Ivo de Vento
| Ivo | de Vento |
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Sheet music for Ivo de Vento
Denkmaeler der Tonkunst in Bayern (Neue Folge), Vol. 15 — Ivo De Vento
guitar reduction — score — Baroque
Ivo de Vento - Complete Works, Abtlg. B: Deutsche Lieder Vol. 2. Composed by Ivo De Vento (1544-1575). Complete Works.
Die Reihe wird fortgesetzt. Neben der Hauptreihe der Neuen Folge der Denkmaler der Tonkunst in Bayern erscheint eine Reihe von Sonderbanden in Buchformat.
Baroque. Score. 242 pages. Breitkopf and Haertel #SON-245. Published by Breitkopf and Haertel (BR.SON-245).Price: $257.00
Denkmaeler der Tonkunst in Bayern (Neue Folge), Vol. 12 — Ivo De Vento
— score — Baroque
Ivo de Vento - Complete Works, Abtlg. A: Sacral Works. Composed by Ivo De Vento (1544-1575). Complete Works.
Die Reihe wird fortgesetzt. Neben der Hauptreihe der Neuen Folge der Denkmaler der Tonkunst in Bayern erscheint eine Reihe von Sonderbanden in Buchformat.
Baroque. Score. 216 pages. Breitkopf and Haertel #SON-242. Published by Breitkopf and Haertel (BR.SON-242).Price: $222.00
Sancta Trinitas (de Vento) — Ivo De Vento
Choir,SATB — Score — Early Music,Christian,Sacred,General Worship,European
Composed by Ivo De Vento (1544-1575). Arranged by Aristotle A. Esguerra. Early Music, Christian, Sacred, General Worship, European. Score. 3 pages. Published by CantemusDomino.Net (S0.375243).
Price: $4.00
Ecce ego mitto vos (de Vento) — Ivo De Vento
Choir,SATB — Score — Renaissance,Early Music,Christian,Sacred,European
Composed by Ivo De Vento (1544-1575). Arranged by Aristotle A. Esguerra. Renaissance, Early Music, Christian, Sacred, European. Score. 3 pages. Published by CantemusDomino.Net (S0.375665).
Price: $4.00
Bonitatem fecisti (de Vento) — Ivo De Vento
Choir,SATB — Score — Renaissance,Early Music,Christian,Sacred,General Worship
Composed by Ivo De Vento (1544-1575). Arranged by Aristotle A. Esguerra. Renaissance, Early Music, Christian, Sacred, General Worship. Score. 3 pages. Published by CantemusDomino.Net (S0.375769).
Price: $4.00
Vento: Geistliche Liedsatze — Ivo De Vento
— collection — Sacred, Motets; Choral Collections, SAM Choir; Use during church year: Lent and Passiontide, Easter and Eastertide
Composed by Ivo De Vento (1544-1575). Edited by Martin Rossler. This edition: Paperbound. Choral collections for Coro SAM. German title: Geistliche Liedsatze. Sacred, Motets; Choral Collections, SAM Choir; Use during church year: Lent and Passiontide, Easter and Eastertide. Collection. 12 pages. Carus Verlag #CV 04.018/00. Published by Carus Verlag (CA.401800).
Price: $9.00
Denkmaeler der Tonkunst in Bayern (Neue Folge) — Ivo De Vento
guitar reduction — score — Baroque
DTB Neue Folge Band 14. Composed by Ivo De Vento (1544-1575). Edited by Nicole Schwindt. Complete Works. Baroque. Score. Breitkopf and Haertel #SON-244. Published by Breitkopf and Haertel (BR.SON-244).
Price: $274.00
Denkmaeler der Tonkunst in Bayern (Neue Folge) — Ivo De Vento
— score — Baroque
DTB Neue Folge Band 13. Composed by Ivo De Vento (1544-1575). Edited by August de Groote. Complete Works.
Die Reihe wird fortgesetzt. Neben der Hauptreihe der Neuen Folge der Denkmaler der Tonkunst in Bayern erscheint eine Reihe von Sonderbanden in Buchformat.
Baroque. Score. Breitkopf and Haertel #SON-243. Published by Breitkopf and Haertel (BR.SON-243).Price: $306.00
Vento-In principio erat verbum,in B flat Major,for A cappella — Vento
Soprano Voice,Alto Voice,Tenor Voice,Bass Voice — Score,Set of Parts — Romantic Period,Classical Period
Composed by Vento. Arranged by MSM. Romantic Period, Classical Period. Score, Set of Parts. 30 pages. Published by Open Cloud (S0.674339).
Price: $5.00
Vento-In principio erat verbum,in B Major,for A cappella — Vento
Soprano Voice,Alto Voice,Tenor Voice,Bass Voice — Score,Set of Parts — Romantic Period,Classical Period
Composed by Vento. Arranged by MSM. Romantic Period, Classical Period. Score, Set of Parts. 30 pages. Published by Open Cloud (S0.674341).
Price: $5.00
He published many German songs (a genre also practiced by contemporary compariots such as Alexander Utendaal, qv and Arnold von Bruck, qv), at the time often crude compared to the refined Italianate poetry; those in 4 to 6 parts are on the whole conservative (one of his prefaces takes exception to the idea of madrigalian word painting) but those in 3 parts owe something to the villanella style. He was particularly prolific in a popular german genre, the Drinklied (drinking song for wine or beer) such as “Der Wein, der schmeckt mir also wol” (“The wine relishes me thus”) a 4, which Lassus — who called the declamatory German song style with firm rhythmic accents “tapfrig”, i.e. square and march-like — also put to music (in 5 parts). He also published motets.
Ivo de Vento is a Flemish Polyphony composer of the 5th generation (championed by Orlandus Lassus), probably of Low Countries descent, presumably recruited in Antwerp in 1556 as boy chorister accompanying Lassus to Munich. In 1560 he studied music with Claudio Merulo in Venice; after his return as organist in Munich in 1564, he became ducal Kapellmeister at Landshut to Wilhelm of Bavaria in 1568, and was finally appointed court organist (however writing mainly vocal music) at Munich in 1569, under Lassus, till his own death there in 1575.
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