1. Enfer 2. Purgatoire 3. Magnificat Soprano : Margit Laszlo Choeur de la Radiotélévision hongroise Direction : Gyorgy Lehel

1. Andante - Allegro con moto 2. Andante teneramente e pastorale 3. Allegro vigoroso e ritmico Orchestre symphonique national d'Ukraine Direction : John McLaughlin Williams - 1999

Ensemble contemporain international Direction : John Adams - 2010

I. Abandonnément from Symphony No.1, Op.34 "The Art of Eclecticism" (1976) Conductor Frederick Fennell's comments: "One of the interesting things about music is the constantly different way in which young men and women look at it. It is a marvelous kaledidoscope to everybody who touches it. To some people it is, of course a simple tunnel view of what they already know and what they very much enjoy. For others, it is a microscopic view of the moment. For yet others, it is a marvelously telescopic view of great distant visions. Andrew Gelt has a particular view of music as a very eclectic art. And perhaps it could be that his view of eclecticism is an extremely and unabashedly honest one. The four movements outline something of what you might hear, but don't be the slightest bit surprised at what you do." —1978 "[His] Symphony No. 1 is one of the most comprehensive examples of eclectic process in composition with which I am familiar." Clifford Taylor, 1979

II. Tempus Fugit from Symphony No.1, Op.34 "The Art of Eclecticism" (An example of "Eclectic Modulation") Conductor Frederick Fennell's comments: "One of the interesting things about music is the constantly different way in which young men and women look at it. It is a marvelous kaledidoscope to everybody who touches it. To some people it is, of course a simple tunnel view of what they already know and what they very much enjoy. For others, it is a microscopic view of the moment. For yet others, it is a marvelously telescopic view of great distant visions. Andrew Gelt has a particular view of music as a very eclectic art. And perhaps it could be that his view of eclecticism is an extremely and unabashedly honest one. The four movements outline something of what you might hear, but don't be the slightest bit surprised at what you do." —1978 "[His] Symphony No. 1 is one of the most comprehensive examples of eclectic process in composition with which I am familiar." Clifford Taylor, 1979

III. Rondo Grande from Symphony No.1, Op.34 "The Art of Eclecticism" (Sound Mass as the refrain...) Conductor Frederick Fennell's comments: "One of the interesting things about music is the constantly different way in which young men and women look at it. It is a marvelous kaledidoscope to everybody who touches it. To some people it is, of course a simple tunnel view of what they already know and what they very much enjoy. For others, it is a microscopic view of the moment. For yet others, it is a marvelously telescopic view of great distant visions. Andrew Gelt has a particular view of music as a very eclectic art. And perhaps it could be that his view of eclecticism is an extremely and unabashedly honest one. The four movements outline something of what you might hear, but don't be the slightest bit surprised at what you do." —1978 "[His] Symphony No. 1 is one of the most comprehensive examples of eclectic process in composition with which I am familiar." Clifford Taylor, 1979

IV. Phantasiestück from Symphony No.1, Op.34 "The Art of Eclecticism" ("Twelve things happening four at a time...") Conductor Frederick Fennell's comments: "One of the interesting things about music is the constantly different way in which young men and women look at it. It is a marvelous kaledidoscope to everybody who touches it. To some people it is, of course a simple tunnel view of what they already know and what they very much enjoy. For others, it is a microscopic view of the moment. For yet others, it is a marvelously telescopic view of great distant visions. Andrew Gelt has a particular view of music as a very eclectic art. And perhaps it could be that his view of eclecticism is an extremely and unabashedly honest one. The four movements outline something of what you might hear, but don't be the slightest bit surprised at what you do." —1978 "[His] Symphony No. 1 is one of the most comprehensive examples of eclectic process in composition with which I am familiar." Clifford Taylor, 1979

1. Prélude "Sinfonia 4" 2. Sinfonia 1 : Molto sostenuto - Allegro leggiero 3. Interlude 1 "Sinfonia 4" 4. Sinflonia 2. : Tranquillo 5. Interlude 2 "Sinfonia 4" 6. Sinfonia 3 : Allegro con brio 7. Postlude "Sinfonia 4" Violon : Soren Elbaek - Violoncelle : Troels Svane Sinfonietta de la Radio danoise Direction : Hannu Koivula - 1997

Premiere by Fayetteville Symphony Orchestra 28 Apr 1979 Score and parts available from the Free Library of Philadelphia Fleisher Collection c.06'10"