Pedro Amaral
| Pedro | Amaral |
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Sheet music for Pedro Amaral
Triunfo, op. 23 - for clarinet and strings — Carlos Eduardo Amaral
Clarinet,String Orchestra — —
Composed by Carlos Eduardo Amaral. 15 pages. Published by Carlos Eduardo Amaral (S0.682557).
Price: $10.00
Uma tarde no Instituto Ricardo Brennand, op. 24 - for sax quartet — Carlos Eduardo Amaral
Alto Sax,Tenor Sax,Baritone Sax,Soprano Sax — Score — 21st Century,Contemporary Classical,Neo-Classical
Composed by Carlos Eduardo Amaral. 21st Century, Contemporary Classical, Neo-Classical. Score. 12 pages. Published by Carlos Eduardo Amaral (S0.682957).
Price: $10.00
Noturno de consagra√ß√£o, op. 19 — Carlos Eduardo Amaral
Piano Solo — Score — 21st Century,Contemporary Classical,Post-Romantic,Neo-Classical,Contemporary Christian
Composed by Carlos Eduardo Amaral. 21st Century, Contemporary Classical, Post-Romantic, Neo-Classical, Contemporary Christian. Score. 3 pages. Published by Carlos Eduardo Amaral (S0.682963).
Price: $10.00
Museu de cera (Wax museum) - for recorder ensemble — Carlos Eduardo Amaral
Soprano Recorder,Alto Recorder,Tenor Recorder,Baritone Recorder,Recorder ensemble — — 21st Century,Baroque Period,Contemporary Classical
Composed by Carlos Eduardo Amaral. 21st Century, Baroque Period, Contemporary Classical. 17 pages. Published by Carlos Eduardo Amaral (S0.682969).
Price: $15.00
√Åguas Belas, op. 17 - for violin and piano — Carlos Eduardo Amaral
Piano Accompaniment,Violin — Score — 21st Century,Contemporary Classical,Post-Romantic,South American
Composed by Carlos Eduardo Amaral. 21st Century, Contemporary Classical, Post-Romantic, South American. Score. 6 pages. Published by Carlos Eduardo Amaral (S0.683265).
Price: $10.00
Estudo armorial n¬∞ 2, op.10 - for piano solo — Carlos Eduardo Amaral
Piano Solo — Score — 21st Century,Post-Romantic
Composed by Carlos Eduardo Amaral. 21st Century, Post-Romantic. Score. 6 pages. Published by Carlos Eduardo Amaral (S0.683283).
Price: $10.00
Estudo armorial n¬∞ 3, op.11 - for solo violin — Carlos Eduardo Amaral
Violin — Score — 21st Century,Contemporary Classical,Neo-Classical
Composed by Carlos Eduardo Amaral. 21st Century, Contemporary Classical, Neo-Classical. Score. 3 pages. Published by Carlos Eduardo Amaral (S0.683291).
Price: $10.00
Estudo armorial n¬∞ 4, op.12 - for harpsichord solo (or piano) — Carlos Eduardo Amaral
Piano Solo,Harpsichord — — Contemporary Classical,Neo-Classical,South American
Composed by Carlos Eduardo Amaral. Contemporary Classical, Neo-Classical, South American. 5 pages. Published by Carlos Eduardo Amaral (S0.683303).
Price: $10.00
Estudo armorial n¬∞ 5, op.13 - for flute duo — Carlos Eduardo Amaral
Flute — Score — 21st Century,Contemporary Classical
Composed by Carlos Eduardo Amaral. 21st Century, Contemporary Classical. Score. 6 pages. Published by Carlos Eduardo Amaral (S0.683311).
Price: $10.00
Estudo armorial n¬∞ 6, op.22 - for percussion with 15 players — Carlos Eduardo Amaral
Percussion Ensemble — — 21st Century,Contemporary Classical,Minimalism,South American
Composed by Carlos Eduardo Amaral. 21st Century, Contemporary Classical, Minimalism, South American. 11 pages. Published by Carlos Eduardo Amaral (S0.683315).
Price: $15.00
Born in Lisbon in 1972, Pedro Amaral is one of the most active European composers of the young generation.
He studied at the Paris Superior Conservatoire (CNSM), where he graduated, in 1998, with the "first prize in composition", awarded by unanimous vote of the jury.
He also studied conducting with Peter Eötvös (Eötvös Institute, 2000) and Emilio Pomarico (Milan Scuola Civica, 2001).
In parallel with his practical apprenticeship, Pedro Amaral proceeded with university studies at the Ecole des Hautes Etudes en Sciences Sociales, in Paris, obtaining a Masters degree in contemporary musicology with a thesis on Stockhausen’s "Gruppen" (1998) and, later on, a Ph.D. with a thesis on "Momente" and the problematic of musical form in serial music. About this huge analysis, Karl Stockhausen commented, in Le Monde de la Musique (September 2003): "It is an excellent work that taught me a lot of things" — he then invited Pedro Amaral to become his assistant in some specific projects.
Amaral’s regular presence at French Institute IRCAM result in three important works: "Transmutations", for piano and live electronics, "Organa" and the long "Script" for percussion and live electronics.
As conductor, he specialized in Boulez, Berio and Stockhausen repertoire, as well as in mix repertoire (works for orchestra and electronics) besides his own music — which he partially recorded, in 2006, with the London Sinfonietta under his own conducting.