After completing her bachelor's degree in performing arts, music and dance, she began her studies in Art History at the Universidad Autónoma de Madrid. Later she studied a Master in Project Management and Cultural Spaces in Dynamic Dissemination and another Master in History of Contemporary Art and Visual Culture specializing in Theory and Art Criticism taught jointly by the Autonomous University of Madrid and the Complutense University of Madrid. He is currently pursuing a PhD in Art History at the Universidad Autónoma de Madrid with a pre-doctoral contract for Research Staff Training in the Department of History and Theory of Art at the same university.

In parallel, he has worked for 4 years as a Cultural Mediator at the Museo Nacional Centro de Arte Reina Sofía developing and carrying out the tours: Guernica historia de un icono, Una mirada feminista sobre las vanguardias, Cuerpo, Artista en Crisis, Cubismo(s) y experiencias de la modernidad, Hacer Espacio, Microvisita a la colección, Dora García, Dorothea Tanning, David Wojnarowicz, Sara Ramo, Musas Insumisas, Poéticas de la democracia, Concha Jerez, Disonata o Mondrian y De Stijl.

He has also been the creator of the Archivo Sonoro de Madrid (https://asomadrid.com), a project that was made possible thanks to funding from the Dirección General de Intervención en el Paisaje Urbano y el Patrimonio Cultural del Área de Cultura y Deportes del Ayuntamiento de Madrid (General Directorate of Intervention in the Urban Landscape and Cultural Heritage of the Culture and Sports Area of the Madrid City Council).

Since 2017, he has been directing the non-profit cultural project EN ACCIÓN! With it, not only have been organized numerous free, itinerant and quality cultural activities in cultural centers in the southern districts of Madrid, it has also developed an extensive editorial work publishing essays on culture, history and society. More recently, and as a result of the cultural crisis caused by the COVID-19 pandemic, EN ACCIÓN! has carried out artistic patronage work from which more than a hundred artists have benefited. For all this, the Community of Madrid has granted it the Young Talent Award 2021.

His artistic interest has led him to build the ATLAS Collection, consisting of two hundred works that cover the Spanish artistic production from the late nineteenth century to the present, with emphasis on paper. In this collection, created with a feminist perspective, we find works by artists such as Maruja Mallo, Manolo Hugué, Amelia Riera, Eduardo Arroyo, Ángeles Santos, Mariano Benlliure, Roslim Dew, Adrián GoMa, Anne Heyvaert or Santiago Ydañez.

As an independent curator he has organized exhibitions such as Atlas del Arte Español (O Vello Cárcere de Lugo and Mauro Muriedas de Torrelavega, 2021), Modernidades extraviadas: Bauhaus y España (Museo Reina Sofía, 2018), Fragmentos de Realidad (Meseta de Orcasitas, 2017), Fragmentaciones (Centro Cánovas del Castillo, 2017), Grafía y Música en el siglo XX (Conde Duque, 2017) or Paisaje Sonoro Elaborado (Museo de Artes y Tradiciones populares de Madrid, 2017).

In the numerous publications and conferences he has given, one can perceive a clear interdisciplinary interest, something logical having combined his training as an art historian with musical training, becoming part at the age of only 17 of the St. Joseph Chamber Orchestra of His Holiness, Pope Emeritus Benedict XVI. In the numerous courses of musical composition that he has taken, he has been taught by masters such as Tomás Marco, Jesús Villa-Rojo, José Luis Téllez, Cristóbal Halffter or Luis de Pablo. In his musical production there is a clear interest in the revision of the minimalist postulates of authors such as Philip Glass, Arvo Pärt or Steve Reich. Among his more than a hundred compositions, his opera El Prólogo and his works for percussion stand out. Some of his works have been published in the books Microformas, Pieces For/With Percussion, Bandiera Bianca, Resistencia and Un Instante. The harp piece Resistencia was premiered at the Reina Sofia Museum in Madrid choreographed by the dancer Carlos Carvento.