Sie sind hier
Gérard de Turnhout
Gerard | van Turnhout |
Warning: images may be copyrighted. If no copyright is shown, see their site of origin for details, or contact me.
Kompositionsliste
Geistliche Musik
Vokalmusik
Sheet music for Gerard de Turnhout
Motet, clarinet quartet — G. Turnhout
clarinet quartet (3 Bb-Sib clarinets and Bb-Sib bass clarinet) — set of parts — Sacred, Chamber Music
Composed by G. Turnhout. Arranged by J. Evertse. Sacred, Chamber Music. Set of parts. Published by Tierolff Muziekcentrale (TF.S13A-ENS).
Price: $21.00
Motet, brass quartet — G. Turnhout
brass quartet (Bb / Bb-Eb-F / Bb (TC&BC)-Eb-F-C / Bb (TC&BC)-C) — — Sacred, Chamber Music
Composed by G. Turnhout. Arranged by J. Evertse. Sacred, Chamber Music. Published by Tierolff Muziekcentrale (TF.S13C).
Price: $27.00
Motet, saxophone quartet — G. Turnhout
saxophone quartet (SATB) — set of parts — Sacred, Chamber Music
Composed by G. Turnhout. Arranged by J. Evertse. Sacred, Chamber Music. Set of parts. Published by Tierolff Muziekcentrale (TF.S13B-ENS).
Price: $21.00
Marche, Lento & Scherzo — Gerard Boudry
Trombone, Piano — —
Composed by Gerard Boudry. With Standard notation. Gerard Billaudot Editeur #534-01614. Published by Gerard Billaudot Editeur (PR.534016140).
Price: $21.00
Trois Sonates Et Trois Partitas — Gerard Causse
viola — full score (study) —
Arranged by Gerard Causse. Full score (study). With Standard notation. Bwv 1001 A 1006. Gerard Billaudot Editeur #514-01321. Published by Gerard Billaudot Editeur (PR.514013210).
Price: $42.00
Concerto Pour Soliste Debutant — Gerard Giroud
— —
Concerto for a Budding Soloist Bb Cornet or Trumpet and Piano. Composed by Gerard Giroud. With Standard notation. Gerard Billaudot Editeur #534-02722. Published by Gerard Billaudot Editeur (PR.534027220).
Price: $13.00
La Guitare Au XVIIIe Siecle — Gerard Ganvert
— —
2. Composed by Gerard Ganvert. With Standard notation. Gerard Billaudot Editeur #564-01450. Published by Gerard Billaudot Editeur (PR.564014500).
Price: $21.00
Choral Et Menuet Obstine — Gerard Massias
— —
Composed by Gerard Massias. With Standard notation. Gerard Billaudot Editeur #534-00307. Published by Gerard Billaudot Editeur (PR.534003070).
Price: $9.00
Concerto — Gerard Gallo
— —
Composed by Gerard Gallo. With Standard notation. Gerard Billaudot Editeur #576-00156. Published by Gerard Billaudot Editeur (PR.576001560).
Price: $22.00
Samtliche Orgelwerke, Band III — Gerard Bunk
organ — performance score, part(s), anthology —
Composed by Gerard Bunk. Edited by Jan Boecker and Wolfgang Stockmeier. This edition: urtext edition. Paperback. Gerard Bunk. Complete Organ Works III | BARENREITER URTEXT. Performance score, part(s), anthology. Baerenreiter Verlag #BA09283. Published by Baerenreiter Verlag (BA.BA09283).
Price: $58.00
Gerard van Turnhout, also known (in French) as Gérard de Turnhout, is a Flemish Polyphonist, belonging to the so-called Fifth generation (championed by Orlando Lassus).
He published in 1569 his ouvre in a single volume, comprising his many 3-part chansons (such as “Je prens en gré” and “Jouyssance vous donneray”; like Chansons a2, mostly popular with the rising bourgeoise, which often performed them in private with a few vocal and/or instrumental soloists) and motets in Leuven (Louvain); in 1564 he wrote a Te Deum for the entry of Margaret of Parma (a Habsburg princess, the very crown-loyal Spanish governor in the Spanish Low Countries) into Antwerp. One Mass and some 2- and 3-part chansons also appeared in anthologies. As a musician of the royal Habsburg Court since 1571, he apparently composed very little, nothing being preserved.
He was born circa 1520 in Turnhout (so his surname may not be inherited), the first of a series of cities where he worked in the Habsburg duchy of Brabant (all in the central part, presently the Flemish (Belgian) province of Antwerp). Gerard worked in and around Antwerp, a wealthy port city, from 1545 as singer and choirmaster (working at the cathedral before 1559), becoming in 1559 maître de chapelle at Saint-Gommarus of Lier(re). He entered holy orders, but no date for his ordination is established. In 1562, he became music director of the (Marian) Confrérie de Notre-Dame at Antwerp Cathedral, and was maître de chant there in 1563–71; after the “Beeldenstorm” (a violent phase of the rebellion against the Spanish persecution of protestantism which systematically smashed Catholic ecclesiastic art) destroyed in 1566 both the church organ and the substantive collection of music, his main activity for years was to copy masses and motets for liturgical use. On May 2, 1571, recruited trough the duke of Alva, king Philip II’s trusted general and — hated — de facto governor in the rebellious Low Countries, he succeeded the little-known Jean de Bonmarché as maestro di capilla (the fourth of 7 successive “Flemish” incumbents in 77 years) to the capilla flamenca (“Flemish chapel”) at the royal Habsburg court in Spain; after his death he would be succeeded by Georges de la Hèle (qv).
Another musician, Jan-Jacob van Turnhout (or in French Jean-Jacques de Turnhout, born ca. 1545 and died after 1618, who was maître de chapelle at Brussels from 1594 to 1618, may have been related to Gérard (possibly Gerard’s much younger brother or son).
- Zum Verfassen von Kommentaren bitte Anmelden oder Registrieren.