Max Reger

David C F Wright , DMus

It is amazing how people get away with derogatory remarks about the German composer Max Reger. He is said to have been a nasty piece of work, a glutton and argumentative. It is even more amazing that we are forbidden to write about the unpleasant and thoroughly objectionable characters of Schubert, Chopin, Wagner (to a lesser extent), Scriabin, Elgar and Britten as if they have to be immune, yet Reger is lambasted without mercy.

He is said to be too academic and therefore like Bach. That in itself is not only unfair to Reger but unfair to Bach who must rank as one of the greatest composers of all time. Reger was also said to have been influenced by Brahms but his visit to Bayreuth with Uncle Ulrich in 1888 and seeing Parisfal and The Mastersingers was a greater influence.

Reger had unsurpassed technical skills in every aspect of music, an enviable sense of form, a clarity of texture which was never eccentric, superb orchestration and, while his piano music was not virtuosic like Liszt, it is very appealing.

Like most composers, he composed too much and not all of his work is of the highest standard but among his works there are some veritable masterpieces most of which were subject to savage attacks by ignorant and prejudiced self-appointed cabals.

One such work is his Violin Concerto Op 101 which he described himself as a monster. It lasts just under an hour but it teems with original harmonies, memorable themes , superb and flawless craftsmanship and what an amazing finale it has with the most sumptuous main theme with its infectious humour.

Another monster is the Sinfonietta. A sinfonietta is usually regarded as a short  symphony but Reger’s sinfonietta lasts about 50 minutes. Why did he not call this a symphony?

He was a truly brilliant pianist and organist as well as a deservedly admired teacher and a highly competent composer in all forms except opera and other stage works. His string quartets are  quite amazing  and yet shallow people refer to their thick texture. Even if that were true, it is a result of the natural progression of the music; his music is not complex just for the sake of it.

Once I mentioned his extraordinary gift of counterpoint to a well-known British writer of CD sleeve notes who regards himself as an expert on British Music. He did not even know what counterpoint was. When I discussed Reger’s clever use of modulations this so-called expert did not know what a modulation was!

Johann Baptist Joseph Maximillian Reger was born on 10 March 1873 in Brand, Bavaria. His first lessons were from his parents. His brother, Theodor, was born in February 1875 but died after a few months. His sister, Emma, was born on 13 April 1876 and died in 1944. A brother, Alexander, was born in June 1877 but died in childhood and Robert was born in July 1878  but also died in childhood.

In 1882, Reger joined the royal secondary school and in 1884 took music lessons from Adabert Lindner (1860–1946) until 1891. In 1886  Max entered  the Royal Praeparandenchule to train for the teaching profession. In May 1887 he made his public debut playing Julius Schulhoff’s Sonata in F minor.

In 1894 Reger had an unhappy love interest with Mathilde Hill the daughter of a Wiesbaden government official. It caused Reger isolation, depression and a reliance on alcohol.

Max was in voluntary military service from October 1896 which produced many setbacks including nervous and material breakdowns. The recruit has to buy their own uniforms  and equipment and Reger got intp debt.

In 1897, Karl Straube premiered the Organ Suite Op 16. It was another Reger work admired by Richard Strauss. Reger was in great debt and bad health and required two operations on an ulcer on his neck. He was dismissed from military service.

The following year his parents abandoned him n the excuse of his megalomania. His sister Emma tried to take her unkempt brother back to the family home. His health is further damaged by both nicotine and alcohol and the ulcer needs another operation but he did spend time clearly his debts. His Cello Sonata no 2 has no success and is dismissed as too much like Brahms.

His magnificent organ works had much success particularly the Bach Fantasia op 46 and the Chorale fantasia Op 52. Despite all the unfair criticism bestowed upon him he was befriended in Munich by the composer, Max von Schillings. 

Brought up in Weiden, studied in Munich and Wiesbaden with  Karl Wilhelm Hugo Riemann (1849-1919) on the recommendation of Adabert Lindner.

In 1902 he married a divorced Protestant Elsa von Bercken and, as he was a Catholic, he was excommunicated. Life was never easy for Reger. His organ work the Inferno Fantasia is a truimph.

In 1905, he was appointed Rheinberger’s successor at the Akademie der Tonkunst but resigned in 1906 because of it ultra-conservatism and, from 1907, worked in Leipzig as the university’s music director and professor at the royal conservatory in Leipzig.

In 1911, he moved to Meiningen as Kappellmeister to George II, Duke of Saxe-Meiningen. The constant travelling between his joint positions took a heavy strain on him and, with his alleged drinking and overeating, he died of a heart attack on 11 May 1916.

It may be true to say that Reger was a musician’s composer in that only real musicians  can appreciate and rightly value his music.

Works with opus number

• Violin Sonata No. 1, D minor, Op. 1 (1890)
• Piano Trio No. 1 for Violin, Viola and Piano, B minor, Op. 2 (1891)
• Violin Sonata No. 2, D major, Op. 3 (1891)
• Six Songs, Op. 4 (1891)
• No. 1 "Gebet" (Hebbel)
• No. 2 "Widmung" (Rückert)
• No. 3 "Winterahnung" (Rückert)
• No. 4 "Im April" (Geibel)
• No. 5 "Der zerissne Grabkranz" (anonymous)
• No. 6 "Bitte" (anonymous)
• Cello Sonata No. 1, F minor, Op. 5 (1892)
• Three Songs for Choir SATB and Piano, Op. 6 (1892)
• No. 1 "Trost" (Müller)
• No. 2 "Zur Nacht" (Engel)
• No. 3 "Abendlied" (Lenau)
• Three organ pieces, Op. 7 (1892)
• No. 1 Prelude and Fugue, C major
• No. 2 Fantasy on ‘Te Deum laudamus’, A minor
• No. 3 Fugue, D minor
• Five Songs, Op. 8 (1892)
• No. 1 "Waldlied" (Uhland)
• No. 2 "Tränen im Auge" (v. Wildenbruch)
• No. 3 "Der Kornblumenstrauss" (v. Wildenbruch)
• No. 4 "Scherz" (v. Chamisso)
• No. 5 "Bauernregel" (Uhland)
• Twelve Waltz-Caprices for 4-hand Piano, Op. 9 (1892)
• No. 1 Allegro, A major
• No. 2 Presto, D major
• No. 3 Andante (con passione), F sharp minor
• No. 4 Lento impetuoso, F sharp major
• No. 5 Allegro moderato (quasi andantino), D major
• No. 6 Prestissimo, A major
• No. 7 Moderato, C sharp minor
• No. 8 Allegro non tanto, A flat major
• No. 9 Andantino, E flat major
• No. 10 Vivace, B flat minor
• No. 11 Allegro scherzando, A flat major
• No. 12 Allegro impetuoso, D flat major
• Twenty German Dances for 4-hand Piano, Op. 10 (1892) (also in orchestral arrangement for small orchestra by L. Artok)
• No. 1 Allegretto, D major
• No. 2 G minor
• No. 3 Innocente, A major
• No. 4 D minor
• No. 5 Con anima ed scherzando, E major
• No. 6 Allegro, C sharp minor
• No. 7 Cantabile, A flat major
• No. 8 Appassionato, F minor
• No. 9 Allegretto, B flat major
• No. 10 Grazioso Andantino, D major
• No. 11 Impetuoso, E major
• No. 12 Allegretto, A major
• No. 13 Andantino, ma non troppo, B minor
• No. 14 Innocente, F major
• No. 15 Scherzando, G minor
• No. 16 Appassionato (non allegro), F minor
• No. 17 Andantino, A flat major
• No. 18 Presto, C sharp minor
• No. 19 Giocoso, B major
• No. 20 Con Bravoura, E major
• Seven Waltzes for Piano, Op. 11 (1893)
• No. 1 Allegro ma non troppo, A major (also in arrangement for violin and piano by S. Dushkin)
• No. 2 Semplice, C sharp minor
• No. 3 Moderato, D major
• No. 4 Grazioso, A flat major
• No. 5 Commodo, E major
• No. 6 Melancolique (Lento), F sharp minor
• No. 7 Allegro vivace, A major
• Five Songs (in the style of Franz Schubert), Op. 12 (1893)
• No. 1 "Friedhofgesang" (Kleinschmidt)
• No. 2 "Das arme Vögelein" (v. Gilm)
• No. 3 "Wenn ich’s nur wüsst" (Ehlen)
• No. 4 "Gruss" (Michaeli)
• No. 5 "Um Dich" (Kurz)
• Lose Blätter for Piano, Op. 13 (1894)
• No. 1 Petite Romance (Andante), F minor
• No. 2 Valsette (Allegretto grazioso), A flat major
• No. 3 Scherzoso (Vivace), B flat major
• No. 4 Moment Musical (Andantino), A flat major
• No. 5 Petite Caprice (Allegretto), B flat minor
• No. 6 Prélude et Fugue (Andantino (semplice) - Allegretto), F major
• No. 7 Sarabande (Grave), D minor
• No. 8 ? - ? (Largo), B minor
• No. 9 Danse des Paysans (Commodo), A major
• No. 10 Chant sans Paroles, E major
• No. 11 Appassionato (Vivace), C sharp minor
• No. 12 Choral (Andante), D major
• No. 13 Marcia Funèbre, C minor (also in orchestral arrangement by Lothar Windsperger)
• No. 14 À la Hongroise (Allegro), F minor
• Five Duets for Soprano, Alto and Piano, Op. 14 (1894)
• No. 1 "Nachts" (v. Eichendorff)
• No. 2 "Abendlied (v. Goethe)"
• No. 3 "Sommernacht" (Saul)
• No. 4 "Gäb’s ein einzig Brünnelein (from Tuscany)"
• No. 5 "O frage nicht" (Nawrocki)
• "Ich stehe hoch über’m See" for Bass and Piano (Frau v. Lieven), Op. 14b (1894)
• Ten Songs for Medium Voice and Piano, Op. 15 (1894)
• No. 1 "Glück" (v. Rohrscheidt)
• No. 2 "Das Blatt im Buche" (Grün)
• No. 3 "Nelken" (Storm)
• No. 4 "Traum" (v. Eichendorff)
• No. 5 "Das Mädchen spricht" (Prutz)
• No. 6 "Scheiden" (Saul)
• No. 7 "Der Schelm" (R...)
• No. 8 "Leichtsinniger Rat" (Saul)
• No. 9 "Verlassen hab’ ich mein Lieb" (Engel)
• No. 10 "Trost" (Falke)
• Suite for organ No. 1, E minor, Op. 16 (1894–1895) (also in 4-hand piano arrangement by Reger)
• No. 1 Introduction (Grave) and Fugue (Allegro ma non tanto)
• No. 2 Adagio assai
• No. 3 Intermezzo (Un poco Allegro, ma non troppo) and Trio (Andantino)
• No. 4 Passacaglia (Andante)
• Aus der Jugendzeit for Piano, Op. 17 (1895)
• No. 1 Frohsinn (Allegretto), A major
• No. 2 Hasche mich! (Grazioso), C major
• No. 3 Ein Spielchen! (Andantino), F major
• No. 4 Das tote Vöglein (Andante espressivo), E minor
• No. 5 Über Stock und Stein (Presto), D minor
• No. 6 Was die Grossmutter erzählt (Andante espressivo), G major
• No. 7 Ein Tänzchen (Allegro), G minor
• No. 8 Bange Frage (Andante), A minor
• No. 9 Weihnachtstraum (Andantino), A major (Fantasy on Silent Night)
• No. 10 Grosses Fest (Allegro à la marcia), B flat major
• No. 11 Abendgesang (Andante con espressione), D major
• No. 12 Fast zu keck! (Allegro vivace), F major
• No. 13 Frühlingslust (Vivace), C major
• No. 14 Kleiner Trotzkopf (Vivace), E minor
• No. 15 Reigen (Allegretto grazioso), G major
• No. 16 Fast zu ernst! (Fughette - Andante con espressione), G minor
• No. 17 A la Gigue (Presto assai), E minor
• No. 18 Nordischer Tanz (Allegretto), D major
• No. 19 Erster Streit (Agitato), D minor
• No. 20 Versöhnung (Cantabile), A major
• Eight Improvisations for Piano, Op. 18 (1896)
• No. 1 Allegretto con grazia, E major
• No. 2 Andantino, B minor
• No. 3 Caprice (Allegro vivace), G minor
• No. 4 Andante sepmlice, D major
• No. 5 Moderato, ma marcato, C minor
• No. 6 Allegretto con grazia, C sharp minor
• No. 7 Vivace assai, F major
• No. 8 Etude brillante (Allegro con brio), C minor
• Two Spiritual Songs for Medium Voice and Organ, Op. 19 (1898)
• No. 1 "Passionslied"
• No. 2 "Doch du liessest ihn im Grabe nicht!"
• Five Humoresques for Piano, Op. 20 (1898)
• No. 1 Allegretto grazioso, D major
• No. 2 Presto - Andante (con grandezza), B minor
• No. 3 Andantino grazioso, A major
• No. 4 Prestissimo assai, C major
• No. 5 Vivace assai, G minor
• "Hymne an den Gesang" for Choir and Orchestra/Piano (Steiner), Op. 21 (1898)
• Six Waltzes for 4-hand Piano, Op. 22 (1898)
• No. 1 Allegro E major
• No. 2 Più vivace A major
• No. 3 Allegretto B major
• No. 4 Moderato (quasi Andantino) C sharp minor
• No. 5 Vivace B major
• No. 6 Allegro vivace E major
• Four songs, Op. 23 (1898)
• No. 1 "Das kleinste Lied" (Hamerling)
• No. 2 "Pythia" (Ritter)
• No. 3 "Das sterbende Kind" (Geibel)
• No. 4 "Vom Küssen!" (Ritter)
• Six Pieces for Piano, Op. 24 (1898)
• No. 1 Valse-Impromptu (Grazioso) E major
• No. 2 Menuett (Allegretto grazioso) B minor (reworked for orchestra and salon orchestra by Ernst Schmidt-Köthen)
• No. 3 Rêverie fantastique (Quasi improvisato) F sharp minor
• No. 4 Un moment musical (Andantino) C major
• No. 5 Chant de la nuit (Moderato) E major
• No. 6 Rhapsodie (in the style og J. Brahms) (Agitato) E minor
• Aquarellen for Piano, Op. 25 (1897–1898)
• No. 1 Canzonetta (Allegretto con espressione) A minor
• No. 2 Humoreske (Allegro molto e con leggierezza) G major
• No. 3 Impromptu (Poco agitato) E minor
• No. 4 Nordische Ballade (Pesante) C minor
• No. 5 Mazurka (Allegretto grazioso) E flat major
• Seven Fantasy-Pieces for Piano, Op. 26 (1898)
• No. 1 Elegie (Andante sostenuto con espressione) E minor (also in orchestral arrangement)
• No. 2 Scherzo (Allegro grazioso) E major
• No. 3 Barcarole (Andantino) F major
• No. 4 Humoreske (Vivace (ma non troppo)) C minor
• No. 5 Resignation (Andante espressivo) A major (composed 3 April 1898, the day of Brahms’ death, using the main theme from the slow movement of his Symphony No. 4) (reworked for organ by Richard Lange)
• No. 6 Impromptu (Presto agitato) B minor
• No. 7 Capriccio (Vivace assai) C minor
• Organ Fantasy on ‘Ein feste Burg ist unser Gott’ (Allegro vivace (ma pomposo)), Op. 27 (1898) (reworked for Piano 4-hand by Richard Lange)
• Cello Sonata No. 2, G minor, Op. 28 (1898)
• Organ Fantasy and Fugue, C minor, Op. 29 (1898) (reworked for Piano 4-hand by Richard Lange)
• Organ Fantasy on ‘Freu dich sehr, o meine Seele’, Op. 30 (1898)
• Six Poems for Medium Voice, Op. 31 (1898)
• No. 1 "Allein" (Ritter)
• No. 2 "Ich glaub’, lieber Schatz" (Ritter)
• No. 3 "Unbegehrt" (Ritter)
• No. 4 "Und hab’ so grosse Sehnsucht doch" (Ritter)
• No. 5 "Mein Traum" (Ritter)
• No. 6 "Schlimme Geschichte" (Ritter)
• Seven Character Pieces for Piano, Op. 32 (1899)
• No. 1 Improvisation (Agitato ed appassionato) C sharp minor
• No. 2 Capriccio (A study) (Vivace assai) B minor
• No. 3 Burleske (Vivo) C major
• No. 4 Intermezzo (Agitato ed apassionato (Vivace, ma non troppo)) F sharp minor
• No. 5 Intermezzo (Andante) C major
• No. 6 Humoreske (Prestissimo assai) G minor
• No. 7 Impromptu (Con passione e vivace) B minor
• Organ Sonata No. 1, F sharp minor, Op. 33 (1899)
• Five pittoresque Pieces for 4-hand Piano, Op. 34 (1899)
• No. 1 Allegretto con moto B minor
• No. 2 Prestissimo A minor
• No. 3 Vivace assai G minor
• No. 4 Andantino (con moto) A minor
• No. 5 Con moto (vivace) D minor
• Six Songs for Medium Voice, Op. 35 (1899)
• No. 1 "Dein Auge" (Dahn)
• No. 2 "Der Himmel hat eine Thräne geweint" (Rückert)
• No. 3 "Traum durch die Dämmerung" (Bierbaum)
• No. 4 "Flieder" (Bierbaum) (also in arrangement for voice and orchestra)
• No. 5 "Du liebes Auge" (Roquette)
• No. 6 "Wenn lichter Mondenschein" (d’Annunzio)
• Nine Bunte Blätter for Piano, Op. 36 (1899)
• No. 1 Humoreske (Vivace assai) B major
• No. 2 Albumblatt (Andantino) D minor
• No. 3 Capriccietto (Vivace assai) E minor
• No. 4 Reigen (Allegretto grazioso) D major
• No. 5 Gigue (Vivace assai) A minor
• No. 6 Elegie (Andantino sostenuto (ma non troppo)) E minor
• No. 7 Valse-Impromptu (Con moto) D minor
• No. 8 Capriccio (A study) (Vivace assai) C minor
• No. 9 Rêverie (Andante con espressione) F major
• Five Songs, Op. 37 (1899)
• No. 1 "Helle Nacht" (Verlaine)
• No. 2 "Volkslied" (Ritter)
• No. 3 "Glückes genug" (v. Liliencron)
• No. 4 "Frauenhaar" (Bierbaum)
• No. 5 "Nächtliche Pfade" (Stieler)
• Seven Songs for Male Chorus, Op. 38 (1899)
• No. 1 "Ausfahrt" (v. Scheffel)
• No. 2 "Frühlingsruf" (Kleber)
• No. 3 "Über die Berge!" (Ernst)
• No. 4 "Wie ist doch die Erde so schön!" (Reinick)
• No. 5 "Frohsinn" (after v. Klump)
• No. 6 "Abendreihn" (Müller)
• No. 7 "Hell ins Fenster" (Groth)
• Three songs for 6-part (SAATBB) Choir, Op. 39 (1899)
• No. 1 "Schweigen" (Falke)
• No. 2 "Abendlied" (Plinke)
• No. 3 "Frühlingsblick" (Lenau)
• Two Organ Fantasies, Op. 40 (1899)
• No. 1 ‘Wie schön leucht’t uns der Morgenstern’
• No. 2 ‘Straf’ mich nicht in deinem Zorn’
• Violin Sonata No. 3, A major, Op. 41 (1899)
• Four Violin solo Sonatas, Op. 42 (1900)
• No. 1 D minor
• No. 2 A major
• No. 3 B minor
• No. 4 G minor
• Eight Songs, Op. 43 (1900)
• No. 1 "Zwischen zwei Nächten" (Falke)
• No. 2 "Müde" (Falke)
• No. 3 "Meinem Kinde" (Falke)
• No. 4 "Abschied" (Wiener)
• No. 5 "Wiegenlied" (Dehmel) (also in orchestral arrangement)
• No. 6 "Die Betrogene spricht" (Ritter)
• No. 7 "Mein Herz" (Wiener)
• No. 8 "Sag es nicht" (Wiener)
• Ten little Pieces for Piano, Op. 44 (1900)
• No. 1 Albumblatt (Mit Ausdruck, nicht zu langsam) B minor
• No. 2 Burletta (Sehr lebhaft, mit Humor) G minor
• No. 3 Es war einmal (Mässig langsam und ausdrucksvoll) E minor
• No. 4 Capriccio (Sehr rasch) A minor
• No. 5 Moment musical (Anmutig, etwas lebhaft) C sharp minor
• No. 6 Scherzo (Sehr schnell) D major
• No. 7 Humoreske (Lebhaft) B minor
• No. 8 Fughette (Mässig langsam) A minor
• No. 9 Gigue (So schnell als möglich) D minor
• No. 10 Capriccio (Sehr schnell; mit Humor) C major
• Six Intermezzi for Piano, Op. 45 (1900)
• No. 1 (Sehr aufgeregt und schnell) D minor
• No. 2 (Äusserst lebhaft, anmutig) D flat major
• No. 3 (Langsam, mit leidenschaftlichem, durchaus phantastischem Ausdruck) E flat minor
• No. 4 (So schnell als möglich, mit Humor) C major
• No. 5 (Mit grosser Leidenschaft und Energie) G minor
• No. 6 (So schnell als nur irgend möglich) E minor
• Organ Fantasy and Fugue on B-A-C-H, Op. 46 (1900)
• Six Organ Trios, Op. 47 (1900)
• No. 1 Canon (Andante) E major
• No. 2 Gigue (Vivacissimo) D minor
• No. 3 Canzonetta (Andantino) A minor
• No. 4 Scherzo (Vivacissimo) A major
• No. 5 Siciliano (Andantino) E minor
• No. 6 Fugue (Vivace) C minor
• Seven Songs for medium voice, Op. 48 (1900)
• No. 1 "Hütet euch" (Geibel)
• No. 2 "Leise Lieder" (Morgenstern)
• No. 3 "Im Arm der Liebe" (Hartleben)
• No. 4 "Ach, Liebster, in Gedanken" (Stona)
• No. 5 "Junge Ehe" (Ubell) (on a theme from Tristan und Isolde by Wagner)
• No. 6 "Am Dorfsee" (Wiener)
• No. 7 "Unvergessen" (Frey)
• Two Sonatas for Viola/Clarinet, Op. 49 (1900)
• No. 1 A flat major
• No. 2 F sharp minor
• Two Romances for Violin and Small Orchestra, Op. 50 (1900)
• No. 1 (Andante sostenuto) G major
• No. 2 (Larghetto) D major
• Twelve Songs, Op. 51 (1900)
• No. 1 "Der Mond glüht" (Diderich)
• No. 2 "Mägdleins Frage" (Dorr-Ljubljaschtschi)
• No. 3 "Träume, träume, du mein süsses Leben!" (Dehmel)
• No. 4 "Geheimnis" (Evers)
• No. 5 "Mädchenlied" (Morgenstern)
• No. 6 "Schmied Schmerz" (Bierbaum)
• No. 7 "Nachtgang" (Bierbaum)
• No. 8 "Gleich einer versunkenen Melodie" (Morgenstern)
• No. 9 "Frühlingsregen" (Morgenstern)
• No. 10 "Verlorne Liebe" (Galli)
• No. 11 "Frühlingsmorgen" (Müller)
• No. 12 "Weisse Tauben" (Morgenstern)
• Three Organ Fantasies, Op. 52 (1900)
• No. 1 ‘Alle Menschen müssen sterben’
• No. 2 ‘Wachet auf, ruft uns die Stimme’
• No. 3 ‘Halleluja, Gott zu loben’
• Seven Silhouettes for Piano, Op. 53 (1900)
• No. 1 (Äusserst lebhaft) E minor
• No. 2 (Ziemlich langsam) D major
• No. 3 (Sehr bewegt und ausdrucksvoll) F sharp major
• No. 4 (Sehr schnell und anmutig) F sharp minor
• No. 5 (Ziemlich schnell) C major
• No. 6 (Langsam, schwermütig) E major
• No. 7 (Äusserst lebhaft und mit viel Humor) B major
• Two String Quartets, Op. 54 (1901)
• No. 1 G minor
• No. 2 A major
• Fifteen Songs, Op. 55 (1901)
• No. 1 "Hymnus des Hasses" (Morgenstern)
• No. 2 "Traum" (Evers)
• No. 3 "Der tapfere Schneider" (Falke)
• No. 4 "Rosen" (Itzerott)
• No. 5 "Der Narr" (v. Jacobosky)
• No. 6 "Verklärung" (Itzerott)
• No. 7 "Sterne" (Ritter)
• No. 8 "Zwei Gänze" (De Capitolio)
• No. 9 "Ein Paar" (Braungart)
• No. 10 "Wären wir zwei klein Vögel" (Greiner)
• No. 11 "Viola d’amour" (Falke)
• No. 12 "Nachtsegen" (Evars)
• No. 13 "Gute Nacht" (Falke)
• No. 14 "Allen Welten abgewandt" (Stona)
• No. 15 "Der Alte" (Falke)
• Five Organ Preludes and Fugues, Op. 56 (1901)
• No. 1 E major
• No. 2 D minor
• No. 3 G major
• No. 4 C major
• No. 5 B minor
• Symphonic Fantasy and Fugue for Organ, Op. 57 (1901)
• Six Burlesques for 4-hands Piano, Op. 58 (1901)
• Twelve Organ Pieces, Op. 59 (1901)
• No. 1 Prelude
• No. 2 Pastorale
• No. 3 Intermezzo
• No. 4 Kanon
• No. 5 Toccata
• No. 6 Fuge
• No. 7 Kyrie
• No. 8 Gloria
• No. 9 Benedictus
• No. 10 Capriccio
• No. 11 Melodia
• No. 12 Te Deum
• Organ Sonata No. 2, D minor, Op. 60 (1901)
• No. 1 Improvisation
• No. 2 Invocation
• No. 3 Introduction and Fugue
• Simple Liturgical Pieces for use during services, Op. 61 (1901)
• Eight settings of Tantum ergo, Op. 61a
• Four settings of Tantum ergo for SA/TB and Organ, Op. 61b
• Four settings of Tantum ergo for 4-part Choir and Organ, Op. 61c
• Eight Marienlieder, Op. 61d
• Four Marienlider for SA/TB and Organ, Op. 61e
• Four Marienlieder for 4-part Choir and Organ, Op. 61f
• Six Trauergesänge for Choir, Op. 61g
• Sixteen Songs, Op. 62 (1901)
• No. 1 "Wehe" (Boelitz)
• No. 2 "Waldeseligkeit" (Dehmel)
• No. 3 "Ruhe" (Evers)
• No. 4 "Menschen und Natur" (Baumgart)
• No. 5 "Wir Zwei" (Falke)
• No. 6 "Reinheit" (Boelitz)
• No. 7 "Vor dem Sterben" (Boelitz)
• No. 8 "Gebet" (Braungart)
• No. 9 "Strampelchen" (v. Bluethgen)
• No. 10 "Die Nixe" (Falke)
• No. 11 "Fromm" (Falke)
• No. 12 "Totensprache" (v. Jacobovsky)
• No. 13 "Begegnung" (Mörike)
• No. 14 "Ich schwebe" (Henkel)
• No. 15 "Pflugerin Sorge" (Henkel)
• No. 16 "Anmutiger Vertrag (Morgenstern)
• Monologue for Organ, Op. 63 (1902)
• No. 1 Prelude C minor
• No. 2 Fugue C major
• No. 3 Canzona G minor
• No. 4 Capriccio A minor
• No. 5 Intro F minor
• No. 6 Passacaglia F minor
• No. 7 Ave Maria
• No. 8 Fantasy C major
• No. 9 Toccata E minor
• No. 10 Fugue E minor
• No. 11 Kanon D major
• No. 12 Scherzo D minor
• Piano Quintet No. 2, C minor, Op. 64 (1901–1902)
• Twelve Pieces for Organ, Op. 65 (1902)
• No. 1 Rhapsodie
• No. 2 Capriccio
• No. 3 Pastorale
• No. 4 Consolation
• No. 5 Improvisation
• No. 6 Fugue
• No. 7 Prelude
• No. 8 Fugue
• No. 9 Canzona
• No. 10 Scherzo
• No. 11 Toccata
• No. 12 Fugue
• Twelve Songs, Op. 66 (1902)
• No. 1 "Sehnsucht" (Itzerott)
• No. 2 "Freundliche Vision" (Bierbaum)
• No. 3 "Aus der ferne in der Nacht" (Bierbaum)
• No. 4 "Du bist mir gut!" (Boelitz)
• No. 5 "Maienblüten" (v. Jacobovsky)
• No. 6 "Die Primeln" (Hamerling)
• No. 7 "Die Liebe" (Dehmel)
• No. 8 "An dich" (Itzerott)
• No. 9 "Erlöst" (Itzerott)
• No. 10 "Morgen" (Mackay)
• No. 11 "Jetzt und immer" (Dehmel)
• No. 12 "Kindergeschichte" (v. Jacobovsky)
• Fifty-two Chorale Preludes, Op. 67 (1902)
• No. 1 ‘Allein Gott in der Höh sei Ehr’
• No. 2 ‘Alles ist an Gottes Segen’
• No. 3 ‘Aus tiefer Not schrei ich zu dir’
• No. 4 ‘Aus meines Herzens Grunde’
• No. 5 ‘Christus, der ist mein Leben’
• No. 6 ‘Ein’ feste Burg ist unser Gott’
• No. 7 ‘Dir, dir, Jehovah, will ich singen!‘
• No. 8 ‘Erschienen ist der herrlich’ Tag’
• No. 9 ‘Herr Jesu Christ, dich zu uns wend’
• No. 10 ‘Es ist das Heil uns kommen her’
• No. 11 ‘Freu’ dich sehr, O meine Seele’
• No. 12 ‘Gott des Himmels und der Erden’
• No. 13 ‘Herr, wie du willst, so schick’s mit mir’
• No. 14 ‘Herzlich tut mich verlangen’
• No. 15 ‘Jauchz, Erd, und Himmel, juble hell’
• No. 16 ‘Ich dank dir, lieber Herre’
• No. 17 ‘Ich will dich lieben, meine Stärke’
• No. 18 ‘Jerusalem, du hochgebaute Stadt’
• No. 19 ‘Jesu Leiden, Pein und Tod’
• No. 20 ‘Jesus, meine Zuversicht’
• No. 21 ‘Jesu, meine Freude’
• No. 22 ‘Komm, o komm, du Geist des Lebens’
• No. 23 ‘Lobe Gott, ihr Christen alle gleich’
• No. 24 ‘Lobe den Herren, dem mächtigen König’
• No. 25 ‘Mach’s mit mir, Gott, nach deiner Güt’
• No. 26 ‘Meinen Jesum laß' ich nicht’
• No. 27 ‘Nun danket alle Gott’
• No. 28 ‘Nun freut euch, lieben Christen’
• No. 29 ‘Nun komm, der Heiden Heiland’
• No. 30 ‘O Gott, du frommer Gott’
• No. 31 ‘O Jesu Christ, meines Lebens Licht’
• No. 32 ‘O Lamm Gottes, unschuldig’
• No. 33 ‘O Welt, ich muß dich lassen’
• No. 34 ‘Schmücke dich, o liebe Seele’
• No. 35 ‘Seelenbräutigam’
• No. 36 ‘Sollt’ ich meinem Gott nicht singen?‘
• No. 37 ‘Straf mich nicht in deinem Zorn’
• No. 38 ‘Valet will ich dir geben’
• No. 39 ‘Vater unser im Himmelreich’
• No. 40 ‘Vom Himmel hoch, da komm ich her’
• No. 41 ‘Wachet auf, ruft uns die Stimme’
• No. 42 ‘Von Gott will ich nicht lassen’
• No. 43 ‘Warum sollt’ ich mich den grämen?‘
• No. 44 ‘Was Gott tut, das ist wohlgetan’
• No. 45 ‘Wer nur den lieben Gott lässt walten’
• No. 46 ‘Wer nur den lieben Gott lässt walten’
• No. 47 ‘Werde munter, mein Gemüte’
• No. 48 ‘Wer weiß, wie nahe mir mein Ende!‘
• No. 49 ‘Wie schön leucht’t uns der Morgenstern’
• No. 50 ‘Wie wohl ist mir, o Freund der Seelen’
• No. 51 ‘Jesus ist kommen’
• No. 52 ‘O wie selig’
• Six songs, Op. 68 (1902)
• No. 1 "Eine Seele" (v. Jacobovsky)
• No. 2 "Unterwgs" (Boelitz)
• No. 3 "Märchenland" (Evers)
• No. 4 "Engelwacht" (Muth)
• No. 5 "Nachtseele" (Evers)
• No. 6 "An die Geliebte" (Falke)
• Ten Organ Pieces, Op. 69 (1903)
• No. 1 Prelude E minor
• No. 2 Fugue E minor
• No. 3 Basso ostinato E minor
• No. 4 Moment musical D major
• No. 5 Capriccio D minor
• No. 6 Toccata D major
• No. 7 Fugue D major
• No. 8 Romance G minor
• No. 9 Prelude A minor
• No. 10 Fugue A minor
• Seventeen Songs, Op. 70 (1903)
• No. 1 "Präludium" (Boelitz)
• No. 2 "Der König bei der Krönung" (Mörike)
• No. 3 "Ritter rät dem Knappen dies" (Bierbaum)
• No. 4 "Die bunten Kühe" (Falke)
• No. 5 "Gruss" (Genischen)
• No. 6 "Elternstolz" (Folk song)
• No. 7 "Meine Seele" (Evers)
• No. 8 "Die Verschmäte" (Falke)
• No. 9 "Sehnsucht" (v. Jacobovsky)
• No. 10 "Hoffnungstrost" (from East Preussia)
• No. 11 "Gegen Abend" (Bierbaum)
• No. 12 "Dein Bild" (v. Jacobovsky)
• No. 13 "Mein und Dein" (Fischer)
• No. 14 "Der Bote" (Fick)
• No. 15 "Thränen" (Braungart)
• No. 16 "Des Durstes Erklärung" (Fick)
• No. 17 "Sommernacht" (Evers)
• "Gesang der Verklärten" for 5-part Choir (SSATB) and Orchestra (Busse), Op. 71 (1903)
• Violin Sonata No. 4, C major, Op. 72 (1903)
• Variations and Fugue on an Original Theme for Organ, F sharp minor, Op. 73 (1903)
• String Quartet No. 3, D minor, Op. 74 (1903–1904)
• Eighteen Songs, Op. 75 (1904)
• No. 1 "Markspruch" (Weigand)
• No. 2 "Mondnacht" (Evers)
• No. 3 "Der Knabe an die Mutter" (Serbian)
• No. 4 "Dämmer" (Boelitz)
• No. 5 "Böses Weib" (16th century)
• No. 6 "Ihr, ihr Herrlichen!" (Hölderlin)
• No. 7 "Schlimm für die Männer" (Serbian)
• No. 8 "Wäsche im Wind" (Falke)
• No. 9 "All’ mein Gedanken, mein Herz und mein Sinn" (Dahn)
• No. 10 "Schwäbische Treue" (Seyboth)
• No. 11 "Aeolsharfe" (Lingg)
• No. 12 "Hat gesangt - bleibt nicht dabei" (Folk Song)
• No. 13 "Das Ringlein" (v. Jacobovsky)
• No. 14 "Schlafliedchen" (Busse)
• No. 15 "Darum" (Seyboth)
• No. 16 "Das febster Klang im Winde!" (Evars)
• No. 17 "Du brachtest mir deiner Seele Trank" (Braungart)
• No. 18 "Einsamkeit" (Goethe)
• Simple Songs, Op. 76 (1903–1912)
• No. 1 "Du Meines Herzens Krönelein"
• No. 2 "Daz Iuwer Min Engel Walte"
• No. 3 "Waldeinsamkeit"
• No. 4 "Wenn die Linde bluht"
• No. 5 "Herzenstausch"
• No. 6 "Beim Schneewetter"
• No. 7 "Schlecht’ Wetter"
• No. 8 "Einen Brief soll ich schreiben"
• No. 9 "Am Brünnelle"
• No. 10 "Warte Nur"
• No. 11 "Mei Bua"
• No. 12 "Mit Rosen bestreut"
• No. 13 "Der verliebte Jäger"
• No. 14 "Mein Schätzelein"
• No. 15 "Maiennacht"
• No. 16 "Glück"
• No. 17 "Wenn alle Welt so einig war"
• No. 18 "In einem Rosengärtelein"
• No. 19 "Hans und Grete"
• No. 20 "Es blüht ein Blümlein"
• No. 21 "Minnelied"
• No. 22 "Des Kindes Gebet"
• No. 23 "Zweisprach"
• No. 24 "Abgeguckt"
• No. 25 "Friede"
• No. 26 "Der Schwur"
• No. 27 "Kindeslächeln"
• No. 28 "Die Mutter spricht"
• No. 29 "Schmeichelkätzchen"
• No. 30 "Vorbeimarsch"
• No. 31 "Gottes Segen"
• No. 32 "Von der Liebe"
• No. 33 "Das Wolklein"
• No. 34 "Reiterlied"
• No. 35 "Mittag"
• No. 36 "Schelmenliedchen"
• No. 37 "Heimat"
• No. 38 "Das Mägdlein"
• No. 39 "Abendlied"
• No. 40 "Wunsch"
• No. 41 "An den Frühlingsregen"
• No. 42 "Der Postillon"
• No. 43 "Brunnensang"
• No. 44 "Klein Marie"
• No. 45 "Lutschemäulchen"
• No. 46 "Soldatenlied"
• No. 47 "Schlaf’ ein"
• No. 48 "Zwei Mäuschen"
• No. 49 "Ein Tänzchen"
• No. 50 "Knecht Ruprecht"
• No. 51 "Die fünf Hühnerchen"
• No. 52 "Mariä Wiegenlied" (also arranged by the composer as a piano solo)
• No. 53 "Das Brüderchen"
• No. 54 "Das Schwesterchen"
• No. 55 "Furchthäschen"
• No. 56 "Der Igel"
• No. 57 "Die Bienen"
• No. 58 "Mäusefangen"
• No. 59 "Zum Schlafen"
• No. 60 "Der König aus dem Morgenland"
• Serenade No. 1 for Flute, Violin and Viola, D major, Op. 77a (1904)
• String Trio No. 1, A minor, Op. 77b (1904)
• Cello Sonata No. 3, F major, Op. 78 (1904)
• Ten Pieces for Piano, Op. 79a (1900–1904)
• No. 1 Humoreske
• No. 2 Humoreske
• No. 3 Intermezzo
• No. 4 Melodie
• No. 5 Romanze
• No. 6 Impromptu
• No. 7 Impromptu
• No. 8 Caprice
• No. 9 Capriccio
• No. 10 Melodie
• Choral Preludes for Organ, Op. 79b (1900–1904)
• No. 1 ‘Ach Gott, verlaß mich nicht
• No. 2 ‘Ein feste Burg ist unser Gott
• No. 3 ‘Herr, nun selbst den Wagen halt’
• No. 4 ‘Morgenglanz der Ewigkeit
• No. 5 ‘Mit Fried und Freud fahr ich dahin’
• No. 6 ‘Wer weiss, wie nahe mir mein Ende’
• No. 7 ‘Auferstehn, ja auferstehn wirst Du’
• No. 8 ‘Christ ist erstanden von dem Tod’
• No. 9 ‘Christus, der ist mein Leben’
• No. 10 ‘Mit Fried und Freud fahr ich dahin’
• No. 11 ‘Nun danket alle Gott’
• No. 12 ‘Herr, nun selbst den Wagen halt
• No. 13 ‘Warum sollt ich mich grämen’
• Eight Songs, Op. 79c (1900–1904)
• No. 1 "Abend" (Schäfer)
• No. 2 "Um Mitternacht blühen die Blumen" (Stona)
• No. 3 "Volkslied" (Itzerott)
• No. 4 "Friede" (Huggenberger)
• No. 5 "Auf mondbeschienen Wegen" (Huggenberger)
• No. 6 "Die Glocke des Glücks" (Ritter)
• No. 7 "Erinnerung" (Schäfer)
• No. 8 "Züge" (Huggenberger)
• Suite for Violin and Piano, Op. 79d (1902–1904)
• No. 1 Wiegenlied
• No. 2 Capriccio
• No. 3 Burla
• Two pieces for Cello and Piano, Op. 79e (1904)
• No. 1 Caprice
• No. 2 Kleine Romanze
• Fourteen Chorales for 4-, 5- or 6-part Choir, Op. 79f (1900–1904)
• No. 1 "Jesu, meines Lebens Leben" (4-part)
• No. 2 "Auferstanden" (4-part)
• No. 3 "Nun preiset alle" (4-part)
• No. 4 "Nun preiset alle" (4-part)
• No. 5 "Such, wer da will" (4-part)
• No. 6 "Ach, Gott, verlaß mich nicht" (4-part)
• No. 7 "Ich weiss, mein Gott" (4-part)
• No. 8 "Ich hab in Gottes Herz und Sinn" (5-part)
• No. 9 "Jesu, grosser Wunderstern" (5-part)
• No. 10 "Jesus soll die Losung sein" (5-part)
• No. 11 "Trauungsgesang"
• No. 13 "Auferstanden" (5-part)
• No. 14 "Gib dich zufrieden" (5- or 6-part)
• Three Chorales for Female/Boys’ Choir (1900–1904)
• Twelve Pieces for Organ Op. 80 (1904):
• No. 1 Prelude E minor
• No. 2 Fughetta E minor
• No. 3 Canzonetta G minor
• No. 4 Gigue D minor
• No. 5 Ave Maria D flat minor
• No. 6 Intermezzo G minor
• No. 7 Scherzo F sharp minor
• No. 8 Romance A minor
• No. 9 Perpetuum mobile F minor
• No. 10 Intermezzo D major
• No. 11 Toccata A minor
• No. 12 Fugue A minor
• Variations and Fugue on a theme by Bach for Piano, Op. 81 (1904) (theme taken from 4th mvt. aria (duet) of Cantata Auf Christi Himmelfahrt allein, BWV 128)
• Aus Mein Tagebuch for Piano, Op. 82 (1904–1912)
• Ten Songs for Male Choir, Op. 83 (1904–1912)
• Violin Sonata No. 5, F sharp minor, Op. 84 (1905)
• Four Preludes and Fugues for Organ, Op. 85 (1905)
• No. 1 C sharp minor
• No. 2 G major
• No. 3 F major
• No. 4 E minor
• Variations and Fugue on a theme by Beethoven for two Pianos, Op. 86 (1904) (also in orchestral arrangement, 1915)
• Two Compositions for Violin and Piano, Op. 87 (1905)
• No. 1 Albumblatt
• No. 2 Romanze
• Four Songs, Op. 88 (1905)
• No. 1 "Notturno" (Boelitz)
• No. 2 "Stelldichein" (Hörmann)
• No. 3 "Flötenspielerin" (Evers)
• No. 4 "Spatz und Spätzin" (Meyere)
• Four Sonatines for Piano, Op. 89 (1905–1908)
• No. 1 E minor
• No. 2 D major
• No. 3 F major
• No. 4 A minor
• Sinfonietta for Orchestra, A major, Op. 90 (1904–1905)
• Seven Sonatas for Violin Solo, Op. 91 (1905)
• No. 1 A minor
• No. 2 D major
• No. 3 B flat major
• No. 4 B minor
• No. 5 E minor
• No. 6 G major
• No. 7 A minor
• Suite for Organ No. 2, Op. 92 (1905)
• No. 1 Prelude G minor
• No. 2 Fugue
• No. 3 Intermezzo B minor
• No. 4 Basso ostinato G minor
• No. 5 Romanza A flat major
• No. 6 Toccata G minor
• No. 7 Fugue G minor
• Suite in old style for Violin and Piano, F major, Op. 93 (1906) (also in orchestral arrangement, 1916)
• Six Pieces for 4-hand Piano, Op. 94 (1906)
• Serenade for Orchestra, G major, Op. 95 (1905–1906)
• Introduction, Passacaglia and Fugue for two Pianos, B minor, Op. 96 (1906)
• Four Songs, Op. 97 (1906)
• No. 1 "Das Dorf" (Boelitz)
• No. 2 "Leise, leise weht ihr Lüfte" (Brentano)
• No. 3 "Ein Drängen ist in meinem Herzen" (Stefan Zweig)
• No. 4 "Der bescheidene Schäfer" (Weisse)
• Five Songs, Op. 98 (1906)
• No. 1 "Aus den Himmelsaugen" (Heine)
• No. 2 "Der gute Rath" (Schatz)
• No. 3 "Sonntag" (Volkslied)
• No. 4 "Es schläft ein stiller Garten" (Hauptmann)
• No. 5 "Sommernacht" (Triepel)
• Six Preludes and Fugues for Piano, Op. 99 (1907)
• Variations and Fugue on a Theme by Johann Adam Hiller for Orchestra, E major, Op. 100 (1907)
• Violin Concerto, A major, Op. 101 (1907–1908)
• Piano Trio No. 2 for Violin, Cello and Piano, E minor, Op. 102 (1907–1908)
• Hausmusik, Op. 103 (1908)
• Suite for Violin and Piano, A minor, Op. 103a (1908)
• No. 3 Aria (also in orchestral arrangement)
• Two little Sonatas for Violin and Piano, Op. 103b (1909)
• No. 1 D minor
• No. 2 A major
• Twelve little Pieces on his own songs from Op. 76 for Violin and Piano, Op. 103c
• Six Songs, Op. 104 (1907)
• No. 1 "Neue Fülle" (Zweig)
• No. 2 "Warnung" (anon.)
• No. 3 "Mutter, tote Mutter" (Hartwig)
• No. 4 "Lied eines Mädchens" (13th century)
• No. 5 "Das Sausewind" (Busse)
• No. 6 "Mädchenlied" (Boelitz)
• Two Spiritual Songs for Mezzo/Baritone and Organ/Harmonium/Piano, Op. 105 (1907)
• No. 1 "Ich sehe Dich in tausend Bildern" (Novaris)
• No. 2 "Meine Seele ist still zu Gott" (Psalm 62)
• Der 100. Psalm (Psalm No. 100) for Choir and Orchestra, C minor, Op. 106 (1908–1909), Organ version of François Callebout (2003)
• Clarinet/Viola Sonata No. 3, B flat major, Op. 107 (1908–1909)
• Symphonic Prologue to a tragedy for Orchestra, A minor, Op. 108 (1908)
• String Quartet No. 4, E flat major, Op. 109 (1909)
• Three 5-part motets for a cappella choir, Op. 110 (1909–1912)
• No. 1 "Mein Odem ist swach"
• No. 2 "Ach, Herre, strafe mich nicht"
• No. 3 "O Tod, wie bitter bist du"
• Three Duets for Soprano, Alto and Piano, Op. 111a (1909)
• No. 1 "Waldesstille" (Rafael)
• No. 2 "Frühlingsfeier" (Steindorff)
• No. 3 "Abendgang" (Brandtl)
• Three Songs for 4-part Female Choir (1909), Op. 111b
• Three Songs for 3-part Female Choir (1909), Op. 111c (arrangement of Op. 111b)
• "The Nuns" for Choir and Orchestra (Boelitz), Op. 112 (1909)
• Piano Quartet No. 1, D minor, Op. 113 (1910)
• Piano Concerto, F minor, Op. 114 (1910)
• Episodes, 8 Pieces for Piano, Op. 115 (1910)
• No. 1 Andante D major
• No. 2 Andante con moto
• No. 3 Allegretto C major
• No. 4 Andante sostenuto
• No. 5 Larghetto
• No. 6 Vivace
• No. 7 Vivace quasi presto
• No. 8 Vivace
• Cello Sonata No. 4, A minor, Op. 116 (1910)
• Eight Preludes and Fugues for Solo Violin, Op. 117 (1909–1912)
• No. 1 B minor
• No. 2 G minor
• No. 3 E minor
• No. 4 G minor (Chaconne)
• No. 5 G major
• No. 6 D minor
• No. 7 A minor
• No. 8 E minor
• String Sextet for two Violins, two Violas and two Celli, F major, Op. 118 (1910)
• "Die Weihe der Nacht" for Alto, Male Choir and Orchestra (Hebbel), Op. 119 (1911)
• "Eine Lustspielovertüre" for Orchestra, Op. 120 (1911)
• String Quartet No. 5, F sharp minor, Op. 121 (1911)
• Violin Sonata No. 8, E minor, Op. 122 (1911)
• Concerto in old style for Orchestra, F major, Op. 123 (1912)
• "An die Hoffnung" for Alto or Mezzo and Orchestra or Piano (Hölderlin), Op. 124 (1912)
• A Romantic Suite for Orchestra, Op. 125 (1912)
• "Römischer Triumphgesang" for Male Choir and Orchestra, Op. 126 (1912)
• Introduction, Passacaglia and Fugue for Organ, E minor, Op. 127 (1913)
• Four Tone Poems after Arnold Böcklin for Orchestra, Op. 128 (1913)
• Nine Pieces for Organ, Op. 129 (1913)
• No. 1 Toccata D minor
• No. 2 Fugue D minor
• No. 3 Canon E minor
• No. 4 Melodia B flat major
• No. 5 Capriccio G minor
• No. 6 Basso ostinato G minor
• No. 7 Intermezzo F minor
• No. 8 Prelude B minor
• No. 9 Fugue B minor
• A Ballet Suite for Orchestra, D major, Op. 130 (1913)
• Six Preludes and Fugues for Solo Violin, Op. 131a (1914)
• No. 1 A minor
• No. 2 D minor
• No. 3 G major
• No. 4 G minor
• No. 5 D major
• No. 6 E minor
• Three Duos (Canons and Fugues) in Old Style for two Violins, Op. 131b (1914)
• Three Suites for Solo Cello, Op. 131c (1915)
• No. 1 G major
• No. 2 D minor
• No. 3 A minor
• Three Suites for Solo Viola, Op. 131d (1915)
• No. 1 G minor
• No. 2 D major
• No. 3 E minor
• Variations and Fugue on a Theme by Mozart, Op. 132 (1914) (also in arrangement for two Pianos, 1914)
• Piano Quartet No. 2, A minor, Op. 133 (1914)
• Variations and Fugue on a theme by Telemann for Piano, Op. 134 (1914)
• Thirty little Choral Preludes, Op. 135a (1914)
• Fantasy and Fugue for Organ, D minor, Op. 135b (1916)
• "Hymnus der Liebe" for Baritone/Alto and Orchestra, Op. 136 (1914)
• Twelve Spiritual Songs with Piano/Harmonium/Organ accompaniment, Op. 137 (1914)
• No. 1 "Bitte um einen seligen Tod" (Herman. gest. 1561)
• No. 2 "Dein Wille, Herr, geschehe!" (Eichendorff)
• No. 3 "Uns ist geboren ein Kindlein" (Anonymous)
• No. 4 "Am Abend" (Anonymous)
• No. 5 "O Herre Gott, nimm du von mir" (Anonymous)
• No. 6 "Christ, deines Geistes Süßigkeit" (Anonymous)
• No. 7 "Grablied" (Arndt)
• No. 8 "Morgengesang" (Alberus)
• No. 9 "Lass dich nur nichts nicht dauern" (Flemming)
• No. 10 "Christkindleins Wiegenlied" (Anonymous)
• No. 11 "Klage vor Gottes Leiden" (Anonymous)
• No. 12 "O Jesu Christ, wir warten dein" (Alberus)
• Eight Spiritual Songs for 4-8-part Choir, Op. 138 (1914)
• Violin Sonata No. 9, C minor, Op. 139 (1915)
• Eine vaterländische Ouvertüre, Op. 140 (1915)
• Serenade for Flute, Violin and Viola No. 2 in G major, Op. 141a (1915)
• String Trio No. 2 in D minor, Op. 141b (1915)
• 5 Neue Kinderlieder, Op. 142 (1915)
• No. 1 "Wiegenlied" (Stein)
• No. 2 "Schwalbenmütterlein"(Reinick)
• No. 3 "Maria am Rosenstrauch"(Schellenberg)
• No. 4 "Klein-Evelinde"(Weber)
• No. 5 "Bitte"(Holst)
• Träume am Kamin, 12 Kleine Klavierstücke, Op. 143 (1915)
• No. 1 "Larghetto" B flat Major
• No. 2 "Con Moto" E flat Major
• No. 3 "Molto Adagio" A Major
• No. 4 "Allegretto Grazioso" E Major
• No. 5 "Agitato" b minor
• No. 6 "Poco Vivace" A flat Major
• No. 7 "Molto Sostenuto" D Major
• No. 8 "Vivace" C Major
• No. 9 "Larghetto" c minor
• No. 10 "Vivace" d minor
• No. 11 "Andantino" g minor
• No. 12 "Larghetto" D Major
• Der Einsiedler (text by Joseph von Eichendorff), Op. 144a (1915)
• Requiem (text by Christian Friedrich Hebbel "Seele, vergiss sie nicht"), Op. 144b (1915)
• Seven Pieces for Organ, Op. 145 (1915–1916)
• No. 1 "Trauerode"
• No. 2 "Dankpsalm"
• No. 3 "Weihnachten" (Christmas)
• No. 4 "Passion" (Passion)
• No. 5 "Ostern" (Easter)
• No. 6 "Pfingsten" (Pentecost)
• No. 7 "Siegesfeier"
• Lateinisches Requiem (fragment Kyrie, Dies irae), Op. 145a (1915)
• Clarinet Quintet in A major, Op. 146 (1916)
• Andante and Rondo for Violin and Orchestra, Op. 147(1916, posthumous)

Works without Opus number

• String Quartet", D minor (1888–1889) (with doublebass in the finale)
• Scherzo for Flute and String Quartet, G minor (1888 or 1889)
• "Castra vetera", incidental music (1889–1890)
• "Heroide", symphonic movement for orchestra, D minor (1889)
• Symphonic movement for Orchestra, D minor (1890)
• Scherzo for two String Quartets, G minor (1890-1892?)
• Grande Valse de Concert for Piano, "Op. 378" (1891)
• Six Chorale Preludes for Organ (1893–1908)
• No. 1 ‘O Traurigkeit’
• No. 2 ‘Komm süßer Tod’
• No. 3 ‘Christ ist erstanden’
• No. 4 ‘O Haupt voll Blut und Wunden’
• No. 5 ‘Es kommt ein Schiff geladen’
• No. 6 ‘Wie schön leucht’t uns der Morgenstern’
• Violin parts for six Sonatinas, Op. 36 by Clementi (before 1895)
• Piano Quintet, C minor (1897–1898)
• Lyric Andante (Liebestraum) for Strings (1898)
• Scherzino for French Horn and Strings (1899)
• 111 Canons in all major and minor tonalities for Piano (1895)
• "Tantum ergo sacramentum" for 5-part Choir (1895)
• Etude Brillante for Piano, C minor (1896)
• "Gloriabuntur in te omnes" for 4-part Choir (1898?)
• "An der schönen blauen Donau", improvisation for Piano (1898)
• "Grüsse an die Jugend" for Piano (1898)
• No. 1 Fughette
• No. 2 Caprice fantastique
• No. 3 Abenddämmerung
• No. 4 Albumblatt
• No. 5 Scherzo
• No. 6 Humoresque
• Three Album leafs for Piano (1898–1899)
• No. 1 Miniature Gavotte
• No. 2 Allegretto grazioso
• No. 3 Andante
• "Maria Himmelsfreud!" for Choir (Heuberger) (1899 or 1900)
• Introduction and Passacaglia for Organ, D minor (1899)
• Prelude for Organ, C minor (1900)
• "Blätter und Blüten" for Piano (1900–1902)
• No. 1 Albumblad
• No. 2 Humoresque
• No. 3 Frühlingslied
• No. 4 Elegie
• No. 5 Jagdstück
• No. 6 Melodie
• No. 7 Moment Musical No. 1
• No. 8 Moment Musical No. 2
• No. 9 Gigue
• No. 10 Romanze No. 1
• No. 11 Romanze No. 2
• No. 12 Scherzino
• Three Spiritual Songs for Mezzo/Baritone and Organ (1900/1903)
• Caprice for Cello and Piano, A minor (1901)
• Variations and Fugue on ‘Heil unserm König’ for Organ, C major (1901)
• Four "Spezialstudien" for Piano left hand (1901)
• No. 1 Scherzo
• No. 2 Humoresque
• No. 3 Romanze
• No. 4 Prelude and Fugue
• Four Pieces for Piano (1901–1906)
• No. 1 Romanze, D major (1906)
• No. 2 Improvisation, E minor (1901)
• No. 3 Nachtstück (1903)
• No. 4 Perpetuum mobile, C major (1902)
• Albumblatt for Clarinet/Violin and Piano, E flat major (1902)
• Tarantella for Clarinet/Violin and Piano, G minor (1902)
• Allegretto grazioso for Flute and Piano, A major (1902)
• Prelude and Fugue for Violin, A minor (1902)
• Romanze for Violin and Piano, G major (1902)
• Petite caprice for Violin and Piano, G minor (1902)
• Prelude and Fugue for Organ, D minor (1902)
• "Palmsonntagsmorgen" for 5-part Choir (Geibel) (1902)
• "In der Nacht" for Piano (1902)
• Five Cantatas (1903–1905)
• "Vom Himmel hoch, da komm ich her"
• "O wie selig seid ihr doch, ihr Frommen"
• "O Haupt voll Blut und Wunden"
• "Meinen Jesum lass ich nicht"
• "Auferstanden, auferstanden"
• Wind Serenade, one movement (1904)
• Romanze for Hamonium, A minor (1904)
• Perpetuum mobile for Piano, C sharp minor (1905)
• Two Pieces for Piano (1906)
• No. 1 Scherzo, F sharp minor
• No. 2 Caprice, F sharp minor
• Prelude and Fugue for Organ, g-sharp minor (1906)
• "Ewig Dein!", Salon Piece for Piano, "Op. 17523" (1907)
• "Weihegesang" for Choir and Wind Orchestra (Liebmann), A major (1908)
• "Vater unser" for 12-part Choir (1909) (completed by Hasse)
• "An Zeppelin" for 4-part Male or Children’s Choir (1909)
• "Lasset uns den Herren preisen" for 5-part Choir (Rist) (1911)
• Twenty Responsorien for Choir (1911)
• Prelude and Fugue for Organ, F sharp minor (1912)
• "Sylvester-Canonen" for Choir (1913)
• "Abschiedslied" for Choir (1914)
• "Marsch der Stiftsdamen" for Piano (1914)
• "Befiehl dem Herrn deine Wege", Trauungslied for Soprano, Alto and Organ
• Prelude for Violin, E minor (1915)
• Fughetta on "das Deutschlandslied" for Piano (1916)

COPYRIGHT David C F Wright, DMus 1975.  This article or any part of it, however small, must not be copied, reproduced, used or stored in any  system. Failure to comply will render the offender or his agents liable to civil and criminal  prosecutions under the International Copyright Act.