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Charles Simon Catel
Charles-Simon | Catel |
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Kompositionsliste
Opera und lyrische Musik
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Instrumentalmusik
Compositions sorted on opus (if available)
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Sheet music for Charles Simon Catel
Quartet in D minor Op. 2 No. 3 — Charles Simon Catel
clarinet, violin, viola, cello — set of parts — Classical period
Composed by Charles Simon Catel. Edited by Himie Voxman. Classical period. Set of parts. Breitkopf and Haertel #MR-2082. Published by Breitkopf and Haertel (BR.MR-2082).
Price: $22.00
Overture in C — Charles Catel
Bass Clarinet in Bb, Basses, Bassoon 1, Bassoon 2, Clarinet 1 in Bb, Clarinet 2 in Bb, Clarinet 3 in Bb, Clarinet in Eb, Cornet 1 in Bb, Cornet 2 in Bb, Cornet 3 in Bb, Euphonium, Euphonium T.C. in Bb, Flute 1, Flute 2, Horn 1 in F, Horn 2 in F and more. — Condensed Score — Classical
Composed by Charles Catel. Edited by Richard Goldman Roger Smith. Arranged by Roger Smith and Richard Franko Goldman. Classical. Condensed Score. With Standard notation. Composed 1792. 20 pages. Theodore Presser Company #155-00020C. Published by Theodore Presser Company (PR.15500020C).
Price: $12.00
Overture en Ut — Catel
Concert Band — score only —
Composed by Catel. Arranged by Desire Dondeyne. Arrangements of Classical Opera and Operetta Overtures/Overtures/The Best Original Compositions for Concert Band. Classic Arrangement. Recorded on New Compositions for Concertband 4 (ML.311018720). Score only. Duration 7 minutes, 42 seconds. Molenaar Edition #010927060-S. Published by Molenaar Edition (ML.010927060-S).
Price: $24.00
Overture en Ut — Catel
Concert Band — full set —
Composed by Catel. Arranged by Desire Dondeyne. Arrangements of Classical Opera and Operetta Overtures/Overtures/The Best Original Compositions for Concert Band. Classic Arrangement. Recorded on New Compositions for Concertband 4 (ML.311018720). Full set. Duration 7 minutes, 42 seconds. Molenaar Edition #010927060. Published by Molenaar Edition (ML.010927060).
Price: $136.00
Overture en Ut — Catel
fanfare band — full set —
Composed by Catel. Arranged by Desire Dondeyne. The Best Original Compositions for Concert Band/Arrangements of Classical Opera and Operetta Overtures/Overtures. Classic Arrangement. Full set. Duration 7 minutes, 42 seconds. Published by Molenaar Edition (ML.020927060).
Price: $126.00
Overture en Ut — Catel
fanfare band — score only —
Composed by Catel. Arranged by Desire Dondeyne. The Best Original Compositions for Concert Band/Arrangements of Classical Opera and Operetta Overtures/Overtures. Classic Arrangement. Score only. Duration 7 minutes, 42 seconds. Published by Molenaar Edition (ML.020927060-S).
Price: $22.00
Symphonie En Ut — Catel
concert band — conductor's score — Classical music
Composed by Catel. Arranged by Desire Dondeyne. Classical music. Conductor's score. Published by Editions Robert Martin (RM.CATE08102-CO).
Price: $43.00
Petite Symphonie Militaire — Catel
concert band — conductor's score — Classical music
Composed by Catel. Arranged by Desire Dondeyne. Classical music. Conductor's score. Published by Editions Robert Martin (RM.CATE08104-CO).
Price: $43.00
La Bataille de Fleurus, Chant/choeur — Catel
concert band — choral score — Classical music
Composed by Catel. Arranged by Desire Dondeyne. Classical music. Choral score. Published by Editions Robert Martin (RM.CATE08122-CH).
Price: $213.00
La Bataille de Fleurus, Chant/choeur — Catel
concert band — conductor's score — Classical music
Composed by Catel. Arranged by Desire Dondeyne. Classical music. Conductor's score. Published by Editions Robert Martin (RM.CATE08122-CO).
Price: $105.00
The French composer Charles-Simon Catel is also know because of a Tretise in Harmony that he wrote in 1802. It was translated into several other languages. As a composer he wrote music for (military) band, music for the French Revolution, as well as operas, symphonic and vocal works.
At 11 years old he went to Pris to study composition with Gossec and piano with Gobert. During the French Revolution he joined the band of the Garde Nationale de Paris, for which he also wrote music. He then became a teacher of solfège and harmony, and a répétiteur at the Opéra in Paris. After 1802 he also started writing stage works.
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