Schott Music (HL.49041646).
Price: $38.00
The Porazzi Fragment — Gavin Bryars
21 solo-strings — Study Score —
For 21 solo strings. Composed by Gavin Bryars (1943-). This edition: Saddle stitching. Sheet music. Schott. Study Score. Composed 1999. 37 pages. Duration 15'. Schott Music #ED 12680. Published by Schott Music (HL.49003320).
Price: $36.00
The Sinking of the Titanic (1969), Jesus’ Blood Never Failed Me Yet (1971), Allegrasco (1983), Medea (opera) (1984), String Quartet #1 ("Between the National and the Bristol") (1985), Sub Rosa (1986), The Old Tower of Löbenicht (1987), Glorious Hill (1988), Alaric I or II (1989), Incipit Vita Nova (1989), After the Requiem (1990), Four Elements (ballet) (1990), String Quartet #2 (1990), The Black River (1991), The Last Days (1992); Dates unavailable: The Archangel Trip, Epilogue, First Viennese Dance, The Green Ray, Prologue, Three Viennese Dances
Studied philosophy at Sheffield University, and composition with Cyril Ramsey and George Linstead. He began his musical career playing bass in jazz groups in the 1960s with Derek Bailey and Tony Oxley. Also founded the Portsmouth Sinfonia, which performed and recorded classical repertoire with minimal musical skills. His first major work as a composer was The Sinking of the Titanic, for indeterminate forces. His international reputation was confirmed with the opera, Medea, which was produced at the Opéra de Lyon and the Paris Opéra in 1984. A reworking of his cult work, Jesus’ Blood Never Failed Me Yet, with vocal by Tom Waits, gained wide recognition in 1993. He has composed prolifically for theater, dance and film as well as the concert hall, and has had his works performed by a wide range of artists including the BBC Symphony Orchestra, the Arditti Quartet, the Hilliard Ensemble, the Balanescu Quartet, Charlie Haden, Bill Frisell, and his own group, the Gavin Bryars Ensemble. A leading experimental composer, his more recent music has been influenced by theories of literature, and is often repetitive and witty. (Sources: The Norton/Grove Concise Encyclopedia of Music; Liner notes for The Last Days, an Argo release.)
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