Vous êtes ici
Liste des compositions
Musique de chambre
Musique instrumentale
Musique symphonique
Musique vocale
Musique lyrique
Musique concertante
Sheet music for Pelle Gudmundsen-Holmgreen
Ad Cor
Orchestra (Full Score) - Grade 4
By Ursula A. Olsen. By Pelle Gudmundsen-holmgreen (1932-). Music Sales America. Sacred. Score Only. Composed 2016. 70 pages. Edition Wilhelm Hansen #WH32746. Published by Edition Wilhelm Hansen (HL.14048004).
Statements
Choral (Unison choir) - Grade 4
(English Text). Composed by Pelle Gudmundsen-holmgreen (1932-). Music Sales America. Hymns & Chorals. Vocal Score. Composed 2002. 12 pages. Edition Wilhelm Hansen #WH28967A. Published by Edition Wilhelm Hansen (HL.14013434).
IGEN
SATB Choir (SATB Choir)
Composed by Pelle Gudmundsen-holmgreen (1932-). Music Sales America. Choral Score. Composed 2012. 32 pages. Edition Wilhelm Hansen #WH30794. Published by Edition Wilhelm Hansen (HL.14048061).
Four Madrigals From The Natural World
SATBARB (SSATBB choir)
Composed by Pelle Gudmundsen-holmgreen (1932-). Music Sales America. Motet. Vocal Score. 56 pages. Edition Wilhelm Hansen #WHKP01218. Published by Edition Wilhelm Hansen (HL.14011728).
Kanon For 9 Instrumenter
Chamber Ensemble
Composed by Pelle Gudmundsen-holmgreen (1932-). Music Sales America. Score Only. 14 pages. Edition Wilhelm Hansen #WHKP01378. Published by Edition Wilhelm Hansen (HL.14013425).
Four Madrigals From The Natural World
SATB Choir
Composed by Pelle Gudmundsen-holmgreen (1932-). Music Sales America. Motet. Vocal Score. 120 pages. Edition Wilhelm Hansen #WHKP01211. Published by Edition Wilhelm Hansen (HL.14011727).
Mirror III for organ, Octopus for organ, 2 players and assistants, Concerto grosso for String Quartet & Symphonic Ensemble, Triptykon for percussion & orchestra a.o.
Pelle Gudmundsen-Holmgreen studied theory, music history and composition at the Royal Danish Academy of Music. In 1967-72 he taught at the Jutland Academy of Music after which he earned his living by composing. After some years working with serialism, he developed his own style in the sixties - later called the ‘new simplicity’. From then on his music has been characterized by repetition, the grotesque, simple motifs and rhythms, bold timbres, and heterogeneous material in polyrhythmic layers. Behind the constant, fierce provocations in his music lies a moving sensitivity and an umcompromising, authentic expressiveness which is often overlooked in one’s first encounter wiith the music, but which grows stronger with familiarity. He has written orchestral works, choral works, chamber and solo music.
- Connectez-vous ou inscrivez-vous pour publier un commentaire