Sheet music for IV. Phantasiestuck from Symphony No.1 The Art of Eclecticism
Phantasiestuck — Mauricio Kagel
flute, piano — Sheet Music — Modern
1988. Composed by Mauricio Kagel (1931-). Flute(s) & Other Instruments. Modern. Sheet Music. Composed 1988. Duration 00:16:00. Edition Peters #EP8715. Published by Edition Peters (PE.EP8715).
Price: $56.00
Bach: The Art of Fugue & The Art of Improvisation — Austrian Art Gang
— — Classical
By Austrian Art Gang. By Johann Sebastian Bach (1685-1750). Classical, Avant-Garde. Classical. Gramola #GRAM99142. Published by Gramola (NX.GRAM99142).
Price: $18.00
Jo Kondo & Bonjin: Chamber Music — Ensemble L'art pour L'art
— CD (1 disc) — Classical
By Ensemble L'art pour L'art. By Jo Kondo. Country of Origin: Austria. Classical. CD (1 disc). Published by Wergo (NX.WER73422).
Price: $18.00
Bernstein: Symphony No. 3 "Kaddish" - Missa Brevis - The Lark — Baltimore Symphony Orchestra; Claire Bloom; Kelley Nassief; The Washington Chorus; Maryland State Boychoir; Marin Alsop; Paulo Mestre; Choir of the Sao Paulo Symphony Orchestra; Members of the Sao Paulo Symphony Orchestra
— listening CD — Classical
By Baltimore Symphony Orchestra; Claire Bloom; Kelley Nassief; The Washington Chorus; Maryland State Boychoir; Marin Alsop; Paulo Mestre; Choir of the Sao Paulo Symphony Orchestra; Members of the Sao Paulo Symphony Orchestra. By Leonard Bernstein (1918-1990). Naxos American Classics. Classical. Listening CD. Published by Naxos (NX.8559742).
Price: $11.00
el Compadre Merengue — Art Marshall
Soprano/alto-saxophone, Alto-saxophone, Tenor-saxophone, Baritone-saxophone — book — Classical
Composed by Art Marshall. Arranged by Art Marshall. Score and parts. Classical. Book. Published by Compusic (EM.ARD23).
Price: $12.00
el Compadre Merengue — Art Marshall
3 Clarinets, Bass-clarinet — book — Classical
Composed by Art Marshall. Arranged by Art Marshall. Score and parts. Classical. Book. Published by Compusic (EM.ARD22).
Price: $12.00
Sound The Trumpet From Come, Ye Sons Of Art — Henry Purcell
Soprano Voice, Trumpet and Piano — Book Only — Classical
Composed by Henry Purcell (1659-1695). Arranged by Chris O'Hara. Classical. Book Only. Art of Sound Music #AOS489. Published by Art of Sound Music (BT.AOS489).
Price: $15.00
Contrapunctus 1 — Johann Sebastian Bach
Brass Quintet — Set (Score & Parts) —
From The Art Of The Fugue. Composed by Johann Sebastian Bach (1685-1750). Arranged by Barton Cummings. Set (Score & Parts). Art of Sound Music #AOS839. Published by Art of Sound Music (BT.AOS839).
Price: $15.00
Alteba — Giovanni Pierluigi da Palestrina
Trombone Trio — Set (Score & Parts) —
Composed by Giovanni Pierluigi da Palestrina (1525-1594). Arranged by Art Pecht. Set (Score & Parts). Art of Sound Music #AOSAMB041. Published by Art of Sound Music (BT.AOSAMB041).
Price: $12.00
Blessed Art Thou, O Lord — Sergei Rachmaninoff
Brass Ensemble — Set (Score & Parts) — Classical
Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Allen. Classical. Set (Score & Parts). Art of Sound Music #AOSBBBE100401. Published by Art of Sound Music (BT.AOSBBBE100401).
Price: $48.00
IV. Phantasiestück from Symphony No.1, Op.34 "The Art of Eclecticism"
("Twelve things happening four at a time...")
Conductor Frederick Fennell's comments:
"One of the interesting things about music is the constantly different way in which young men and women look at it. It is a marvelous kaledidoscope to everybody who touches it. To some people it is, of course a simple tunnel view of what they already know and what they very much enjoy. For others, it is a microscopic view of the moment. For yet others, it is a marvelously telescopic view of great distant visions. Andrew Gelt has a particular view of music as a very eclectic art. And perhaps it could be that his view of eclecticism is an extremely and unabashedly honest one. The four movements outline something of what you might hear, but don't be the slightest bit surprised at what you do." —1978
"[His] Symphony No. 1 is one of the most comprehensive examples of eclectic process in composition with which I am familiar." Clifford Taylor, 1979