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Hans Federico Neuman
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Sheet music for Hans Federico Neuman
Acres of Clams — Traditional, arranged by Philip Neuman
Clarinet Quartet (3 Bb Clarinets,1 Bass Clarinet) — Score,Set of Parts — Romantic Period,Pop,Americana
Composed by Traditional, arranged by Philip Neuman. Arranged by Daniel S. Augustine. Romantic Period, Pop, Americana. Score, Set of Parts. 18 pages. Published by Daniel S. Augustine (S0.380761).
French Saxophone: 20th Century — Tassot; Neuman; Muenchner Rundfunkorchester
— listening CD —
By Tassot; Neuman; Muenchner Rundfunkorchester. By Tomasi; Caplet; Absil; Constan. Listening CD. Published by Audite (NX.AUD97500).
Gluck Orfeo Ed Euridice (Ga) — Bumby/Rothenberger/Putz/Neuman
— 2 listening CDs —
By Bumby/Rothenberger/Putz/Neuman. By Christoph Willibald von Gluck (1714-1787). 2 listening CDs. Published by Berlin Classics (NX.BC0090332).
JADER MARCH — Federico Tassani
Concert Band — Individual Part,Score — Classical Period
Composed by Federico Tassani. Classical Period. Individual Part, Score. 33 pages. Federico Tassani #3. Published by Federico Tassani (S0.11673).
Canciones Del Teatro De Garcia Lorca — Federico Garcia Lorca
Vocal and Guitar — Book Only — Classical
By Federico Garcia Lorca. By Gustavo Pittaluga (1906-). Edited by Federico Garcia Lorca. Arranged by Jose Caballero. Music Sales America. Classical. Book Only. Union Musical Ediciones #MUSUMV19495. Published by Union Musical Ediciones (HL.14012430).
Tres Nocturnos — Federico Moreno Torroba
orchestra (2121 - 1000 - timpani - harp - strings) — —
Composed by Federico Moreno Torroba (1891-) and Federico Moreno Torroba (1891-1982). This edition: print on demand. Published by Trito Ediciones (TI.TR-00655).
Love me tender — George Pulton
Trombone,Brass Quartet — Individual Part,Score — Early Music,Pop,Classical Period
Composed by George Pulton. Arranged by Federico Tassani. Early Music, Pop, Classical Period. Individual Part, Score. 5 pages. Federico Tassani #1. Published by Federico Tassani (S0.11485).
Copla De Antano — Federico Moreno Torroba
Vocal and Piano — Book Only — Classical
Composed by Federico Moreno Torroba (1891-) and Federico Moreno Torroba (1891-1982). Classical. Book Only. Union Musical Ediciones #MUSUMV15281. Published by Union Musical Ediciones (HL.14020077).
Schottisch No.11 De La Chulapona — Federico Moreno Torroba
Opera, Voice — Book Only — Opera or Operetta
Composed by Federico Moreno Torroba (1891-) and Federico Moreno Torroba (1891-1982). Opera or Operetta. Book Only. Union Musical Ediciones #MUSUMV08111. Published by Union Musical Ediciones (HL.14020082).
Albanese: By The Deep Sea — Federico Albanese
— — Classical
By Federico Albanese. By Federico Albanese. Classical. Naxos #0301027NM. Published by Naxos (NX.0301027NM).
- Ten Lieder for soprano voice and piano accompaniment
- "Aire de bambuco" (bambuco is a dance from the Colombian Andean region, with a peculiar rhythm)
- "Sara Cecilia", pasillo for piano (the "pasillo" is another type of dance from the Colombian Andean region)
- Rapsodia concertante Some chamber music for strings and piano
Hans Federico Neuman, whose original name was Johann Friedrich Neümañ was born
in Barranquilla. His father, Willem Tell, came from Curaçao, his mother, Zoila
Rosa Del Castillo, was Colombian. He started piano lessons as a child with
maestro Jose Vasquez-Pedrero and did harmony and composition studies with
maestro Pedro Biava (maestro Biava’s son, Luis, is First Second Violin in the
Philadelphia Orchestra in Washington D.C. and a teacher at Temple University).
Neuman married Sara Emilia De la Hoz and had one single daughter, Sara Cecilia
(little me, 55 now!). In 1952 Neuman went with his family to Bogota, where he
played with groups in restaurants and acquired a vast knowledge of music from
all over the world. He also had a duet with violinist Gustav Kolbe (who played
at the München Philharmonic under Celibidace for many years, and is a fan of
Wagner’s Ring, which he had to play so many times at Bayreuth’s Spielhaus.
Kolbe retired and is now living in Bogota).
At maestro Biava’s retirement from the School of Beaux Arts in Barranquilla, my
father was called to replace him. So, after 12 years he came back to his
homeland. He had been a secondary school teacher in Bogota, too.
He directed the School from 1964 to 1970, when he was called by professor
Andres Pardo-Tovar (lawyer and music historian, contributor to the Historia
Extensa de Colombia in the area of music), who was at the head of the
Radiodifusora Nacional de Colombia (the main national broadcasting station in
the country) where my father led several programs on music appreciation. He
also taught Music Appreciation and Music History at Universidad Nacional de
Colombia. Following his retirement in 1983, he came back to Bar
ranquilla after a brief tour in Europe with his wife, and became a programmer
at Uninorte FM Stereo, conducting a program similar to those he led in Bogota.
He died aged 74.
Neuman was also an accomplished translator of Italian poetry, and a poet
himself. As a musician, I have never met a better accompanist nor sight reader
than him. As a pianist, he had the most beautiful swing for American,
Brazilian and all that popular music never to be forgotten.
He had an excellent, subtle (some times not so subtle) sense of humor which he
expressed only when he was among friends. I still miss him.
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Anonyme (non vérifié)
mer, 2010-03-17 20:41
Daniel's grandfather, my
Surprised and pleased to see that Neuman's only grandson -- also my only son-- Daniel, has posted this information on Facebook. May I add that this was written ten years ago. For the years to come, we are now in 2010 S.C. Neuman