Liste des compositions
- Mélodies — When night her purple veil had softly spread : Basse-2 violons • Z.201D
- Mélodies — Ah ! cruel nymph, you give despair : Ténor-b.c. • Z.352
- Mélodies — Ah ! what pains, what racking thiughts : perdu • Z.354
- Mélodies — Bacchus is a power divine : Basse-b.c. • Z.360
- Mélodies — I came, I saw, and was undone : Soprano-b.c. • Z.375
- Mélodies — I fain would be free : perdu • Z.377
- Mélodies — If music be the food of love : Ténor-b.c. • Z.379A
- Mélodies — If music be the food of love : Ténor-b.c. • Z.379B
- Mélodies — If music be the food of love : Soprano-b.c. • Z.379C
- Mélodies — If prayers and tears "sur la mort de Charles II" : Soprano-b.c. • Z.380
- Mélodies — I love and I must ou Bell Barr : Soprano-b.c. • Z.382
- Mélodies — Incassum Lesbia, rogas ou The Queen's Epicedium : Soprano-b.c. • Z.383
- Mélodies — Leave these useless arts in loving • Z.389
- Mélodies — Love arms himself in Celia's eyes : Soprano-b.c. • Z.392
- Mélodies — Lovely Albina's come ashore : Soprano-b.c. • Z.394
- Mélodies — Not all my torments can your pity move : Soprano-b.c. • Z.400
- Mélodies — O ! fair Cedaria, hide those eyes : Soprano-b.c. • Z.402
- Mélodies — O ! how happy's he : inachevé • Z.403
- Mélodies — Olinda in the shades unseen : Soprano-b.c. • Z.404
- Mélodies — Pious Celinda goes to prayers : Ténor-b.c. • Z.410
- Mélodies — Fatal hour comes on apace (The) : Soprano-b.c. • Z.421
- Mélodies — Turn then thine eyes • Z.425
- Mélodies — Urge me no more : Soprano-b.c. • Z.426
- Mélodies — What a sad fate is mine : Soprano-b.c. • Z.428
- Mélodies — When my Aemelia smiles : Ténor-b.c. • Z.434
- Mélodies — Who but a slave can well express : Soprano-b.c. • Z.440
- Mélodies — Why so serious, why so grave ? : perdu • Z.442
- Mélodies — When Thyrsis did the splendid eye • (1675) • Z.436
- Mélodies — Sweet tyranness, I now resign • (1678) • Z. 70S
- Mélodies — Cease, O my sad soul • (1678) • Z.363
- Mélodies — I saw that you were grown so high • (1678) • Z.387
- Mélodies — More love or more disdain I crave • (1678) • Z.397
- Mélodies — Sweet, be no longer sad • (1678) • Z.418
- Mélodies — When I a lover pale do see • (1678) • Z.433
- Mélodies — Amintas, to my grief I see : Ténor-b.c. • (1679) • Z.356
- Mélodies — I resolve against cringing : Ténor-b.c. • (1679) • Z.386
- Mélodies — Amintor, heedless of his flocks : Ténor-b.c. • (1681) • Z.357
- Mélodies — How I sigh when I think of the charms : Soprano-b.c. • (1681) • Z.374
- Mélodies — I take no pleasure in the sun's bright beams : Soprano-b.c. • (1681) • Z.388
- Mélodies — Pastora's beauties, when unblown : Soprano-b.c. • (1681) • Z.407
- Mélodies — Since one poor view has drawn my heart : Soprano-b.c. • (1681) • Z.416
- Mélodies — When her languishing eyes said 'love' : Ténor-b.c. • (1681) • Z.432
- Mélodies — From silent shades or Bess of Bedlam : Sop./Mezzo-b.c./piano • (1683) • Z.370
- Mélodies — Let each gallant heart : Ctreténor-b.c. • (1683) • Z.390
- Mélodies — Rashly I swore I would disown : Ténor-b.c. • (1683) • Z.411
- Mélodies — She loves and she confesses too : Soprano-b.c. • (1683) • Z.413
- Mélodies — She, who my poor heart possesses : Contreténor-b.c. • (1683) • Z.415
- Mélodies — Thousand sev'ral ways I tried (A) : Ténor-b.c. • (1684) • Z.359
- Mélodies — Beware, poor shepherds : Ténor-b.c. • (1684) • Z.361
- Mélodies — He himself courts his own ruin : Contreténor-b.c. • (1684) • Z.372
- Mélodies — In Cloris all soft charms : Ténor-b.c. • (1684) • Z.384
- Mélodies — Through mournful shades and solitary groves : Sop.-b.c. • (1684) • Z.424
- Mélodies — Cupid, the slyest rogue alive : Ténor-b.c. • (1685) • Z.367
- Mélodies — Farewell, all joys : Ctreténor-b.c. • (1685) • Z.368
- Mélodies — If grief has any power to kill : Ténor-b.c. • (1685) • Z.378
- Mélodies — In vain we dissemble : Soprano-b.c. • (1685) • Z.385
- Mélodies — Love is now become a trade : Ténor-b.c. • (1685) • Z.393
- Mélodies — My heart, whenever you appear : Ténor-b.c. • (1685) • Z.399
- Mélodies — Phyllis, talk no more of passion : Ténor-b.c. • (1685) • Z.409
- Mélodies — They say you're angry : Ténor-b.c. • (1685) • Z.422
- Mélodies — While Thyrsis, wrapt in downy sleep : Ctreténor-b.c. • (1685) • Z.437
- Mélodies — Ye happy swains, whose nymphs are kind : Soprano-b.c. • (1685) • Z.443
- Mélodies — Whilst Cynthia sung, all angry winds lay still : Ténor-b.c. • (1686) • Z.438
- Mélodies — Amidst the shades and cool refreshing streams : Soprano-b.c. • (1687) • Z.355
- Mélodies — Cease, anxious world : Soprano-b.c. • (1687) • Z.362
- Mélodies — Let formal lovers still pursue : Contreténor-b.c. • (1687) • Z.391
- Mélodies — O solitude, my sweetest choice : Soprano-b.c. • (1687) • Z.406
- Mélodies — Spite of the godhead, pow'rful love : Ténor-b.c. • (1687) • Z.417
- Mélodies — When first Amintas sued for a kiss • (1687) • Z.430
- Mélodies — When first my shepherdess and I : Ténor-b.c. • (1687) • Z.431
- Mélodies — Ah ! how pleasant 'tis to love : Soprano-b.c. • (1688) • Z.353
- Mélodies — Love's power in my heart shall find no compliance : Ténor-b.c. • (1688) • Z.395
- Mélodies — Phyllis, I can ne'er forgive it : Ténor-b.c. • (1688) • Z.408
- Mélodies — Sylvia, now your scorn give over : Contreténor-b.c. • (1688) • Z.420
- Mélodies — This poet sings the Trojan wars or Anacreon's Defeat : Basse-b.c. • (1688) • Z.423
- Mélodies — Corinna is divinely fair : Soprano-b.c. • (1692) • Z.365
- Mélodies — Fly swift, ye hours : Ténor-b.c. • (1692) • Z.369
- Mélodies — On the brow of Richmond Hill : Ctreténor-b.c. • (1692) • Z.405
- Mélodies — Stript of their green our groves appear • (1692) • Z.444
- Mélodies — I envy not a monarch's fate • (1693) • Z.376
- Mélodies — No, watch dear Celia, just is found • (1693) • Z.401
- Mélodies — We now, my Thyrsis, never find • (1693) • Z.427
- Mélodies — Ask me to love no more : Contreténor-b.c. • (1694) • Z.358
- Mélodies — Celia's fond, too long I've loved her : Contreténor-b.c. • (1694) • Z.364
- Mélodies — I lov'd fair Celia : Ténor-b.c. • (1694) • Z.381
- Mélodies — Sawney is a bonny lad : Ténor-b.c. • (1694) • Z.412
- Mélodies — What can we poor females do ? • (1694) • Z.429
- Mélodies — Hears not my Phyllis or The Knotting Song : Sop.-b.c. • (1695) • Z.371
- Mélodies — Love, thou canst hear, tho' thou art blind : Ténor-b.c • (1695) • Z.396
- Mélodies — She that would gain a faithful lover : Soprano-b.c. • (1695) • Z.414
- Mélodies — Who can behold Florella's charms ? : Ténor-b.c. • (1695) • Z.441
Sheet music for Why so serious, why so grave ? Purcell
Low In The Grave He Lay (Up From The Grave He Arose) (IE011) — Robert Lowry
Full Orchestra — — Christian,Contemporary Christian,Gospel,Sacred,General Instructional
Composed by Robert Lowry. Arranged by James Gilbert. Christian, Contemporary Christian, Gospel, Sacred, General Instructional. 32 pages. Published by James Gilbert Music (S0.37661).
Price: $9.00
Grave and Allegro — Georg Philipp Telemann
String Orchestra — Score and Parts —
Composed by Georg Philipp Telemann (1681-1767). Arranged by Robert D McCashin. Print-instrumental String Orchestra. FJH String Orchestra. This two-movement work contrasts lyrical beauty with rhythmic precision. The opening Grave features sweeping lines with gorgeous suspensions while the melodic lines weave their way throughout the entire ensemble. The joyful Allegro showcases a delightful . Score and Parts. Duration 3:30. The FJH Music Company Inc #ST6348. Published by The FJH Music Company Inc (FJ.ST6348).
Price: $50.00
Low In The Grave (Up From The Grave) (CB) — Robert Lowry
Concert Band — Score,Set of Parts — Contemporary Classical,Praise & Worship,General Worship,Easter,Americana
Composed by Robert Lowry. Arranged by James Gilbert. Contemporary Classical, Praise & Worship, General Worship, Easter, Americana. Score, Set of Parts. 32 pages. Published by James Gilbert Music (S0.150905).
Price: $9.00
Liriche italiane (Voce grave) —
Low Voice and Piano — Book Only — Opera or Operetta
Liriche del XIX e XX secolo per voce grave. A cura di Ilaria Narici. Opera or Operetta. Book Only. Composed 2016. 244 pages. Ricordi #NR 14146200. Published by Ricordi (BT.NR-14146200).
Price: $23.00
Symfoni Nr. 8 - Partitur — Hans Eklund
orchestra — score —
Sinfonia grave. Composed by Hans Eklund. Symphony No. 8 - Sinfonia grave. Score. Duration 23 minutes. Published by Gehrmans Musikforlag (GH.CG-6535P).
Price: $107.00
Grave and Allegro — Georg Philipp Telemann
— Score —
Score Only. Composed by Georg Philipp Telemann (1681-1767). Arranged by Robert D McCashin. Print-instrumental String Orchestra. FJH String Orchestra. This two-movement work contrasts lyrical beauty with rhythmic precision. The opening Grave features sweeping lines with gorgeous suspensions while the melodic lines weave their way throughout the entire ensemble. The joyful Allegro showcases a delightful . Score. Duration 3:30. Published by The FJH Music Company Inc (FJ.ST6348S).
Price: $5.00
Why, Oh Tell Me Why (Burnt Grilled Cheese) — Jacob Bryant
Piano/Vocal/Chords — Score — 21st Century,Modern
Composed by Jacob Bryant. 21st Century, Modern. Score. 4 pages. Published by Jacob Donald Bryant (S0.268631).
Price: $2.00
Grave and Finale from the Golden Sonata — Henry Purcell
string orchestra — full score — MultiMedia Files
Composed by Henry Purcell (1659-1695). MultiMedia Files. Full score. Published by Wingert-Jones Publications (WJ.3033602).
Price: $6.00
Grave and Finale from the Golden Sonata — Henry Purcell
string orchestra — score and parts — MultiMedia Files
Composed by Henry Purcell (1659-1695). MultiMedia Files. Score and parts. Published by Wingert-Jones Publications (WJ.3033601).
Price: $45.00
Grave in A Minor (from Trio Sonata in A Minor, Z 804) — Henry Purcell
Flute,Guitar,Guitar Tab — Sheet Music Single — Baroque Period
Composed by Henry Purcell (1659-1695). Arranged by Mark Phillips. Baroque Period. Sheet Music Single. 2 pages. Published by A. J. Cornell Publications (S0.172317).
Price: $4.00
(E) (Cf)
Soprano : Barbara Bonney Susan Gritton
(A)
Contre ténor :James Bowman
(B) (Dh)
Ténor : Charles Daniels Rogers Covey- Crump
(G)
Basse : Michael George
Basse de viole : Mark Caudle - Théorbe/Archiluth : David Miller
Orgue de chambre/Clavecin : Robert King
- 1Dgb -
Hyp Cds 44161-3
- 1994 -
(C) (H)
Alto : Kathleen Ferrier Contre ténor : Alfred Deller
Piano : Phyllis Spurr Clavecin : Walter Bergmann
- 6H5D - - 1Dgb -
Dec 592160.3 Classica 13
- 1949 - - 1949