Stage

• For the Unknown Soldier (collage of abstract texts compiled by the com-poser), actress-voice, violin, double bass, 2002
• Im Spiegel (prepared improvisatory music theatre work, texts by Hans Christian Andersen [German translation], Clemens Brentano, Ezra Pound [German translation], Adalberg Stifter), 6 children’s voices, dancer, guitar, violin, cello, 2-track tape, film projections (by Christoph Kendl-bacher), 2002 (also concert version for guitar, cello)
• My Eyes, Only You (text by the composer), 2 actors, 2002
• Lifting Shadows (text by the composer), dancer, voice, percussion, 2003
• eMotion Study, actor (+ any number of Orff instruments, any num-ber of percussion instruments, any number of musical toys, any number of self-made objects), 2003
• Vanished Statues (text by the composer), 3 actors, 2003
• Die Vitrine (theatre work, text by the composer), 3 actors, 4-/6-track tape, 2003
• running through my veins (text by the composer), videos for 2 or 3 simultaneous projectors & live speech-play for 3 actors, 2003-04 (also multimedia version for 2-track tape, 2 or 3 film projectors)
• Just...Maybe..., fisherman, 4 cyclists, 2004

Music theater

• Burning Motions, music theatre collage (performance) for 7 performers, violin, viola, cello, piano, sound utensils, electronic sounds, electronic media, video projections and lights with stage and audience arrangement and prepara-tion

Orchestral

• Spring of the Poor, 1998-99
• O-Mega Stasis, 33 soloist and solo conductor, 2001

Chamber music

• Odyssée pour quatre et moi, clarinet, violin, viola, cello, 1998-99
• Sweet No. 1, guitar, 1999-2000
• Del amor imprevisto, flute, guitar, cello, 1999-2000
• Original Sculptures in Multiple Editions, percussion ad libitum, any 4 melody instruments (with conductor ad libitum), 2001
• Ontologie Kubik I-II, 2 guitars, 2001 (each of its sections may be performed separately: I, guitar; II, 2 guitars)
• Ontologie parallèle, guitar, 2001
• Can-on per quattro clarinetti, 4 clarinets, 2001
• Anasyndeseis, percussion, 2001; Praksandros – planning a ‘CitY’ in 9 steps, any player/ensemble (with conductor ad libitum), 2001
• Salut an einen flammenden Engel, violin, 2002
• Im Spiegel, guitar, cello, 2002 (concert version of stage work)
• Der verrückte Grana-tapfelbaum, French horn, amplified trombone, tuba, live electronics, 2002
• Ideas and Dreams, guitar, violin, 2002
• Ode an die weisse Nacht, guitar, 2002
• Fantasie sym-bolique, flute player (any 3 flutes from: piccolo, flute, alto flute, bass flute), live elec-tronics, 2002
• A Door, prepared improvisational guitar, 2003
• WAiTiNG FOR LiGHT, any player, any melody instrument, any accompanying instrument, 2003
• black WHITE, 2 guitars, violin (all + amplified sound utensils), 2003
• Mensch aus Glas (all players also speaker, text by the composer), any 3 players/ensembles, 2003
• I Have Seen You Tomorrow (all players also speak text by the composer), A-flute, bass clari-net, cello, piano, percussion, 2003
• Tears in Crystal Vase, bassoon, guitar, violin, 2003-04
• Strawberries and Grapes (String Trio Nr. 2), violin, viola, cello, 2004, Holy Bread, string quartet (string trio and violin solo), 2004

Choral

• Homage an deine Nachbarin, die Medea (text collage by Federico García Lorca, Giuseppe Ungaretti, Paul Éluard, Hans Magnus, Odysseus Elytis, Eugène Gui-llevic), speaker, 2 choral groups (3 mixed voices each), guitar, 2000
• Corpo, Aqua e Vino (text by the composer), mixed chorus (divided into variable groups, teams), 2002-04
• Voices, without a Voice (text by the composer), 5-50 mixed voices (with conductor), 2002-04

Vocal

• Mythos und Magie (text from a book on ancient magic traditions), any 2 voices, flute, harp, cello, piano, 2001
• Histoire de la Grèce antique – A (text by Sap-pho), female voice, 2-track tape, film projections ad libitum (by Christoph Kendl-bacher), 2001
• Böse Träume ohne Duft (text by the composer), male speaker, guitar, live electronics, 2002
• ’– ich mag nicht Liebe die mit Wörter liebt –...' (text by the composer), female voice (+ riqq, sagat [finger cymbals]), 2003

Piano

• Anamniseis – Mémoires (text by George Seferis), speaker ad libitum, piano, 1998
• Kindersonatine, 2000
• In memoriam A. Berg, 2001
• Eco I, piano, live electron-ics ad libitum, 2001
• Eco II, 2 pianos, live electronics ad libitum, 2001
• Eco III, 3 pi-anos, live electronics, 2001
• Impromptu, 2001
• The Magic Box XI, piano 4 hands, 2002
• Song of five, 2002

Harpsichord

• Magnetic Fields, harpsichord, 2-track original tape, 2002-04
• Es-says (player also speaks texts by Odysseus Elytis [English translation], George Seferis [English translation], the composer), harpsichord, live electronics, 2002-04

Cello

• Autosit, one cellist, 2004
• Pagi, two cellists (for one Siamese sound-body), 2004

Percussion

• Believe my tears in your eyes, I: for solo percussionist with possible amplification & recorded sounds (tape / Channels ad lib.), II: for two percussionists with possible amplification & recorded sounds (tape / Channels ad lib.), 2004

Recorder

• Donate all my coloured clothes!, two recorder players (bass and so-prano recorder, shepherd’s reed flute, prepared tenor recorder, sheep bell, leather sieve) and 3 double bass players, 2004-05

Electroacoustic

• Fröhliche Weihnachten, 2-track original tape, 2002
• Game of Chance, 2-track tape, 2002 (collaboration with Nicolas Joannou Elia)
• Dialogues Looking for Voices, 2-track original tape, 2004
• …mainly a lot of wounds, mother! (text by Costas Montis), female voice, live-electronic and 2-track original tape, 2004

Sound installation

• Dialogues Looking for Voices, for kitchen utensils, tape and a performer, 2004

Multimedia/performance

• Histoire de la Grèce antique – B, 2-track tape, film projections (by Christoph Kendlbacher), 2001
• Hydor – Chronos, 2-track original tape (4 channels live mixing), film projections (by Christoph Kendlbacher), 2002
• L’impression inclue, et mes fleurs, Alphorn, bagpipes, utensils player, overhead pro-jections, 2003
• WhY?, 2 electric guitars, live electronics, slide projections (by the composer), 2002-04
• running through my veins, 2-track original tape, 2 or 3 si-multaneous film projectors (films by the composer), 2003-04 (version of stage work)
• Strophes (text collage by André Breton, Paul Éluard, the Tridentine Mass, the com-poser), boy soprano, 10 mixed voices, ensemble (French horn [tubes filled with wa-ter], trumpet [+ piccolo trumpet], trombone, harp, 2 percussion) (with conductor), car, elevator, glass tower, live electronics, 1-2 sound technicians, 1-4-floor room, 2003-04
• The walls they didn’t build yet, for 5 tapes (after pre-recorded clavicembalo and synthesizer sounds), 5 moving loudspeakers, 5 moving performers & unmoved listeners, 2004