oceangoing
Nederlands

Nicolo Jommelli

Nicolò [Niccolò] Jommelli • Jomelli

Warning: images may be copyrighted. If no copyright is shown, see their site of origin for details, or contact me.

Geboren
maandag, september 10, 1714
Aversa
Italië
Groepen
Italië
Classical era composers
♂
Gestorven
donderdag, augustus 25, 1774
Napoli
Italië
Leeftijd: 
59

Compositielijst

Klik op een categorie om alle composities van Nicolò [Niccolò] Jommelli in die categorie te zien. Klik op de titel van een compositie om meer details te zien.

Opera en lyrische muziek

Achille in Sciro • (1749) • Opera's
Achille in Sciro • (1771) • Opera's
Alessandro nell'Indie • (1744) • Opera's
Alessandro nell'Indie • (1760) • Opera's
Andromeda: pasticcio • (1750) • Opera's
Antigono • (1746) • Opera's
Armida Abbandonata • (1770) • Opera's
Armida Placata • (1750) • Opera's
Artaserse • (1749) • Opera's
Artaserse • (1756) • Opera's
Astianatte ou Andromaca • (1741) • Opera's
Attilio Regolo • (1753) • Opera's
Bajazette • (1753) • Opera's
Cajo Fabrizio • (1760) • Opera's
Cajo Mario • (1746) • Opera's
Catone in Utica • (1747) • Opera's
Catone in Utica • (1754) • Opera's
Cesare in Egitto • (1751) • Opera's
Ciro Riconosciuto • (1743) • Opera's
Ciro Riconosciuto • (1749) • Opera's
Clemenza di Tito (La) • (1753) • Opera's
Clemenza di Tito (La) • (1771) • Opera's
Creso • (1757) • Opera's
Demetrio • (1749) • Opera's
Demofoonte • (1743) • Opera's
Demofoonte • (1753) • Opera's
Demofoonte • (1764) • Opera's
Demofoonte • (1770) • Opera's
Didone Abbandonata • (1747) • Opera's
Didone Abbandonata • (1749) • Opera's
Didone Abbandonata • (1763) • Opera's
Enea nel Lazio • (1766) • Opera's
Enea nel Lazio • perdu • (1755) • Opera's
Eumene • (1742) • Opera's
Eumene ou Artemisia • (1747) • Opera's
Ezio • (1741) • Opera's
Ezio • (1748) • Opera's
Ezio • (1758) • Opera's
Ezio • (1771) • Opera's
Fetonte • (1753) • Opera's
Fetonte • (1768) • Opera's
Griselda (La) • Opera's
Ifigenia in Aulide • (1751) • Opera's
Ifigenia in Tauride • (1771) • Opera's
Incantato (L') • (1749) • Opera's
Ipermestra • (1751) • Opera's
Lucio Vero • (1754) • Opera's
Merope • (1741) • Opera's
Merope • (1749) • Opera's
Nitteti • (1759) • Opera's
Olimpiade (L') • (1761) • Opera's
Pelope • (1755) • Opera's
Re Pastore (Il) • (1764) • Opera's
Ricimero Re de' Goti • (1740) • Opera's
Semiramide • (1742) • Opera's
Semiramide Riconosciuta • (1741) • Opera's
Semiramide Riconosciuta • (1753) • Opera's
Semiramide Riconosciuta • (1762) • Opera's
Sofonisba • (1746) • Opera's
Talestri • (1751) • Opera's
Temistocle • (1757) • Opera's
Temistocle • (1765) • Opera's
Tito Manlio • (1742) • Opera's
Tito Manlio • (1746) • Opera's
Tito Manlio • (1758) • Opera's
Trionfo di Clelia (Il) • (1774) • Opera's
Vologeso • (1766) • Opera's
Arcadia in Brenta • douteux • Opéras comiques
Avventure di Cleomede (Le) • (1771) • Opéras comiques
Cacciatore Deluso (Il) ou La Semiramide in Bernesco *-Martinelli • incomplet • (1771) • Opéras comiques
Contessina (La) • (1743) • Opéras comiques
Schiava Liberata (La) • (1768) • Opéras comiques
Tre Vecchi Innamorati (Il) • (1768) • Opéras comiques
Imeneo in Atene • (1765) • Pastorales
Pastorella Illustre (La) • (1763) • Pastorales
Trionfo d'Amore (Il) • (1763) • Pastorales
Amore in Maschera (L') • (1748) • Opera buffa
Critica (La) • (1766) • Opera buffa
Errore Amoroso (L') • (1737) • Opera buffa
Matrimonio per Concorso (Il) • (1766) • Opera buffa
Odoardo • (1738) • Opera buffa
Pellegrina (La) • Opera buffa
Villana Nobile (La) • (1751) • Opera buffa
Amante Cacciatore (L') • perdu • (1771) • After plays
Arcadia Conservata • (1765) • After plays
Asilo d'Amore (L') • perdu • (1758) • After plays
Cantata e Disfida di Don Trastullo (La): intermezzi • (1749) • After plays
Cinesi (Le) • perdu • (1765) • After plays
Conversazione (La) • (1775) • After plays
Don Chichibio • (1742) • After plays
Don Falcone • (1754) • After plays
Endimione ou Il Trionfo d'Amore: pastorale • (1759) • After plays
Euridice: pasticcio • (1750) • After plays
Giardino Incanto (Il) • perdu • (1755) • After plays
Giuoco di Picchetto (Il): intermezzo • (1772) • After plays
Isola Disabitata (L') • (1761) • After plays
Misera, Dove Mai • After plays
Paratajo (Il) ou La Pipee • (1753) • After plays
Partenza (La) • After plays
Pastorale Offerta (La) • (1753) • After plays
Reggia de'Fatti (La) • (1753) • After plays
Rivali Delusi (I) • (1752) • After plays
Uccellatrice (L') • (1751) • After plays
Unione Coronata (L') • perdu • (1768) • After plays
Betulia Liberata (La) • (1743) • Oratorios sacrés
Gioas • (1745) • Oratorios sacrés
Giuseppe Glorificato in Egitto • (1749) • Oratorios sacrés
In Questa Incolte Riva • (1751) • Oratorios sacrés
Isacco Figura del Redentore • (1742) • Oratorios sacrés
Juda Proditor • perdu • (1746) • Oratorios sacrés
Sacrifizio di Gefte • perdu • (1753) • Oratorios sacrés
Spose di Elcana (Le) • perdu • (1750) • Oratorios sacrés
Passione di Gesu (La) • (1749) • Passies
Cantates • Cantates profanes : soli-chœur-orchestre
Cerere Placata • (1772) • Hymnes - odes - sérénades - élégies : soli-chœur-orchestre
Componimento Drammatico • (1747) • Hymnes - odes - sérénades - élégies : soli-chœur-orchestre
Componimento Drammatico • (1751) • Hymnes - odes - sérénades - élégies : soli-chœur-orchestre

Geestelijke muziek

Messe "Solennelle": Sop. Alt-Tenor-Bas-koor 4 stemmen-orgel • (1766) • Missen
Mis: 3 Sopranen-2 Alten-koor 4 stemmen-strijkers-orgel • (1745) • Missen
Missen • Missen
Missa: 4 solisten-koor 5 stemmen-orkest-orgel • (1769) • Missen
Credo: koor 4 stemmen-orkest-basso continuo • Ordinaire de la messe
Credo: koor 4 stemmen-orkest-orgel • Ordinaire de la messe
Credo: Sopraan-Alt-koor 8 stemmen-orgel • Ordinaire de la messe
Gloria: 4 stemmen-orkest • Ordinaire de la messe
Gloria: koor 4 stemmen-orkest • Ordinaire de la messe
Kyrie: koor 4 stemmen-orkest • Ordinaire de la messe
Sicut Locutus Est: 2 Sopranen-Alt-orgel • Ordinaire de la messe
Graduels • Propre de la messe
Offertoires • Propre de la messe
Messe pour les Defunts: koor 4 stemmen-strijkers-orgel • (1756) • Messes des défunts
Requiem: 4 solisten-koor 4 stemmen-orkest-orgel • (1764) • Requiems
De Profundis: vocaal kwartet-koor 4 stemmen-strijkers • De profundis
Magnificat: 2 Sopranen-Alt-Tenor-2 Bassen-koor 8 stemmen-orgel • (1750) • Magnificat
Magnificat: 2 Sopranen-Bas-orgel • Magnificat
Magnificat: 4 solisten-koor 4 stemmen-orkest-orgel • Magnificat
Magnificat: koor 4 stemmen • (1750) • Magnificat
Magnificat: koor 4 stemmen-orkest • Magnificat
Lamentations du Prophete Jeremie pour le Mercredi Saint • Offices de la Semaine Sainte
Lecons de la Semaine Sainte • Offices de la Semaine Sainte
Repons pour la Semaine Sainte: koor 4 stemmen-orgel Répons • Offices de la Semaine Sainte
Miserere • Miserere
Duos sacrés: 2 Sopranen-b.c. • Religieuze liederen
Antiphones • Antiennes - Antiphones - Répons
Psaumes • Psalmen
Te Deum: 2 Sopranen-Alt-Bas-koor 4 stemmen-orkest • (1746) • Te Deum
Te Deum: Alt-koor 4 stemmen-orkest • (1763) • Te Deum
Te Deum: koor 5 stemmen-orkest • Te Deum
Hymnes • Hymnes
Cantates sacrées • Cantates sacrées
Che Impetuoso E Questo Torrente • (1740) • Cantates sacrées
Gerusalemme Convertita • perdu • (1755) • Cantates sacrées
Non Piu: l'Attesto Istante • Cantates sacrées
Ove Son ? Chi Mi Guida ? • (1747) • Cantates sacrées
Reconciliazione della Virtu e della Gloria (La) • perdu • (1754) • Cantates sacrées
Sancta Elena al Calvario • perdu • Cantates sacrées
Sogno di Nabucco (Il) • perdu • (1755) • Cantates sacrées

Kamermuziek

Divertimento: 2 violen-altviool-b.c. • Kamermuziek strijkers
Kwartetten: 2 violen-cello-b.c. • Kamermuziek strijkers
Concerto da Camera: 2 violen-b.c. • Trios 2 instruments avec B.C.
Sonate: 2 violen-b.c. • Trios 2 instruments avec B.C.
Sonate: 2 violen-b.c. • Trios 2 instruments avec B.C.
Sonate: 2 violen-contrabas • Trios 2 instruments avec B.C.
Sonate: 2 fluiten-b.c. • Trios 2 instruments avec B.C.
Sonates: 2 fluiten-b.c. • (1753) • Trios 2 instruments avec B.C.
Napolitano: fluit-2 violen-b.c. • Kamermuziek strijkers-blazers
Divertimento: 2 violen-altviool-hoorn-b.c. • Kamermuziek strijkers-blazers

Symfonische muziek

Chaconne: orkest • Danses de salon
Sinfonia: salterio-strijkers-basso continuo • Symfonie concertante

Vocale muziek

Armida • perdu • (1746) • Koorwerken alleenstaand
Melodie 'La Calandrina' • Mélodies isolées
Solfeggi: Sopraan-Tenor-basso continuo • Recueil oeuvres vocales : 2 voix et plus

Instrumentale muziek

Duo: piano 4 handen • Pièces
Sonate: clavecimbel • “Sonates”

Concertante muziek

Concert: clavecimbel-orkest • Concertos pour clavecin
Concert: clavecimbel-orkest-basso continuo • Concertos pour clavecin
Concert: clavecimbel-orkest-basso continuo • Concertos pour clavecin
Concert: fluit-orkest • Fluitconcerten
Concert: fluit-orkest • Fluitconcerten

Compositions sorted on opus (if available)

douteux

Arcadia in Brenta • Opéras comiques

incomplet

Cacciatore Deluso (Il) ou La Semiramide in Bernesco *-Martinelli • (1771) • Opéras comiques

perdu

Sancta Elena al Calvario • Cantates sacrées
Juda Proditor • (1746) • Oratorios sacrés
Armida • (1746) • Koorwerken alleenstaand
Spose di Elcana (Le) • (1750) • Oratorios sacrés
Sacrifizio di Gefte • (1753) • Oratorios sacrés
Reconciliazione della Virtu e della Gloria (La) • (1754) • Cantates sacrées
Giardino Incanto (Il) • (1755) • After plays
Gerusalemme Convertita • (1755) • Cantates sacrées
Sogno di Nabucco (Il) • (1755) • Cantates sacrées
Enea nel Lazio • (1755) • Opera's
Asilo d'Amore (L') • (1758) • After plays
Cinesi (Le) • (1765) • After plays
Unione Coronata (L') • (1768) • After plays
Amante Cacciatore (L') • (1771) • After plays

Sheet music for Nicolo Jommelli

These are automatic search results at SheetMusicPlus.com. Not all results may be relevant.

JOMMELLI Niccol√≤: Care Deus si respiro, an aria from motet, arranged for Voice and Piano (C minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 7 pages. Published by Really Good Music, LLC. (S0.752751).
Price: $5.00

JOMMELLI Niccol√≤: Care Deus si respiro, an aria from motet, arranged for Voice and Piano (A minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 7 pages. Published by Really Good Music, LLC. (S0.752763).
Price: $5.00

JOMMELLI Niccol√≤: Sponsa cara, recitative and aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (E flat major) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 6 pages. Published by Really Good Music, LLC. (S0.752767).
Price: $5.00

JOMMELLI Niccol√≤: Sponsa cara, recitative and aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (C major) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 6 pages. Published by Really Good Music, LLC. (S0.752783).
Price: $5.00

JOMMELLI Niccol√≤: Alleluja, an aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (C minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 4 pages. Published by Really Good Music, LLC. (S0.752787).
Price: $5.00

JOMMELLI Niccol√≤: Alleluja, an aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (A minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 4 pages. Published by Really Good Music, LLC. (S0.752791).
Price: $5.00

JOMMELLI Niccol√≤: Care Deus si respiro, motet, arranged for Voice and Piano (C minor‚ÄìE flat major‚ÄìC minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 15 pages. Published by Really Good Music, LLC. (S0.752815).
Price: $15.00

JOMMELLI Niccol√≤: Care Deus si respiro, motet, arranged for Voice and Piano (A minor‚ÄìC major‚ÄìA minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 15 pages. Published by Really Good Music, LLC. (S0.752825).
Price: $15.00

Niccol√≤ Jommelli - Beatus vir a 4 — Niccol√≤ Jommelli

Organ,Tenor Voice,Bass Voice,SATB — Score — Baroque Period,Sacred
Composed by Niccolò Jommelli. Arranged by Guido Menestrina. Baroque Period, Sacred. Score. 21 pages. Published by Guido Menestrina (S0.157395).
Price: $34.00

Betulia Liberata. Arias for Tenor — Nicolo Jommelli

Tenor voice — vocal score — Early Music
Composed by Nicolo Jommelli (1714-1774). Early Music. Vocal score. Ut Orpheus #OP 07. Published by Ut Orpheus (UT.OP-07).
Price: $15.00

Find scores for Nicolo Jommelli at Sheet Music Plus.
Links: 
http://en.wikipedia.org/wiki/Niccol%C3%B2_Jommelli

Plaatsen voor deze componist

Reacties

Anoniem (niet gecontroleerd)

do, 2010-08-26 05:52

The first name is actually "Niccolò".
To fill the minimum length I repeat this To fill the minimum length I repeat this

jpgadmin

vr, 2010-08-27 05:15

I find in the New Grove that his name is spelled in more than one way. The accent should be to the left, it can be Nicolò or Niccolò, and Jommelli or Jomelli.

Toegevoegd door Jean-Paul Giraudet op 2010-08-27 10:51.
Laatst gewijzigd: 
2014-06-05 16:19