Liste des compositions
- Catches : 3-4 voix — a = Hm 90242 • 219
- Catches : 3-4 voix — Joy, mirth, triumphs I do defy : 4 voix • Z.101
- Catches : 3-4 voix — AS Roger last night to Jenny lay close • Z.242
- Catches : 3-4 voix — Call for the reckoning • Z.244
- Catches : 3-4 voix — Come, let us drink : 3 voix-basse continue • Z.245
- Catches : 3-4 voix — Great Apollo and bacchus • Z.251
- Catches : 3-4 voix — Here's a health, pray let it pass • Z.252
- Catches : 3-4 voix — Here's that will challenge all the fair or Bartholomew Fair • Z.253
- Catches : 3-4 voix — Once ,twice, thrice, I Julia tried • Z.265
- Catches : 3-4 voix — Industrious insect (One) or Insecta praecauta, alterius merda • Z.266
- Catches : 3-4 voix — Pox on you for a fop • Z.268
- Catches : 3-4 voix — Prithee be n't so sad and serious • Z.269
- Catches : 3-4 voix — Since time so kind to us does prove • Z.272
- Catches : 3-4 voix — Sir Walter enjoying his damsel • Z.273
- Catches : 3-4 voix — Soldier, soldier, take off thy wine : 4 voix • Z.274
- Catches : 3-4 voix — Under a green elm lies Luke Shepherd's helm : 4 voix • Z.285
- Catches : 3-4 voix — Who comes there ? • Z.288
- Catches : 3-4 voix — Young John the gard'ner : 4 voix • (1683) • Z.292
- Catches : 3-4 voix — Health to the nut-brown lass (A) : 4 voix • (1685) • Z.240
- Catches : 3-4 voix — Come, my hearts, play your parts • (1685) • Z.246
- Catches : 3-4 voix — God save our sovereign Charles • (1685) • Z.250
- Catches : 3-4 voix — Let the grave folks go preach • (1685) • Z.258
- Catches : 3-4 voix — Now England's great council's assembled • (1685) • Z.261
- Catches : 3-4 voix — Since the duke is return'd • (1685) • Z.271
- Catches : 3-4 voix — 'Tis easy to force : 4 basses • (1685) • Z.279
- Catches : 3-4 voix — 'Tis women makes us love : 4 voix • (1685) • Z.281
- Catches : 3-4 voix — To thee, to thee and to a maid • (1685) • Z.283
- Catches : 3-4 voix — Would you know how we meet • (1685) • Z.290
- Catches : 3-4 voix — Ape, a lion, a fox and an ASS (An) • (1686) • Z.241
- Catches : 3-4 voix — Drink on till night be spent • (1686) • Z.248
- Catches : 3-4 voix — Full bags, a brisk bottle • (1686) • Z.249
- Catches : 3-4 voix — He that drinks is immortal • (1686) • Z.254
- Catches : 3-4 voix — Once in our lives let us drink to our wives • (1686) • Z.264
- Catches : 3-4 voix — Macedon youth (The) : 4 voix • (1686) • Z.276
- Catches : 3-4 voix — Miller's daughter riding (The) • (1686) • Z.277
- Catches : 3-4 voix — 'Tis too late for a coach • (1686) • Z.280
- Catches : 3-4 voix — Under this stone lies Gabriel John • (1686) • Z.286
- Catches : 3-4 voix — When V and I together meet • (1686) • Z.287
- Catches : 3-4 voix — Wine in a morning makes up frolic and gay • (1686) • Z.289
- Catches : 3-4 voix — To all lovers of music • (1687) • Z.282
- Catches : 3-4 voix — My lady's coachman, John • (1688) • Z.260
- Catches : 3-4 voix — Now, now we are met and humours agree • (1688) • Z.262
- Catches : 3-4 voix — Pale faces, stand by • (1688) • Z.267
- Catches : 3-4 voix — Sum up all the delights • (1688) • Z.275
- Catches : 3-4 voix — If all be true that I do think • (1689) • Z.255
- Catches : 3-4 voix — True Englishmen drink a good health • (1689) • Z.284
- Catches : 3-4 voix — I gave her cakes and I gave her ale • (1690) • Z.256
- Catches : 3-4 voix — Let us drink to the blades • (1691) • Z.259
- Catches : 3-4 voix — Surrender of Limerick (The) • (1691) • Z.278
- Catches : 3-4 voix — Young Colin cleaving of a beam • (1691) • Z.291
- Catches : 3-4 voix — Down, down with Bacchus • (1693) • Z.247
- Catches : 3-4 voix — Is Charleroy's siege come too ? • (1693) • Z.257
- Catches : 3-4 voix — Of all the instruments that are • (1693) • Z.263
- Catches : 3-4 voix — Bring the bowl and cool Nantz ? • (1694) • Z.243
- Catches : 3-4 voix — Room for th'express, written on the fall of Limerick • (1694) • Z.270
Sheet music for Joy, mirth, triumphs I do defy Purcell
The Queen To Me A Royal Pain Doth Give — PDQ Bach
soprano I, soprano II, alto voice, tenor voice, bass voice, Piano rehearsal — piano reduction/vocal score — Choral
Two Madrigals From The Triumphs Of Thusnelda. Composed by PDQ Bach (1935-). Edited by Peter Schickele. TWO MADRIGALS, from The Triumphs of Thusnelda. During the Golden Age of the English madrigal, around the year 1600, it was not uncommon for a number of pieces by different composers to be published together under a single title such as The Triumphs of Oriana, to name one of the most famous collections. Choral. Piano reduction/vocal score. With Standard notation. S 1601. 12 pages. Theodore Presser Company #312-40794. Published by Theodore Presser Company (PR.312407940).
Price: $2.00
My Bonnie Lass She Smelleth — PDQ Bach
soprano I, soprano II, alto voice, tenor voice, bass voice, Piano rehearsal — piano reduction/vocal score — Choral
S.S.A.T.B. a Cappella. Composed by PDQ Bach (1935-). Edited by Peter Schickele. Fold. TWO MADRIGALS, from The Triumphs of Thusnelda. During the Golden Age of the English madrigal, around the year 1600, it was not uncommon for a number of pieces by different composers to be published together under a single title such as The Triumphs of Oriana, to name one of the most famous collections. Choral. Piano reduction/vocal score. With Standard notation. S 1601. 9 pages. Theodore Presser Company #312-40795. Published by Theodore Presser Company (PR.312407950).
Price: $2.00
We Shall See Him As He Is: Full Orchestral Score and Piano Vocal Score — Joy Fairclough also known as Joy Fay-Lyn Fairclough
Piano/Vocal/Chords,Easy Piano,Piano Accompaniment,Organ,Flute,Oboe,Clarinet,Trumpet,Horn in F,Violin,Viola,Cello,Double Bass,Timpani,Hand Percussion,Voice,Soprano Voice,Alto Voice,Tenor Voice,Baritone Voice,Bass Voice,Choir,SATB,Unison,Full Orchestra,Chamb — Score — General Worship,Blues,Repertoire,World,Funeral
Composed by Joy Fairclough also known as Joy Fay-Lyn Fairclough. General Worship, Blues, Repertoire, World, Funeral. Score. 19 pages. Published by Joy Music Ltd. (Jamaica) (S0.200727).
Price: $17.00
For Elizabeth: Gold, Frank Innocence, and Mirth — Stephen Hatfield
Chorus — Octavo — Classical, Contemporary
CME Building Bridges. Composed by Stephen Hatfield. Building Bridges. Classical, Contemporary. Octavo. 12 pages. Boosey & Hawkes #M051469390. Published by Boosey & Hawkes (HL.48004686).
Price: $1.00
Now's The Time For Mirth And Play — Arthur Oldham
Unison Voice Organ Accompaniment — Choral Score — Classical
Composed by Arthur Oldham. Classical. Choral Score. Novello & Co Ltd. #MUSNOV441448. Published by Novello & Co Ltd. (HL.14023975).
Price: $3.00
Verdi Where Beauty And Mirth Pv — Various Artists
Piano and Vocal — Book Only — Classical
Composed by Various Artists. Classical. Book Only. Novello & Co Ltd. #MUSNOV410068. Published by Novello & Co Ltd. (HL.14034873).
Price: $7.00
03-Abuse of Power Chapter 1b-Definite Mirth — Jordan Grigg
Full Orchestra — Performance — Classroom,Spoken Word,Audio Commentary
Composed by Jordan Grigg. Classroom, Spoken Word, Audio Commentary. Performance. Published by Jordan Grigg (S0.368525).
Price: $3.00
Mirth - original piano solo — Kevin G. Pace (ASCAP)
Piano Solo — — Romantic Period,Contemporary Classical,Post-Romantic,Neo-Classical,Repertoire
Composed by Kevin G. Pace (ASCAP). Romantic Period, Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire. 6 pages. Published by Kevin G. Pace (S0.192959).
Price: $3.00
Feuer Und Bravour — Achtman
— listening CD —
By Achtman, Klein, and Musicke & Mirth. By Grau, Hesse, Jiri Antonin Benda (1722-1795), and Christoph Schaffrath (1709-1763). Listening CD. Published by Naxos (NX.RAM0803).
Price: $7.00
Glory — Kirke Mechem
Choral — Octavo — Concert, Festival
(With Joyful Song and Tender Mirth). Composed by Kirke Mechem (1925-). Choral. Concert, Festival. Octavo. 16 pages. Published by G. Schirmer (HL.50600448).
Price: $2.00