Major works

Orchestra

• Contra tempus for orchestra (1994)
• Monumentum (Józef Koffler in memoriam) for chamber orchestra (1996)
• Euphonia (Tomasz Sikorski in memoriam) for string orchestra (1998)
• Five Prairie Meditations for orchestra (1999)
• epitaphios threnos — double concerto for violin, viola and string orchestra (2003)
• In memoriam Edward Bogusławski — concerto for organ and string orchestra (2004)
• Notturno for violin and strings (2005)
• Dream Daemon — concerto for saxophone and chamber orchestra (2006)

Chamber

• Melodrama II for vibraphone and alto saxophone (or flute or trumpet) (1981, rev. 1991)
• Q for clarinet and alto saxophone with optional percussion (1982, rev. 1983)
• hypotheosis for nine optional realisers (1982)
• erotogramma — supplement (sonic background for any traditional piece) for 1-4 performers (1982)
• the first february the last january for 1-4 optional melodic instruments and 1-2 keyboard instruments (1983, rev. 1989)
• XONNOX for 1-2 pianos (1983)
• minimum-optimum-maximum for musicians and/or voices (1983)
• in abstracto for 1-4 optional performers (1983)
• creatio ex nihilo for optional realisers-composers (1983)
• coloratura for Dr. K. for solo bassoon (1983)
• zapada zmrok (Giacinto Scelsi in memoriam) [It’s Getting Dusk] for optional melodic instruments and piano (1983-88)
• compilage n. 1 for optional musicians (1984)
• HYMN for soprano, trombone, vibraphone, piano & contrabass [text: Thucydides, Corcyrean revolution] (1984)
• a‘ROMA for 1-5 optional instruments (1984)
• music for nobody for performer(s) who know(s) nothing about instrument(s) or for professional performers and/or electronic sounds (1984)
• GeÑalles A for solo & group (1984)
• Erika — typewritten minimusic for optional realisers-composers (1984)
• compilage no 1 for soprano & four instruments or for any instruments (1984)
• face music for mime & optional musicians or for video screens & optional musicians (1984)
• MOMENT of oblivion? Instrumental theatre piece for two performers (1984)
• o’dY for optional players (1984)
• GeÑalles B for group & solo (1985)
• nAAn (never play ordinario) for optional performers (1985)
• Action drawing for Neue Wilde performers (1985)
• METROPOLIS for jazzman, avant-garde performer & accompaniment (1985)
• Memories of Arnold (S.) recomposition for high & low voice(s) and/or instrument(s) (1985)
• a’n...n’a for trumpet and organ (1985)
• OBOEnergy (MariusAZIONI) for 1-12 oboes, English horns, oboes d’amore, bass oboes etc. (1986)
• left hand band for left-handed performers (1986)
• HAENNA for string sextet (1989)
• micro/macro — concerto for twelve strings (1990, 1995)
• Orion (Music for Franz K.) for 1-5 saxophones or 1-5 optional woodwinds (1991)
• Horngardens (Music for Norval Morrisseau) for saxophone quartet (1992-93)
• Kyrie for English horn, bass clarinet, bassoon, horn and cello * (1993)
• metaSonata for alto saxophone and piano (1994)
• Ground for flute, clarinet, vibraphone, piano, violin and cello (1994)
• Strumienie snu [Streams of a Dream] — String Quartet No. 1 * (1995)
• ...noc bezkresna, noc bezsenna... [...endless night, sleepless night...] for flute, clarinet, vibraphone, piano, violin and ‘cello (1995)
• ...river to the ocean... for clarinet and string quartet (1996)
• dreamtide for clarinet, violin and marimba (1996)
• maze, haze, mist, daze for flute orchestra (1997)
• Doppelgänger (...mein Holzspiel...) for woodwind ensemble (1997)
• takussunsittuq for two pianos and two percussions (1997)
• Euphonia (Tomasz Sikorski in memoriam) for string orchestra (or string quartet or saxophone quartet) (1997, 2001)
• ...dans l’ombre du jardin oubli... for saxophone quartet (1998)
• Numen for violin and piano (other versions: for flute, oboe, alto saxophone, viola, cello, double-bass) (1998)
• ove ‘l mar non ha vanto for violin and piano (1999)
• Kinneret (Tommie Lundberg in memoriam) for clarinet or soprano saxophone and vibraphone (1999)
• The Secret Garden (Music for Agnieszka Holland) — String Quartet No. 2 (1999-2002)
• ...where the night awakens... for two pianos and two percussions (2000)
• Moon down (for Boudewijn Buckinx) for violin and piano (other versions: for flute, clarinet, alto saxophone) (2000, 2002)
• Anya’s Dream for alto saxophone and piano (2001)
• Voces intimae (Music for David Roxburgh) for flute, clarinet, piano and string quartet (2001)
• Largo (Omaggio a Johann Sebastian) for violin (or flute or clarinet or soprano saxophone) and piano (or organ) (2002)
• Organigami (Music for Aysha) for flute and piano (2004)
• Liebeslieder für Isabelle concert pieces for wind quintet (2004)
• Notturno for violin and piano (2005)
• Three Nocturnal Postludes for alto saxophone and string trio (2005)
• Four Lines (Farewell Music for Michael J. Baker) for saxophone quartet (2006)
• TrancePaining (Black Wings Has My Angel) — String Quartet No. 3 (2007)
• Mrok for alto saxophone and piano (2007)
• Rondeau for optional instruments (2008)
• ...only Midnight... for two pianos (2009)
• Silver Wound for oboe and guitar (other versions: for flute, clarinet, soprano saxophone, violin, trumpet) (2009)

Solo

• Melodrama I for solo violin (1981)
• Melodrama IV for bass clarinet (1983)
• Melodrama V for piano (1983, rev. 1989)
• surreum graphic score for actor (1983)
• aagyn for tenor saxophone and piano [one performer ] (1983, rev. 1987)
• aa69/coloratura for Dennis Prime for solo basset-horn (1983, rev. 1993)
• composizione-monoproiezione per pianoforte (1983, rev. 1995)
• Palestriniana for organ (1984)
• aennea for guitar (1985)
• ravenna for harpsichord (1985, rev. 1987)
• Ordines (Jorge Luis Borges in memoriam) — Sonata for organ solo (1988)
• experimento n.1 for solo performer on four different string instruments (1989)
• coloratura for Charles/disco(n)notation for baritone saxophone & electronics (1992)
• Sacrae symphoniae (Christopher Lewis in memoriam) for organ (1992-2000)
• Due pezzi for organ (1994-95)
• horyzont zapomnienia [The Horizon of Forgetfulness] — Piano Sonata No. 1 (1995)
• Time is a River without Banks (coloratura after Marc Chagall) for alto saxophone solo (1996)
• mare tenebrarum (Bolesław Szabelski in memoriam) — Piano Sonata No. 2 (1996-2000)
• Chiaroscuro for bass/contra-bass clarinet and tape (1998)
• muziek voor van Zoelen (coloratura) for bass saxophone solo and electronics (1999)
• ChaconnEncore for alto saxophone solo (1999)
• Walzer (Joseph Matthias Hauer in memoriam) for solo piano (2000)
• Lachrymae (in memory of September 11, 2001) for organ solo (2001)
• Cinq études sur la tonalité for piano (2004)
• Palomar 1a: after Calvino (coloratura) for (bass) clarinet (2004)
• Three Nocturnal Postludes for organ (2004-2005)
• Nach(t)gejagd — Piano Sonata No. 3 (2005)
• ...a Portmanteau of Shaddowes and Chimeras... (coloratura after Peter Ackroyd) for flute solo (2005)
• Les Espaces du temps - Piano Sonata No. 4 (2008)

Choral

• Motet for six vocal soloists (1988)
• Finale for chamber choir (1995)
• Ave verum corpus for mixed choir (2001)
• Grit Grey Sky for mixed choir (SATB (2005)

Electroacoustic

• WOW! (Is My Cat a Rock’n’Roller?) for electronic sounds (1990)
• Epitaph for Jerzy for electronic sounds (1991)
• The Dreams of Odysseus for electronic sounds (1991-1992)

Soundtracks (selected)

• Black Angels (dir. Cynthia Wells) (1996)

Piotr Grella-Możejko has lived in Canada since 1989. His pieces have been performed at major festivals in Canada, the USA, and Europe. Active in numerous areas of art, he has written dozens of articles on music and the fine arts, published in scholarly periodicals and popular magazines. In 1991, he founded the Edmonton New Music Festival and in 1994 established the Edmonton Composers’ Concert Society quarterly, The Albertan Composer. He currently resides in Edmonton, Alberta. His works are available through Conners Publications, Grace Under Press, and the Canadian Music Center.