Johannes Prioris
| Johannes | Prioris |
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Compositielijst
Geestelijke muziek
Vocale muziek
Sheet music for Johannes Prioris
Piano Concerto No. 2 in B-flat Major, Op. 83 — Johannes Brahms
Keyboard Instruments — Softcover Piano Reduction — Classical
2 Pianos, 4 Hands. Composed by Johannes Brahms (1833-1897). Edited by Johannes Behr, Johannes Umbreit, and Lars Vogt. Arranged by Lars Vogt. Sheet Music. Paperbound. Henle Music Folios. After the text of the new Brahms Complete Edition Fingering by Lars Vogt Piano reduction by Johannes Umbreit. Orchestral material at Breitkopf. Classical. Softcover Piano Reduction. 124 pages. G. Henle #HN1231. Published by G. Henle (HL.51481231).
Price: $40.00
Jozef Koffler: Piano Works - Trio — Martin von der Heydt; Zebra Trio; oenm; Johannes Kalitzke; Johannes Kalitzke
— listening CD — Classical
By Martin von der Heydt; Zebra Trio; oenm; Johannes Kalitzke; Johannes Kalitzke. By Jozef Koffler; Johannes Schollhorn. Country of Origin: Germany. Classical. Listening CD. Published by CPO (NX.777979-2).
Price: $16.00
51 Exercises for the Pianoforte with 30 further Exercises, WoO 6 — Johannes Brahms
piano — full score — Romantic
With 30 further Exercises, most of which published for the first time. Composed by Johannes Brahms (1833-1897). Edited by Johannes Behr. Arranged by Johannes Behr. Most of the 30 further exercises published for the first time. Romantic. Full score. With Standard notation. 112 pages. Wiener Urtext/Vienna Urtext #UT050231. Published by Wiener Urtext/Vienna Urtext (PR.UT050231).
Price: $29.00
Streams - Johannes Bornlof — Johannes Bornlof
Piano Solo — — Contemporary Classical
Composed by Johannes Bornlof. Contemporary Classical. 3 pages. Published by Johannes Bornlof (S0.255349).
Price: $3.00
Symphonies No. 3 and 4 — Johannes Brahms
1 Piano, 4 Hands — Softcover — Classical
Arranged for Piano Four-Hands by Johannes Brahms. Composed by Johannes Brahms (1833-1897). Edited by Andreas Groethuysen and Robert Pascall. Arranged by Johannes Brahms. Sheet Music. Paperbound. Henle Music Folios. Fingering by Andreas Groethuysen. Classical. Softcover. 122 pages. G. Henle #HN1199. Published by G. Henle (HL.51481199).
Price: $62.00
Concerto in A minor Op. 102 — Johannes Brahms
violin, cello, orchestra — piano reduction — Romantic
Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms (1833-1897). Edited by Johannes Brahms. Arranged by Johannes Brahms. Edition Breitkopf.
The Double Concerto in A minor op. 102 is Brahms' last work for orchestra. He wrote it in Thun in summer 1887 at the suggestion of the cellist Robert Hausmann, to whom Brahms had also dedicated his Cello. Romantic. Piano reduction. Breitkopf and Haertel #EB-6040. Published by Breitkopf and Haertel (BR.EB-6040).
Price: $33.00
Wals In As Op.39 — Johannes Brahms
Piano — Book Only —
Composed by Johannes Brahms (1833-1897). Book Only. Johannes de Heer #HEER437. Published by Johannes de Heer (BT.HEER437).
Price: $5.00
As the Years Go By — Johannes Bornl√∂f
Piano Solo — — 21st Century,Contemporary Classical,Impressionistic,Modern
Composed by Johannes Bornlöf. Arranged by Johannes Bornlöf. 21st Century, Contemporary Classical, Impressionistic, Modern. 3 pages. Published by Johannes Bornlof (S0.505097).
Price: $3.00
Reminiscence — Johannes Bornl√∂f
Piano Solo — — 21st Century,Modern
Composed by Johannes Bornlöf. Arranged by Johannes Bornlöf. 21st Century, Modern. 2 pages. Published by Johannes Bornlof (S0.505099).
Price: $3.00
Under My Oak Tree — Johannes Bornl√∂f
Piano Solo — — 21st Century,Modern
Composed by Johannes Bornlöf. Arranged by Johannes Bornlöf. 21st Century, Modern. 2 pages. Published by Johannes Bornlof (S0.505101).
Price: $3.00
Johannes Prioris published a fine Requiem mass which skillfully paraphrases the traditional plainsongs, and also composed attractive chansons (such as “Elle l’a pris”, in Burgundian “forme fixe”) and motets. His Marian antiphonal motet “Regina caeli” also demonstrates his art in paraphrasing the Gregorian original, while contemporaries such as his own subordinate Antoine Divitis pioneered the “parody mass” by spinning an elaborate contrapunctal web which almost completely hides the plainchant.
This Flemish Polyphony composer of the third generation (championed by Josquin Desprez) was organist at the papal St Peter’s basilica in Rome in 1490, before he got his last and major appointment in 1503 as maître de chapelle to the French royal chapel — then leading in Europe — under king Louis XII (1498–1515), which included as singers the Flemish polyphonist composers Antoine de Févin and Antonius Divitis.
[This contribution is mainly based on KULeuven’s musicology professor I. Bossuyt’s book “De Vlaamse Polyfonie” and the HOASM-site which links below.]
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