Compositielijst
- Mélodies — When night her purple veil had softly spread: Bas-2 violen • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair: Tenor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts: verloren • Z.354
- Mélodies — Bacchus is a power divine: Bas-b.c. • Z.360
- Mélodies — I came, I saw, and was undone: Sopraan-b.c. • Z.375
- Mélodies — I fain would be free: verloren • Z.377
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379A
- Mélodies — If music be the food of love: Tenor-b.c. • Z.379B
- Mélodies — If music be the food of love: Sopraan-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II": Sopraan-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr: Sopraan-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium: Sopraan-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes: Sopraan-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore: Sopraan-b.c. • Z.394
- Mélodies — Not all my torments can your pity move: Sopraan-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes: Sopraan-b.c. • Z.402
- Mélodies — O ! how happy's he: onvoltooid • Z.403
- Mélodies — Olinda in the shades unseen: Sopraan-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers: Tenor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The): Sopraan-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more: Sopraan-b.c. • Z.426
- Mélodies — What a sad fate is mine: Sopraan-b.c. • Z.428
- Mélodies — When my Aemelia smiles: Tenor-b.c. • Z.434
- Mélodies — Who but a slave can well express: Sopraan-b.c. • Z.440
- Mélodies — Why so serious, why so grave ?: verloren • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see: Tenor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing: Tenor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks: Tenor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms: Sopraan-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams: Sopraan-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown: Sopraan-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart: Sopraan-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love': Tenor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam: Sop./Mezzo-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart: Countertenor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown: Tenor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too: Sopraan-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses: Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A): Tenor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds: Tenor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin: Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms: Tenor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves: Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive: Tenor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys: Countertenor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill: Tenor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble: Sopraan-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade: Tenor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear: Tenor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion: Tenor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry: Tenor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep: Countertenor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind: Sopraan-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still: Tenor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams: Sopraan-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world: Sopraan-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue: Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice: Sopraan-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love: Tenor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I: Tenor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love: Sopraan-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance: Tenor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it: Tenor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over: Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat: Bas-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair: Sopraan-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours: Tenor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill: Countertenor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more: Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her: Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia: Tenor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad: Tenor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song: Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind: Tenor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover: Sopraan-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ?: Tenor-b.c. • (1695) • Z.441
Sheet music for They say youre angry Purcell
Alla Turca Jazz op. 5b — Fazil Say
piano — — Classical, Jazz
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart. Composed by Fazil Say. Arranged by Fazil Say. This edition: Saddle stitching. Sheet music. Piano. Der Finalsatz der Sonate A-Dur KV 331 von Wolfgang Amadeus Mozart, das Rondo Alla Turca, ist eines der bekanntesten Klavierstucke uberhaupt. An diese Popularitat knupft das als effektvolle Zugabe entstandene Arrangement von Faz?l Say an. Classical, Jazz. Composed 1993. Op. 5b. 8 pages. Duration 4'. Schott Music #ED 20209. Published by Schott Music (HL.49016752).
Price: $13.00
Alla Turca Jazz — Fazil Say
String Sextet, Cello Ensemble — score and parts (softcover) — Classical
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart. Composed by Fazil Say and Wolfgang Amadeus Mozart (1756-1791). Arranged by Fazil Say and Werner Thomas-Mifune. This edition: Saddle stitching. Sheet music. String. For pianists, Faz?l Say's swinging Mozart encore has been a real classic for a long time. Werner Thomas-Mifune wrote an arrangement which is meant for six violoncellos but can also be easily performed by string sextet or small string orchestra. Classical. Score and parts (softcover). 52 pages. Duration 4'. Schott Music #ED 20503. Published by Schott Music (HL.49017640).
Price: $33.00
Summertime Variations op. 20 — Fazil Say
piano — Softcover — Classical
Original music by George Gershwin, arranged by Faz?l Say (2005). Composed by Fazil Say. Arranged by Fazil Say. This edition: Saddle stitching. Sheet music. Piano. Classical. Softcover. Op. 20. 16 pages. Duration 6'. Schott Music #ED 20636. Published by Schott Music (HL.49017876).
Price: $17.00
Passacaglia op. 15 — Fazil Say
piano — — Classical
By Johann Sebastian Bach, BWV 582. Composed by Fazil Say. Arranged by Fazil Say. This edition: Saddle stitching. Sheet music. Piano. Classical. Composed 2005. Op. 15. 20 pages. Duration 13'. Schott Music #ED 20137. Published by Schott Music (HL.49016112).
Price: $17.00
Fantasia and Fugue G minor op. 24 — Fazil Say
piano — Softcover — Classical
By Johann Sebastian Bach, BWV 542. Composed by Fazil Say. Arranged by Fazil Say. This edition: Saddle stitching. Sheet music. Piano. Classical. Softcover. Composed 2007. Op. 24. 20 pages. Duration 13'. Schott Music #ED 20635. Published by Schott Music (HL.49017786).
Price: $17.00
Cadenzas — Faz?l Say
piano — Softcover — Classical
For the Concertos for Piano and Orchestra C major K 467 and D major K 537 'Coronation' by Wolfgang Amadeus Mozart. Composed by Faz?l Say and Wolfgang Amadeus Mozart (1756-1791). Edited by Fazil Say. This edition: Saddle stitching. Sheet music. Piano. Classical. Softcover. Composed 1995/2005. 12 pages. Schott Music #ED 20504. Published by Schott Music (HL.49017728).
Price: $17.00
Alla Turca Jazz op. 5b — Fazil Say
harp — single sheet — Classical
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: Saddle stitching. Sheet music. Der Finalsatz der Sonate A-Dur KV 331 von Wolfgang Amadeus Mozart, das Rondo Alla Turca, ist eines der bekanntesten Klavierstucke uberhaupt. An diese Popularitat knupft das als effektvolle Zugabe entstandene Stuck von Faz?l Say in der Bearbeitung fur Harf. Classical. Single sheet. Composed 1993. Op. 5b. 8 pages. Duration 4'. Schott Music #ED 22797. Published by Schott Music (HL.49045628).
Price: $9.00
Purcell: Anthem - "God, how long wilt Thou be angry" (Z 25) Arranged for String Quintet — H Purcell
vn 1,vn 2,va 1,va 2,vc — Score,Set of Parts — Baroque Period
Composed by H Purcell. Arranged by Dan Oppenheim. Baroque Period. Score, Set of Parts. 15 pages. Published by Dan Oppenheim (S0.702793).
Price: $11.00
Ten Easy Pieces Folk Song They Say They Don't Care — Bela Bartok
Piano Solo — Performance — 20th Century
Composed by Bela Bartok (1881-1945). 20th Century. Performance. Published by Marcelo Torca (S0.144265).
Price: $3.00
Barn Dance Saturday Night — Bud Woodruff
Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 (Viola T.C.) — score and parts —
Composed by Bud Woodruff. SWS FS. Young String Orchestra. I wrote this piece several years ago for one of my groups which met during the last period of the day. They loved to play what they called Happy Music, because it perked them up and they left school in a good mood. The arrangement I wrote then was quite g. Score and parts. With Standard notation. Duration 1 minute, 41 seconds. Carl Fischer Music #YAS167. Published by Carl Fischer Music (CF.YAS167).
Price: $55.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949