Ivan Zajc: Ave maris stella for SSA a cappella — Ivan Zajc

Voice,Soprano Voice,Alto Voice,Choir,SSA — Score — Romantic Period,Christian,Sacred
Composed by Ivan Zajc. Arranged by Ivana Tuškan. Romantic Period, Christian, Sacred. Score. 3 pages. Published by Ivana Tuskan (S0.399919).
Price: $1.00

Ave maris stella SATB a cappella F-major — Ivan pl. Zajc

Voice,Soprano Voice,Alto Voice,Tenor Voice,Bass Voice,Choir,SATB — Score — Romantic Period,Christian,Sacred
Composed by Ivan pl. Zajc. Arranged by Ivana Tuškan. Romantic Period, Christian, Sacred. Score. 3 pages. Published by Ivana Tuskan (S0.400907).
Price: $1.00

Ave maris stella SATB a cappella E-major — Ivan pl. Zajc

Choir,SATB — Score — Romantic Period,Christian,Sacred
Composed by Ivan pl. Zajc. Arranged by Ivana Tuškan. Romantic Period, Christian, Sacred. Score. 3 pages. Published by Ivana Tuskan (S0.400911).
Price: $1.00

Natasa Antoniazzo: Das Kroatische Kunstlied — Mia Elezovic

— — Classical
By Mia Elezovic and Natasa Antoniazzo. By Blagoje Bersa, Dora Pejacevic, Ferdo Wiesner Livadic, Franjo Krezma, Ivan Padovec, Ivan pl. Zajc, and Vatroslav Lisinski. Classical. Bella Musica Edition #BM319302. Published by Bella Musica Edition (NX.BM319302).
Price: $22.00

Violoncello Concerto in Bb major Wq 171 — Carl Philipp Emanuel Bach

Cello and piano — piano reduction — Early classical
Urtext. Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Ulrich Leisinger. Arranged by Ulrich Leisinger. This edition: piano reduction. Solo concerto. Edition Breitkopf. The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. Early classical. Piano reduction. Breitkopf and Haertel #EB 8783. Published by Breitkopf and Haertel (BR.EB-8783).
Price: $23.00

Violoncello Concerto in A minor Wq 170 — Carl Philipp Emanuel Bach

Cello and piano — piano reduction — Early classical
Urtext. Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Ulrich Leisinger. Solo concerto. Edition Breitkopf. The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. Have a look into EB 8776. Early classical. Piano reduction. Breitkopf and Haertel #EB 8776. Published by Breitkopf and Haertel (BR.EB-8776).
Price: $23.00

Violoncello Concerto in A minor Wq 170 — Carl Philipp Emanuel Bach

cello, orchestra — violin 1 part — Classical period
Urtext. Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Ulrich Leisinger. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Violoncello Concerto in A minor Wq 170 — Carl Philipp Emanuel Bach

cello, orchestra — violin 2 part — Classical period
Urtext. Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Ulrich Leisinger. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Violoncello Concerto in A minor Wq 170 — Carl Philipp Emanuel Bach

cello, orchestra — viola part — Classical period
Urtext. Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Ulrich Leisinger. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Violoncello Concerto in A minor Wq 170 — Carl Philipp Emanuel Bach

cello, orchestra — Basso continuo part — Classical period
Urtext. Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Ulrich Leisinger. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.